i still remember learning the "truth behind the Final Days" and this song started playing. gave me goose bumps something fierce. o.o (don't want to say too much, just in case some haven't gotten through Endwalker's story yet. yeah, its been at least a year, but i'd rather not spoil things for people either way)
@@Sascha00 wow its not like 1. someone already said the exact same thing you said word for word and 2. ishikawas gender has 0 relevance on them being the composer. grow a brain "bro"
Soken is such an amazing composer, but he also has a ridiculously talented sound team around him. Daiki Ishikawa has contributed some sick arrangements to the game, but this was the first I can remember that he both wrote and arranged. What a haunting addition to the Endwalker OST. It captures the horror of the Final Days so perfectly. FFXIV has one of the most incredible sound teams in gaming.
Takafumi Imamura is my favorite thing going there right now. I love the consistency they have brought during the Shadowbringers patches and up, and the burden they must have had to bear when Soken was out for his cancer must have been heavy.
Even two years later, I'm still amazed that Soken and his crew could outdo themselves with this track. I speak of their previous work, "Paradaisical Predicaments", and how it let you know things were about to get serious, very serious. This one lets you know that things are about to get dark, very dark very quickly.
1:08 is when the despair kicks from passive to active and starts feeling more like creeping dread, your death inexorably approaching while you can do naught but watch and wait for your doom.
Meteion's speech is probably one of my favorite parts of the "Time Travel" segment. No one would've expected something so cute and innocent to become creepy and foreboding in a matter of hours lol
"To live is to suffer. To drink of calamity. It is a perilous path. Death lurks in the dark. Do not avert your eyes. See your life for what it is. See how the hardships make you strong. Every doubt reforged..."
Probably my favourite song in Endwalker. This song just carries so much emotion in every direction. Past,present, future. The second you hear it, you know you are fucked. And the choir. * Italian kiss*
@@player554 Thavnair is attacked by a billion flying creatures as seen in the Vanaspati dungeon and everything is fine after. Great music but yeah, shit was ez.
@@player554 Did you forget where the monsters come from, or the entire dungeon after it? They're all people. Just bc they're not named NPCs doesn't really mean absolutely nothing happened (and this is from a person is who annoyed with Yshtola)
I still remember the first time i saw this flaming sky, like the goosebumps were absolutely INSANE when this scene hit with this music! Endwalker in total had SO many amazing and good scenes, scores and dialogue. This expansion was nothing short of a masterpiece in every area to me.
Been waiting for someone to say this too... this whole expansion has a lot of FFVII vibes in the OST and some situations. But regardless of the possible references, XIV has become a beacon of hope and light for Final Fantasy as a franchise.
Definitely agree with this. It absolutely evokes the same sense of dread and despair and it shocked me how effectively the expansion drove that home. Very happy the series has gotten back to the quality storytelling it became known for.
The fact they use this music when Meteion is taking out the Scions one by one till only the Warrior of Light is left standing and makes a choice to save them is perfect
I play this song every day when I feel nearly overwhelmed by reality and it shows me that things could be worse and that gives me strength to keep going. Note: I wonder what Sokens motivation was for this track specificly....."Let me hear crushing Despair" perhaps? Because that sure how I felt every time this played in the MSQ.
Be strong, my friends! Fear not, for we will defeat these abominations! Brave men and women of the Radiant Host! Lend Y’shtola and Thancred your aid! Let not a SINGLE beast escape!
This is one of the best songs in Endwalker for real. Every time it played in the MSQ it got chills. Its rly gives you the feeling that something rly bad is coming or happening. But in the same time its a epic battle soundtrack i think.
Humorously they are SO identical to The Sha in WoW. Rampant emotions transforming people into beasts in a crush of black+white energy. But the execution and horror were vastly better here of course.
@@jaeusa160for me it’s the fact the soul just ceases to exist. You don’t go to the atherial sea, you just stop existing. It’s the body horror combined with the existential dread that really does it.
@@Darksaviour according to none other than Meteion herself, the souls is not lost but collected and stored in her cocoon (Dead Ends), so she can deny them the cycle of rbeirth by taking them hostage.
If i remember, this track was written by Daiki Ishikawa, who helps Soken rearrange a lot of tracks, including the ones that comes from previous game entries
I used this song for the first phase of the final boss of my FF D&D campaign I had been running for 3 and a half years. The final boss was Diabolos, super charged after devouring and gaining the self-restoration and resurrection powers of Phoenix. The song fit perfectly to what was happening in-game.
