I had this modular, and I personally underestimated it. Beautiful modular and very unique, however, it just wasn’t not for me. BUT now that I have gotten better at modular, man, I have some ideas I could had provided with it. I can imagine this with Endless Processor, and have a lush soundscape coming in and out all over.
I really loved the concept behind this module but after playing with this a knobcon w/headphones imho for the +$ involved I will have stick to panning and tweaking eq settings. The real demo test would be to only move from front to back, top and bottom. (vs left, right and center) It's very difficult to control sound as, analogous to a optical illusion., its often- a subjective interpretation. One hears what they hear (or see's what they see)
Another great review thanks. Definitely an interesting piece. Curious if it translates well to mono based sound systems or if it jumbles everything. Kind difficult to use if you make dance music if it sounds muddled in that context.
I’d say if you’re making dance music for clubs this isn’t going to help. Too many phasing issues could come up. Best for more ambient work designed to be listened to on good headphones or speakers
@@SynthDad mostly (Neuseit) :D think of the Z like you would make a hihat sound "tss" , sharper. Like a hissing sound with zero attack, beginning with an inaudible T as in aTTack... or even better: the ending S of the word "hills" / "hells". Still better than my "th" ;D
This module really shines with a clean digital delay. It’s like having more than two Quasars. Especially good when clock synced
I played with it more using delay as well after the video. Totally agree that moving delay echoes in space is fantastic
I had this modular, and I personally underestimated it. Beautiful modular and very unique, however, it just wasn’t not for me. BUT now that I have gotten better at modular, man, I have some ideas I could had provided with it. I can imagine this with Endless Processor, and have a lush soundscape coming in and out all over.
That’s a really interesting idea - I don’t have an Endless processor but I could see these pairing up perfectly
I really loved the concept behind this module but after
playing with this a knobcon w/headphones imho
for the +$ involved I will have stick to panning and tweaking
eq settings.
The real demo test would be to only move from front to back, top and bottom.
(vs left, right and center)
It's very difficult to control sound as, analogous to a optical illusion., its often- a subjective interpretation.
One hears what they hear (or see's what they see)
It always sounds like it's going behind my head in Audeze LCD-2C's.
Another great review thanks. Definitely an interesting piece. Curious if it translates well to mono based sound systems or if it jumbles everything. Kind difficult to use if you make dance music if it sounds muddled in that context.
I’d say if you’re making dance music for clubs this isn’t going to help. Too many phasing issues could come up. Best for more ambient work designed to be listened to on good headphones or speakers
I was waiting on how you would pronounce "Neuzeit"😅
Hopefully I got it correctly!
@@SynthDad mostly (Neuseit) :D think of the Z like you would make a hihat sound "tss" , sharper. Like a hissing sound with zero attack, beginning with an inaudible T as in aTTack... or even better: the ending S of the word "hills" / "hells".
Still better than my "th" ;D
why would i send an sd card to france :S
I don't know, why would you?
@@SynthDad idont know :S lets do it :D