@@inlovingmemoryofdouglasmul5216 I use a combination of both. For the MixBus my favourite one is the J37 though. But for the drum bus I switch between the Kramer and j37. It all depends on the song.
The Noise control is the biggest secret weapon on this in my book. On the preset he started with, it is set to 23.9. I tick and it is then off. If you take a LCR rock mix with the guitars hard panned and this preset turned on. If you change between 23.9 and off on the noise, you will notice something. The 23.9 has a touch more compression to it and glues the mix a little bit. As you increase it, the compression increases as well. It is like the final mix glue after the bus comp. You have to turn the noise up a great deal before it can be heard. So think of the noise control as a "glue control" or compression level.
Its my all time used plugin on my master bus .. but now here’s the question after having watched your tutorial.. Is it better to put it as the last or first plugin on the master bus .. the idéal is to simulate a real studio situation .. ! But I’ve never been in Abbey’S studios ..so?
For the latest pricing and more info on the Waves J37 click here waves.alzt.net/J37_Tape
Do u prefer this plugin over the waves Kramer master tape?
?
@@inlovingmemoryofdouglasmul5216 I use a combination of both. For the MixBus my favourite one is the J37 though. But for the drum bus I switch between the Kramer and j37. It all depends on the song.
@@AudioTechTV 👍👍
The Noise control is the biggest secret weapon on this in my book. On the preset he started with, it is set to 23.9. I tick and it is then off. If you take a LCR rock mix with the guitars hard panned and this preset turned on. If you change between 23.9 and off on the noise, you will notice something. The 23.9 has a touch more compression to it and glues the mix a little bit. As you increase it, the compression increases as well. It is like the final mix glue after the bus comp. You have to turn the noise up a great deal before it can be heard. So think of the noise control as a "glue control" or compression level.
This one I have and use frequently. Kind of a legacy sound. I love it.
I use it in every project. I love the sound that it adds. Thank you for continuing to watch. Keep creating! 👊👍
Really handy explanations and the sound tests were very useful :D Starting to get how to use this!
good walkthrough, I'm going to start using it now :)
I hope you enjoy it. Thank you for watching. Keep creating! 👊👍
I felt the j37 on kick drums makes the signal wider. Isnt that a problem?
THIS is a real good review with great examples - TOP :)
Glad you liked it. Thank you for watching. Keep creating! 👊👍
good info here! I wanted to learn more about this after a discussion today with my bro. You have definitely helped me.
Glad the video helped. Thank you for watching. Keep creating! 👊👍
Would this be good for metal mixes?
Thank you
Its my all time used plugin on my master bus .. but now here’s the question after having watched your tutorial..
Is it better to put it as the last or first plugin on the master bus .. the idéal is to simulate a real studio situation .. ! But I’ve never been in Abbey’S studios ..so?
I use it as the last plugin on the master track. My thinking is that in a studio they output to tape. So all other effects would come first.
Great vid...
Can u pls name any free plugin for a plucky Synth?
Synth1
Zeta
looks old.but i like it.
Nice vid Zane👍
It’s a great tape saturation. Thank you for continuing to watch. Keep creating! 👊👍