Great singer !!!!! I love the tone, the fiatto.. and what a great actor he is.. and the body language and expression.. his cosi at the MET was fantastic
Thank you for the appearance on You tube talking about Mozart. We just heard you in the cinema at the Ave des Gobelins, in Paris, the Met's Live in HD of Cosi fan Tutte. The scene in Act II in which you and Amanda Majeski show that you have actually really been touched by each other was quite wonderful--added a dimension to the production (which we thought was marvelous).
listen jerry hadley how open he is .a great example of free open throat singing and he was also lyric tenor. i am a lyric tenor also and have studied old italian school.your sound is way back and not well supported and you dont breath deep enough.you have a very good material and it is undeveloped.find a teacher that knows old italian schooll.
@@brolobear it is not a critic.its physiological fact...nice voice but underdeveloped for opera speaking.you are full of irony so its impossible to make a serious conversation with facts.physiology of the larynx and of sound production for opera is one way...thera.are no tricks for big healthy opera singing.no i am not singing in the met..this is not criteria for great singing...so do your homework and come with arguments...and listen how the great singers of the past sing...
nice voice but not free enough and to much in the back...no squillo and not enough chest.you must open your throat more and keep it like that all the way
Probably the best Una Furtiva Lagrima version I ever heard ❤
Thank you Mr. Ben Bliss for this wonderful masterpiece 🤩
Great singer !!!!! I love the tone, the fiatto.. and what a great actor he is.. and the body language and expression.. his cosi at the MET was fantastic
Beautiful voice! Beautiful singing!
Bright and gentle voice! Beautiful.
Gorgeous, Ben! Simply gorgeous!!
Stellar performance!
Thank you for the appearance on You tube talking about Mozart. We just heard you in the cinema at the Ave des Gobelins, in Paris, the Met's Live in HD of Cosi fan Tutte. The scene in Act II in which you and Amanda Majeski show that you have actually really been touched by each other was quite wonderful--added a dimension to the production (which we thought was marvelous).
Absolutely delightful!
I'm hooked!
That's ma boy
NICE
listen jerry hadley how open he is .a great example of free open throat singing and he was also lyric tenor. i am a lyric tenor also and have studied old italian school.your sound is way back and not well supported and you dont breath deep enough.you have a very good material and it is undeveloped.find a teacher that knows old italian schooll.
Perhaps you could name yourself? Someone with your vast knowledge is singing all over the world, I'm sure. Right?
@@brolobear it is not a critic.its physiological fact...nice voice but underdeveloped for opera speaking.you are full of irony so its impossible to make a serious conversation with facts.physiology of the larynx and of sound production for opera is one way...thera.are no tricks for big healthy opera singing.no i am not singing in the met..this is not criteria for great singing...so do your homework and come with arguments...and listen how the great singers of the past sing...
nice voice but not free enough and to much in the back...no squillo and not enough chest.you must open your throat more and keep it like that all the way
grow up and keep it like that all the way