@@justrosie7521 We actually record our campaigns and one of my players puts 'em up on TH-cam. If you're curious, you can look it up. 'Chronicles of Eno' is the campaign name, sessions uploaded by Project T. The moment I was talking about in this comment is in Episode 185 at around an hour and 6 minutes in.
When this track played the first time I just stopped for a bit because of how much it shocked me. The darkest and most sinister track in the entirety of the ffxiv ost by far.
Yeah that was exactly the point. His death forced Vitra to finally assume the full responsibility of being the Satrap and open up to his people. Ahewann dying then and there was the worst possible outcome, which is fitting considering what happened during that part of the story.
Yeah I'm not done with the expansion yet myself but that was exactly what I was thinking when people began transforming It doesn't help that some of the blasphemies are covered in mouths with no eyes either
Definitely one of the best tracks from Endwalker. I was expecting this to be rearranged for one of the phases in the final confrontation, and was somewhat disappointed it wasn't. The tracks we did get are a very fitting tribute to *our* journey and struggles that the player experienced in vanquishing former enemies in previous expansions, but I felt "What Comes of Despair" had an excellent motif for our antagonist in Endwalker. Bit of a missed opportunity, I think!
I'm just now listening to this with headphones for the first time, and maybe it's just the bitrate I'm listening to it in right now, but there's a chorus effect on (funnily enough) the chorus that kinda sounds like the vocal effect on people as they're transforming into Blasphemies. If that was an intentional thing, that is so many levels of haunting.
That distortion is 100% intentional, and for that very reason. Most people think a chorus of that kind is rote, boring, or overdone. The choice to add distortion to really hammer home that reality itself is coming undone was of course, as always, perfect genius. IF you could pull off that distortion, and hear this without it... There would be little to no meaningful impact. That ONE decision alone elevated this peace to a TRULY soul-reaching, chilling track that will stick with players for years to come.
I'm still genuinely pissed we never saw the effects of the Final Days outside of Thavnair and Garlemald, just having this or some other ominous track playing throughout all of Eitherys would've really sold the feeling of the end of the world.
I know that the MSQ was already getting incredibly long, but I wish they would have shown us more of the world burning instead of just mentioning that it was. That would have increased the stakes 10 fold for me. Like if Limsa was burning in front of our eyes. This is sad, but we also just learned of this place, so it doesnt mean much to us.
I remember feeling similar. I think, and this isn't meant to excuse it but rather see where they're coming from, I think they ran into a limitation of the medium we're on. Aside from large scale things like Realm Reborn I think MMOs are fearful and sometimes unable to make impactful changes to the in-game world. This problem seems exaggerated when it's a super populated and key area like Limsa. At no point can the player be locked out of other things they want to do so making any change around the city would be hard, and without that change the skybox changing would be very superficial. It's definitely a dillema of MMOs With all this said though they kinda ignored the easy solution, Making these moments into a duty, but I suppose even that would have a bit of a mood whip-lash when you finish saving the city and immediately it's populated with traders, and people asking for trivial level 5 items, and for you to pick up their lunch from the Bismarck lol.
@@DangerSmoog Yeah that's true. The only solution I could think is to make it instanced, so other people can still do quests and level there. But yeah would be hard to keep it all destroyed after the fact
The only difference between TFD Thavnair and normal Thavnair are sky and ost. With this, EVERY area could've 2 versions. And that would be really cool.
Also would make the expansion even longer and going to places we already know. The wol can't be everywhere and its to show the city States can hold a bit on their own. That and i think the role quests were to compensate for that. But i agree, if they put the apocalypse weather every zone it would be SO COOL
Spoilers That entire sequence in Thavnair, where the people turned, saw and were eaten viciously by their loved ones, our WoL going out into the forest while battling Blasphemies- trying to save a couple, then a parent, then the baby. It felt so hopeless, though we carried on. Though what got me the most, is when we slay these beasts, their souls go nowhere. Not back to the source, not used for any ather, they're completely gone. As if they were lost the moment they turned. This expansion was horrifyingly good
Honestly this whole arc DESTROYED me I'd been roleplaying as being from Thavnair ever since I got the glamour outfit when I was in ARR's patch content I'd built up a massive amount of emotional baggage for this to exploit I had to do Vanaspati with trusts because I kept having to pause to weep
So I know it would have been really late into the story to do it. But I really wish the Endwalker title appeared alongside THIS song. Most of the story up until that point had felt more like we were finishing off Shadowbringers stuff then anything, so for me this is where the expansion really started.
