DIVINE MUSIC. ONCE IT WAS TOLD THAT DHRUPAD SINGING IS NOT SUITABLE FOR FEMALE VOCALIST, NOW THE TIME HAS CHANGED, AGAIN DHRUPAD SINGING IS GETTING IT'S OLD PRESTIGE AND POPULARITY BY FEMALE SINGERS LIKE YOU. GREAT WORK. KEEP IT UP.
Dhrupad is meditative trance music with roots in natya sastra and samved. The position of each swar is meticulously chosen and may not match with harmonium as there are microtones involved. Naad, the vibration of music takes priority over swar.
With all humility and pranaams to such great artists, as a listener i would loved if the bandish part was longer. I feel the Dagar style's overemphasis on alaap puts people away from enjoying the exciting pakhawaj and literary beauty of Dhrupad compositions. Such orthodoxy has also ensured khayal is the most prominet North Indian art music, while Dhrupad is 'respected' but not enjoyed in the same way as khayal.
Your sentiment is understood, good Sir. But Alap is trademark of the Dagarbani style of Dhrupad. So, I believe it is not something everybody would enjoy of course but that's the core beauty of it. But sure, other ways of singing Dhrupad should also be explored. I wish there more recordings of the Nauharbani, Khandarbani, Gauharbani so we could examine their way of singing to. Dagarbani is a great style but in the past few years has dominated the Dhrupad scene.
please pay more attention to the tanpuras - they are not in tune. So much benefit if tanpuras are allowed to help. I can hear she is not at ease here. Nothing is more reassuring or inspiring than having [erfect sounding tanpuras!
Martin Spaink The artists usually tune them themselves before their recital and I would be surprised to learn that she didn’t check before her performance. I am not an expert but they are tuned for me
The composition part (the last one where second bandish starts ) is extremely short . Ruins the mood made by so much efforts . The same was for dagar bros. I hv listened where that part is longer and so amazing .
I personally feel when I am listening a dhrupad, it should be like alap, jor ,& jhalla. All dagar brothers are so expertise in this portion that after a complete alap, jor, jhalla the composition part turned to be unwanted. Though it's my personal feeling
My reply is 4 years late and I am not even sure if this comment was just said in jest. In the Dhrupad style of classical singing from India, the unbound exploration and unveiling of the raag is given tremendous importance. this is the ‘alap’ section. The singing of the composition based on the chosen raag with rhythm accompaniment on the pakhawaj (drum with 2 membranes) starts much later. In many cases the aalap can last for upto one hour or more. Most audiences expect this and so it’s not very surprising, this video here has cut short the later composition part looks like. Just listen to how and when the pakhawaj comes in - it’s so beautiful. Indian Dhrupad singing is meditative and mystical so the initial exploration is extremely important to set up the mood and the emotional content of the performance.
DIVINE MUSIC. ONCE IT WAS TOLD THAT DHRUPAD SINGING IS NOT SUITABLE FOR FEMALE VOCALIST, NOW THE TIME HAS CHANGED, AGAIN DHRUPAD SINGING IS GETTING IT'S OLD PRESTIGE AND POPULARITY BY FEMALE SINGERS LIKE YOU. GREAT WORK. KEEP IT UP.
I don't know anything about your music. the only thing I know is that, every single time your voice enthralls me and makes me cry.
True!
Sunday evening performance @ Dover Lane concert singing in the similar form of a drupad in Multani has been per excellence, Madam.... 🙏
It's like the heartbeat of the universe. Hope to hear you and connect at the Fes Sacred Music Festival.
Such a contemplative and inward looking music. It is almost like she is singing in a trance and for herself.
Amazing rendition! I don't understand the technicalities, but it put me in a meditative trance. So peaceful, controlled, uplifting... Thank you!
Dhrupad is meditative trance music with roots in natya sastra and samved. The position of each swar is meticulously chosen and may not match with harmonium as there are microtones involved. Naad, the vibration of music takes priority over swar.
Multani will definitely get your eyes wet. Especially in this deep voice of Pelva ji.
Such a talented Dhrupad vocalist! So nice to see you blooming!
No words can describe the deep peaceful feeling after listening to this great artist.God bless you.
Your Music is Divine. I Admire your stableness of Swar and Taal. Great. !!!!!!!
वा खुपच सुंदर संध्याकाळची कातरवेळ उभी केलीत मॅडम
Just perfect. I love your channel. Thanks for sharing. Hare Krishna.
