From Seville to Isfahan - Constantinople & Accademia del Piacere (Tabassian & Alqhai) - Full concert

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  • เผยแพร่เมื่อ 10 ก.ย. 2024
  • FROM SEVILLE TO ISFAHAN
    Renaissance music from Persia and Spain
    00:00:49 - GOLESTÂN
    Persian Anonymous (XVIe siècle), poem by Hâfez (ca.1325-1390)
    00:09:01 - GLOSA SOBRE EL CANTO ILANO PANGE LINGUA
    Anonymous, Fahmi Alqhai
    00:14:49 - GHOME AJAM & PIR-E MEY FOROUSH
    Persian anonymous (ca. 1500), poem by Hâfez
    00:27:49 - SI TUS PENAS NO PRUEBO Y SU SLOSA
    Francisco Guerrero (1528-1599) - Fahmi Alqhai
    00:32:23 - DIFERENCIAS DE CONDE CLAROS
    Luis de Narváez (ca. 1500-1552)
    00:39:35 - NIKRIZ PISHROW
    Aga Mu’men (ca. 1580- 1640)
    00:43:35 - FANTASIA QUE CONTRAHAZE LA HARPA EN LA MANERA DE LUDOVICO
    Alonso de Mudarra (ca. 1510-1580)
    00:48:21 - ROMANESCA, O GUÁRDAME LAS VACAS
    Alonso de Mudarra - Fahmi Alqhai
    00:52:59 - BUZURG PISHROW (Excerpt)
    Dimitrie Cantemir (1673-1723)
    00:56:26 - FECIT POTENTIAM & FANTASIA 37
    Miguel de Fuenllana (ca. 1500-1579)
    00:59:25 - FANDANGO
    Santiago de Murcia (1673-1739) - Fahmi Alqhai
    01:07:11 - CHAVOSH
    Kiya Tabassian, poem by Hâfez (ca.1325-1390)
    Concert recorded in Montreal, on April 9th 2022
    Constantinople & Accademia del Piacere
    Kiya Tabassian, setar & voice
    Fahmi Alqhai, viola da gamba
    Didem Basar, kanun
    Johanna Rose, viola da gamba
    Hamin Honari, tombak, daf
    Rami Alqhai, viola da gamba
    Patrick Graham, percussion
    From Seville to Isfahan
    The 15th and 16th Century have been described as the «Golden Age» of Spanish music, but they were also without a doubt the golden age of Persian and central Asian music.
    The great masters of the Spanish Renaissance created their own signature of polyphony. Into what was essentially Franco-Flemish music of the time they wove influences left by the monodic tradition such Cantigas de Santa Maria and also by the Moors and the Muslim cultures so present in medieval Spain. During this time, the courts of Shah Ismail and Sultan Suleyman in the East, welcomed and trained some the most remarkable musicians, composers and theoreticians to grace the pages of the musical history of these regions.
    This musical journey from Sevilla to Isfahan brings into dialogue the music of the Spanish Renaissance with Persian/Ottoman masterpieces taken from manuscripts unearthed in monasteries and palace libraries such as Topkapi.
    Embark on a musical journey with the two renown musical ensembles Constantinople & Accademia del Piacere through Iberia, Persia, and Central Asia, revisiting music notable for its sumptuous color and exceptionally rich beauty.
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