Anyone know what the music when "dark Meteion" talks is? The one that sounds more like a horror movie soundscape then a music track. Trying to find it.
@@uvi- i think an example would be when Meteion appears to the Scions on the Ragnarok. I seem to recall it playing there. As I said, it is less a song and more a horror aesthetic sound thingy.
Hmm, yes, I do believe I know what you're referring to. It plays during several of Fandaniel's appearances as well. I didn't include it because, as you said, it's more "ambience" than an actual song.
@@uvi- Ahh, you're right it does. I've been scouring youtube for it, but no luck. I know, strange choice of thing to look for, but stuff like that is good for my creativity.
Watching the current news regarding possible ww3 and pondering the law of Moore with AI dictating the fate of mankind due to our inability to overcome the ego collective of self perseverance while listening to this. Book of revelations has never been so epic before this 😅
I thought he used it just fine. Despite how you feel about him, the dude got augmented, betrayed his country and family with an invading force, and killed his father. Its definitely a "shit just got really bad" moment.
The woketards thought their reign was eternal, but all they've been left with is the choking ash of their complete failure, and the destroyed ruins of their own hubris. It truly is a beautiful sight to see.
The place had never had any hope to begin with, but now... Now it is beyond ultima thule. Despair and anguish in a hate-filled swamp, and their clueless overlord musk is only further sowing chaos. (Ascian Elon?!)
One of the few repeatable tracks in EW (Most of the music was good, but doesn’t really hold up to repeated listens, gets tiring after a while, EW has been the only XPac where I have started muting BGM)
Best ost in Endwalker by far. It's a shame the story failed so bad, this song deserved better. At least the scenes with this were extremely good. This song slams you hard with emotion and I love every second of it.
theme of "i am getting stressed watching a cutscene"
10/10
This plays in my head any time I face a minor inconvenience
When you try to get on a bus but it's just full right before you get on and you're gonna be late
So real
We're out of milk
When I'm out of Pepsi and don't want to walk to the store to restock cuz I'm eepy, the theme
same ; ;
This song is so haunting. Everytime it came up you knew shit was getting real. I love it!
With the exeption of the alliance raid. It felt totaly out of place.
i still remember learning the "truth behind the Final Days" and this song started playing. gave me goose bumps something fierce. o.o (don't want to say too much, just in case some haven't gotten through Endwalker's story yet. yeah, its been at least a year, but i'd rather not spoil things for people either way)
Then next minute you set up a stall in town and all your friends visit aww how lovely.
I LEND MY VOICE . WE LEND OUR VOICE , SHIMMERING JEWELS OF BEAUTIFUL ETHEIRYS :D
"Did somebody say DOOM?" -Natsuko Ishikawa
he didnt compose it actually. it was composed by daiki ishikawa
@117vocaloid Natsuko Ishikawa is the writer... and she's also a woman
@@117lyricssoken is the composer bro. Ishikawa is a woman and the writer
@@Sascha00 wow its not like 1. someone already said the exact same thing you said word for word and 2. ishikawas gender has 0 relevance on them being the composer. grow a brain "bro"
Ishikawa's vengeance for SQEnix killing off her babies
Soken is such an amazing composer, but he also has a ridiculously talented sound team around him.
Daiki Ishikawa has contributed some sick arrangements to the game, but this was the first I can remember that he both wrote and arranged. What a haunting addition to the Endwalker OST. It captures the horror of the Final Days so perfectly.
FFXIV has one of the most incredible sound teams in gaming.
Takafumi Imamura is my favorite thing going there right now.
I love the consistency they have brought during the Shadowbringers patches and up, and the burden they must have had to bear when Soken was out for his cancer must have been heavy.
Facts.
THE END HAS COME, AND IT WILL BE BEAUTIFUL
This theme is sheer embodiment of "There are Fates worse than Death"...
Behold. The gift of oblivion.
Even two years later, I'm still amazed that Soken and his crew could outdo themselves with this track. I speak of their previous work, "Paradaisical Predicaments", and how it let you know things were about to get serious, very serious.