Kya baat hai; wonderful rendition 👌👌🙏🏻
Om Ma, so wonderfull, gratitude...
betoverend, ook hoe de gebaren de muziek méé maken.
Mystical, enchanting and meditative...
Such a passionate rendition...
Deep and beauty , a magic piece.....nivel Dios.👽
❤❤❤❤❤
Wonderful rendition on Raag Multani by Pelva Naik. I thoroughly enjoyed it.
Maitreyee Sarcar HF FRSA [Mrs],
Surtarang Broadcast worldwide.
Maitreyee Sarcar HF FRSA hhgjvbb
I love Pelva Naik a lot...
Carstal caler & accurate voice.
Good bless palvi & yours gurus je.
This is definitely one of the better renditions of Multani I have heard; a raga so difficult to get right.
Also heart teaching.......
So nice dhrupad...
Kanthena lamyet geetam hastainaartham pradarshayeet chakshuryaama darshayet bhaavam paadaabhyaam taalmaacharet. Pratyek gaayak gaayikaa ko gaayan ke samays is shloka me diye gaye nirdeshon kaa paalan karanaa chaahiye
Simply spellbinding
breathtaking
Very nice singing
Wonderful....Brava!
धन्यवाद 😇🤗
🥰🙏
wah.. could you please mention her guru's info here.
She learned from Ustad Zia Fariduddin Khan Dagar and is very faithful to his style.
With all humility and pranaams to such great artists, as a listener i would loved if the bandish part was longer. I feel the Dagar style's overemphasis on alaap puts people away from enjoying the exciting pakhawaj and literary beauty of Dhrupad compositions. Such orthodoxy has also ensured khayal is the most prominet North Indian art music, while Dhrupad is 'respected' but not enjoyed in the same way as khayal.
Your sentiment is understood, good Sir. But Alap is trademark of the Dagarbani style of Dhrupad. So, I believe it is not something everybody would enjoy of course but that's the core beauty of it. But sure, other ways of singing Dhrupad should also be explored. I wish there more recordings of the Nauharbani, Khandarbani, Gauharbani so we could examine their way of singing to. Dagarbani is a great style but in the past few years has dominated the Dhrupad scene.
ultimate
Namaste didi
Riveting!
please pay more attention to the tanpuras - they are not in tune. So much benefit if tanpuras are allowed to help. I can hear she is not at ease here. Nothing is more reassuring or inspiring than having [erfect sounding tanpuras!
Martin Spaink
The artists usually tune them themselves before their recital and I would be surprised to learn that she didn’t check before her performance. I am not an expert but they are tuned for me
@@ameyatulpule5977 I think he doesn’t understand she’s intentionally singing the major 7th note which is one semi tone flat of the tanpura’s Sa.
The composition part (the last one where second bandish starts ) is extremely short . Ruins the mood made by so much efforts . The same was for dagar bros. I hv listened where that part is longer and so amazing .
I have read that Ustad Zia Mohiuddin Dagar said the soul of the raag is in the aalap. Sometimes he would omit the dhupad/bandish/etc. altogether.
I personally feel when I am listening a dhrupad, it should be like alap, jor ,& jhalla. All dagar brothers are so expertise in this portion that after a complete alap, jor, jhalla the composition part turned to be unwanted. Though it's my personal feeling
Agar audience mein hotein to pakhawaj wale to murder kar dete
How is she even singing? The tanpura is so out of tune,it makes it extremely difficult to sing ,also bad tanpura playing.....her alaap is beautiful
The drummer’s like “I swear to god I have a part. Just wait. Just...please wait.”
My reply is 4 years late and I am not even sure if this comment was just said in jest. In the Dhrupad style of classical singing from India, the unbound exploration and unveiling of the raag is given tremendous importance. this is the ‘alap’ section. The singing of the composition based on the chosen raag with rhythm accompaniment on the pakhawaj (drum with 2 membranes) starts much later. In many cases the aalap can last for upto one hour or more. Most audiences expect this and so it’s not very surprising, this video here has cut short the later composition part looks like. Just listen to how and when the pakhawaj comes in - it’s so beautiful. Indian Dhrupad singing is meditative and mystical so the initial exploration is extremely important to set up the mood and the emotional content of the performance.
Tanpuras are completely out of tune and vocal culture is poor. Please dont take this as an example of good dhrupad.
ahahah, do you think you are credible ? you are unsensitive that much ???
The tanpura is perfectly tuned. There ismore than one way to tune it.