Every Jazz Chord Progression You Need to Know
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- เผยแพร่เมื่อ 4 ส.ค. 2024
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If you want to be able to play and improvise over jazz standards, you need to understand the chord progressions that they are built out of.
So, here's every single chord progression that you need to know for jazz.
CHAPTERS:
00:00 Intro
00:10 The 2 Categories of Chord Progressions
00:22 Category 1
00:26 First chord progression you need to know
02:28 The 2nd chord progression
03:11 The 3rd chord progression
03:46 The 4th chord progression
04:39 The 5th chord progression
05:38 The 6th chord progression
06:29 The Cycle of Fourths
07:06 The 7th chord progression
08:05 The 8th chord progression
09:59 Category 2
10:16 The 9th chord progression
12:11 The 10th chord progression
13:00 The 11th chord progression
14:03 The 12th chord progression
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15 years in 15 minutes.. cheers
Quite the compliment, thanks!
Is it that hard?
Hard? No. Time consuming and requiring many hours/days of dedicated practice? Oh hell yeah.
I'm a pianist and I been practicing arppegiating the diatonic seventh chord up the scale in every major key for about a month and a half and I'm starting to notice some cool patterns. Diatonic seventh chords are really the way to go imo.
Here's an easy way to find the chord that is a tritone interval away for substitution as shown starting at time 13:10 in the video. A tritone interval is half of an octave. Since going once around the Circle of Fifths and Fourths traverses an octave by the time you get back to where you started, the tritone is halfway around. That's the note (or chord) that is directly opposite to the starting note (or chord). For example, looking on the Circle you can see that Db is directly opposite from G, so the tritone substitution for G7 is Db7. Likewise for any other chord you want to substitute. The Circle of Fifths (and Fourths) is magic in so many ways.
You're killing it Brent! Thanks for all the great and concise content!
Pure condensed well explained with wisdom. Excellent summary and a refresher of concepts. Thanks!
Thank you so much!
Such an incredible video - thank you for the wisdom!
This is terrific
You sir, are a wizard.
Thank you LJS Brent! I've learned so much watching all your stuff over the years and paid for very little. I took copious notes from this video and have so much to work with now!
That's great! Thanks for watching
Thank you
I've been waiting for someone to do this video
Excellent video! Thank you!
Glad you liked it!
This video is amazing. This guy is a wizard.
Wow!!!! Good! Like this 🇧🇷
Compact! Lots of good info condensed into a short clip! It is a good thing this is available to review.
Glad you found it helpful Rob!
Awesome sequence of learning the basic Jazz progressions! Tri-tone sub pops right out of descending Dom 7ths in a blues turnaround!
That's true - especially if we are talking minor blues! Thanks for watching
Great video! The only thing I would add is the backdoor progression as it comes up a lot. (or was that covered in the vid...)
Great concise summary of the key jazz progressions. Is there a pdf file or printout available for downloading which tracks this specific lesson.
Great to find you.....thanks so much
You are so welcome
Thanks for this video. My teacher says the same, you will get to know them because the progressions repeatedly come back in the standards. I am still puzzling how it benefits my play supposedly I have them memorized (or if I can recognize them by ear). Do you have a video on that?
u are the best jazz teacher！
Thanks!
outstandingly helpful content, thank you!
Merci, it's out of my pay grade but at least it's preparing me for later on.
That guitar sounds really good! Smallish, good for my arthritic shoulder. Is it a Jaén? Thanks!
Hey thanks! It's a custom built Victor Baker guitar.
Con mucho thanks! I really enjoy your channel!
Good stuff. 🍻
(I’m not a grammar snob but.. I do think confusion can be avoided. It should be noted that people often confuse the “with” and “for” when talking about substitutes. Be mindful of this this.
E.g. when using a tritone sub for the ii- in C:
“I subbed the D- with an Ab7” = correct.
“I subbed the D- for an Ab7” = incorrect.
“I subbed an Ab7 for the D-“ = correct.
“I subbed the Ab7 with a D-“ = incorrect.
Hope this clears that up. 👍)
TH-cam show this channel more, please n thanks.
Thank you, Peter! You may subscribe to our channel so that you won't miss any of our videos: www.youtube.com/@Learnjazzstandards/videos
Guitar sounds so beautiful. What kind of Guitar is it?
Thanks! It's a custom-made Victor Baker. I made a video on this guitar's specs. You can it watch here: th-cam.com/video/ym2XbAVD9Ec/w-d-xo.html
When it comes to jazz, if you see a progression written such as ii-V-I, is it assumed that they would all be 7th chords?
yes
I don't get it!! Why both Dmin7 and F7 are 2? I don't understand what the numbering is based on! Please somebody explain this to me, I really want to understand!😭
well, the key of the Autumn leave isn't Bb, it's Gm
The displaying words covered some of ur hand chords, I can't see them well
Hi, thanks for the feedback. If it's the subtitle, you can click CC on the lower part of the screen to turn it off so it won't get in the way.
8.11. there should be written VI. not vi. sorry
Hey, thanks for pointing it out! Sorry for the typo. We must have missed it during post-production.
Kiss
4:14 Sounds more like a Gm7 to me
It's altered with a #9, which is the same as b3, so I guess it's kind of both dominant and minor 7th at the same time? :D I definitely hear the #9 better than the 3 in this audio too though
@@grammarpenguin 5 months later... Let's see how my ear was back then 😅
@@grammarpenguin hmm I currently only hear the tones F, G and Bb. Back then I must have assumed it was an Gm7 because the Gm7 quality remains even though the fifth (D) is missing.
@@grammarpenguin For it to be an altered G chord, the B and the D should exist. At least the B, But I don't hear either of them... 🤔
I don't really hear the B distinctly either, but you can tell there must be something there because the chord sounds a lot crunchier than the shell voicing of Gm7 would. His index finger is on the B on the D string, so the full chord is G B F A#: G7#9 with the 5th omitted.
Oh dont take me back to kindergarten...
ah sorry I didn't know you were going to show to this video
This guy's just a talker
Did him so dirty 😭
when someone starts talking in jazz terms, me after 5 minutes: 🥱😴💤