This one lets you know that things are about to get dark, very dark very quickly.
1:08 is when the despair kicks from passive to active and starts feeling more like creeping dread, your death inexorably approaching while you can do naught but watch and wait for your doom.
I love every cutscene with this music but...1:21 "there we shall sing our chorus ever louder and ever clearer" is something else.
Meteion's speech is probably one of my favorite parts of the "Time Travel" segment.
No one would've expected something so cute and innocent to become creepy and foreboding in a matter of hours lol
@@johnnysalery7383 oh God yeah I was enamored with how adorable meteion was and then she went wrong straight out of a horror movie
Zuzu, is that Tataru with a soul path as your profile pic?
@@Skijaramaz Tataru? Nah it's just my character in the pre-Hades cutscene.
"To live is to suffer. To drink of calamity. It is a perilous path. Death lurks in the dark. Do not avert your eyes. See your life for what it is. See how the hardships make you strong. Every doubt reforged..."
Probably my favourite song in Endwalker. This song just carries so much emotion in every direction. Past,present, future. The second you hear it, you know you are fucked. And the choir. * Italian kiss*
Who are fucked? You just one-shot some eternal gods with one hand and some multiuniversal evil... bird with another.
@@player554 Thavnair is attacked by a billion flying creatures as seen in the Vanaspati dungeon and everything is fine after. Great music but yeah, shit was ez.
@@theDontiilev no one died except that one no name npc. No destruction, no ashes. Nothing.
@@player554 Did you forget where the monsters come from, or the entire dungeon after it? They're all people. Just bc they're not named NPCs doesn't really mean absolutely nothing happened (and this is from a person is who annoyed with Yshtola)
@@treshaunrogers but nothing happened. Few hours of something spooky in 2 super small regions. That's it.
What i love with this expac is that they managed to make me care about every single npc, no matter how little screen time they got
RIP that merchant's son and Ahewann
I love how original and the wide range of instruments the music team for FFXIV is.
I still remember the first time i saw this flaming sky, like the goosebumps were absolutely INSANE when this scene hit with this music!
Endwalker in total had SO many amazing and good scenes, scores and dialogue. This expansion was nothing short of a masterpiece in every area to me.
In retrospect, the final days felt like a worldwide Berzerk Eclipse event.
I'm not the only one reminded of "Those Chosen by the Planet" from FFVII, right?
You're not the only one
Don't worry, I always keep expecting it to go way. It really does give off similar vibes
Been waiting for someone to say this too... this whole expansion has a lot of FFVII vibes in the OST and some situations. But regardless of the possible references, XIV has become a beacon of hope and light for Final Fantasy as a franchise.
Definitely agree with this. It absolutely evokes the same sense of dread and despair and it shocked me how effectively the expansion drove that home. Very happy the series has gotten back to the quality storytelling it became known for.
This theme has been lurking since exdeath I think
that "one moment" when this song started playing...that will forever be known as "Endwalker's monkaS moment".
The fact they use this music when Meteion is taking out the Scions one by one till only the Warrior of Light is left standing and makes a choice to save them is perfect
The Final Days were upon us...the fabric of the star began to fray, its lands rent by tooth and claw.
ALL SHALL BEAR WITNESS TO THE FINAL DAYS!!!!!
I play this song every day when I feel nearly overwhelmed by reality and it shows me that things could be worse and that gives me strength to keep going.
Note: I wonder what Sokens motivation was for this track specificly....."Let me hear crushing Despair" perhaps? Because that sure how I felt every time this played in the MSQ.
This and the Angelic Chorus from Shadowbringers is when I was like “I’m about see something F’ed aren’t I?”
"Do not be afraid"
Be strong, my friends! Fear not, for we will defeat these abominations!
Brave men and women of the Radiant Host! Lend Y’shtola and Thancred your aid! Let not a SINGLE beast escape!
Not gonna lie, one of my low key favorite tracks in Endwalker
This is one of the best songs in Endwalker for real. Every time it played in the MSQ it got chills. Its rly gives you the feeling that something rly bad is coming or happening. But in the same time its a epic battle soundtrack i think.
"Your life is nothing! You serve zero purpose! I mean that with a hundred percent. With a thousand percent!" -LTG
The Terminus beasts are probably the most disturbing and Darkest enemies final fantasy has ever created…
nah L'cie from ff13
@@niksolu I dunno. What makes the Terminus beasts horrifying is how easy you can turn AND it Denys you an after life. Your soul just ceases to exist.
Humorously they are SO identical to The Sha in WoW.
Rampant emotions transforming people into beasts in a crush of black+white energy.
But the execution and horror were vastly better here of course.
@@jaeusa160for me it’s the fact the soul just ceases to exist. You don’t go to the atherial sea, you just stop existing. It’s the body horror combined with the existential dread that really does it.
@@Darksaviour according to none other than Meteion herself, the souls is not lost but collected and stored in her cocoon (Dead Ends), so she can deny them the cycle of rbeirth by taking them hostage.
I'm glad I finally know what this song is called. Fucking hell what a name for it.
If i remember, this track was written by Daiki Ishikawa, who helps Soken rearrange a lot of tracks, including the ones that comes from previous game entries
I used this song for the first phase of the final boss of my FF D&D campaign I had been running for 3 and a half years. The final boss was Diabolos, super charged after devouring and gaining the self-restoration and resurrection powers of Phoenix. The song fit perfectly to what was happening in-game.
I can imagine it so well, too... my mans, Diabolos. 👊
@@justrosie7521 We actually record our campaigns and one of my players puts 'em up on TH-cam. If you're curious, you can look it up. 'Chronicles of Eno' is the campaign name, sessions uploaded by Project T. The moment I was talking about in this comment is in Episode 185 at around an hour and 6 minutes in.
When this track played the first time I just stopped for a bit because of how much it shocked me. The darkest and most sinister track in the entirety of the ffxiv ost by far.
What you hear in your head when your mom is coming up the drive way and you haven't done your chores.
Ahewann got killed off way to quick… like the man was a very competent leader even if he was just a figure head.
I agree
I loved Ahewann
@@bardockt2315
And not gonna lie he would have made a fantastic addition to the alliance
Yeah that was exactly the point. His death forced Vitra to finally assume the full responsibility of being the Satrap and open up to his people. Ahewann dying then and there was the worst possible outcome, which is fitting considering what happened during that part of the story.
No. That....was kind one of "her" points . Life is cheap and indifferent.
This was the one track where in my mind.. "Things just went from Babylonia STRAIGHT into Mespotamia.." points to those who gets the reference.
Yeah I'm not done with the expansion yet myself but that was exactly what I was thinking when people began transforming
It doesn't help that some of the blasphemies are covered in mouths with no eyes either
Right?! The freaking things reminded me of the Lahmu..
Everytime the characters mentionned " the song of oblivion " this is what I had in my mind...
Definitely one of the best tracks from Endwalker. I was expecting this to be rearranged for one of the phases in the final confrontation, and was somewhat disappointed it wasn't. The tracks we did get are a very fitting tribute to *our* journey and struggles that the player experienced in vanquishing former enemies in previous expansions, but I felt "What Comes of Despair" had an excellent motif for our antagonist in Endwalker. Bit of a missed opportunity, I think!
I'm just now listening to this with headphones for the first time, and maybe it's just the bitrate I'm listening to it in right now, but there's a chorus effect on (funnily enough) the chorus that kinda sounds like the vocal effect on people as they're transforming into Blasphemies. If that was an intentional thing, that is so many levels of haunting.
That distortion is 100% intentional, and for that very reason. Most people think a chorus of that kind is rote, boring, or overdone. The choice to add distortion to really hammer home that reality itself is coming undone was of course, as always, perfect genius. IF you could pull off that distortion, and hear this without it... There would be little to no meaningful impact. That ONE decision alone elevated this peace to a TRULY soul-reaching, chilling track that will stick with players for years to come.
This song is so cool! Ir makes me want to go to the edge of the universe and sing a song of Oblivion, you know?
I'm still genuinely pissed we never saw the effects of the Final Days outside of Thavnair and Garlemald, just having this or some other ominous track playing throughout all of Eitherys would've really sold the feeling of the end of the world.
Man when this first came on, I had to catch my breath. Such ferocity!
"Meteion Strike!"
-Doomfist mains
I know that the MSQ was already getting incredibly long, but I wish they would have shown us more of the world burning instead of just mentioning that it was. That would have increased the stakes 10 fold for me.
Like if Limsa was burning in front of our eyes.
This is sad, but we also just learned of this place, so it doesnt mean much to us.
I remember feeling similar. I think, and this isn't meant to excuse it but rather see where they're coming from, I think they ran into a limitation of the medium we're on. Aside from large scale things like Realm Reborn I think MMOs are fearful and sometimes unable to make impactful changes to the in-game world. This problem seems exaggerated when it's a super populated and key area like Limsa. At no point can the player be locked out of other things they want to do so making any change around the city would be hard, and without that change the skybox changing would be very superficial. It's definitely a dillema of MMOs
With all this said though they kinda ignored the easy solution, Making these moments into a duty, but I suppose even that would have a bit of a mood whip-lash when you finish saving the city and immediately it's populated with traders, and people asking for trivial level 5 items, and for you to pick up their lunch from the Bismarck lol.
I think that cutscene might have been dampened by the lalafels playing Through the Fire and Flames by the Aetheryte.
@@DangerSmoog
Yeah that's true. The only solution I could think is to make it instanced, so other people can still do quests and level there. But yeah would be hard to keep it all destroyed after the fact
The only difference between TFD Thavnair and normal Thavnair are sky and ost. With this, EVERY area could've 2 versions. And that would be really cool.
Also would make the expansion even longer and going to places we already know. The wol can't be everywhere and its to show the city States can hold a bit on their own. That and i think the role quests were to compensate for that. But i agree, if they put the apocalypse weather every zone it would be SO COOL
I'm really surprised no one has tried to make a battle remix of this yet.
All this happened because a guy who loves animals asked an adorable robot a really dumb question
A storm of blood approaches.
Hells open, Heavens weep.
And none of us can e'er escape
The measure of Her reach.
gave me goosebumps the first time it played doing zenos speech
FINALLY!!!!! LETS GO
Rejoice, for we will free you from the cruel yoke of existence.
When a FFXIV fan sees a blue or black haired and winged High Entia in XC3
FFXIV fans when A speaks in Future Redeemed
@@flamingreddeoxys
More like Dynamis happy theme
"Now, I shall give Eorzea despair."
Spoilers
That entire sequence in Thavnair, where the people turned, saw and were eaten viciously by their loved ones, our WoL going out into the forest while battling Blasphemies- trying to save a couple, then a parent, then the baby. It felt so hopeless, though we carried on. Though what got me the most, is when we slay these beasts, their souls go nowhere. Not back to the source, not used for any ather, they're completely gone. As if they were lost the moment they turned.
This expansion was horrifyingly good
Can we please get an orchestrion roll for this song so I can have in my in game house? Lol
All i could think was Lavos's Theme from Chrono trigger, especially since the forst few opening choir notes are the same pitch and tempo
I didn't think I could get PTSD from a video game theme after Monster Hunter World but Soken unfortunately proved me wrong.
It's the end of the star as we know it, and I feel fine!
This is what I hear every time I forget to complete Khloe's WT.. 😅
When Y'shtola and Julyan Manderville have an argument
A remix of this should have been Endsinger EX's theme. Change my view.
Honestly this whole arc DESTROYED me
I'd been roleplaying as being from Thavnair ever since I got the glamour outfit when I was in ARR's patch content
I'd built up a massive amount of emotional baggage for this to exploit
I had to do Vanaspati with trusts because I kept having to pause to weep
Was in New York yesterday and heard this music playing
I can now appreciate this kind of low-fi, highly processed, corrupted voice. So dramatic.
AKA "Shits about to get real" Theme
one omicron gets sad
this song starts playing
Thordan: "Who- what are you?"
Azem:
When I hear this music in the backround oh no I better run and not grieve satrap save us all
Rip Ahewann
1:08. When Zenos takes over your body...
SMASHING
this is straight outta berserk i love it
Somehow this ost reminds me of X-Laws theme from Shaman King 2001, but this is such a cool music that I can't get it out of my head
Ah yes, the anthem of Birb girl Johan Liebert. The song of oblivion we were searching for in Heavensward. The Totentanz.
Bird girl Johan Liebert.
Oh boy
Still waiting for this track to be added to the game as a Orchestrion Roll I really want it.
My immediate thought when the twelve appeared with this song accompanying them was "PROBLEM! PROBLEM?! PROBLEM!"
My thought was "Y'all ain't the first gods I've killed and you won't be the last"
the world is ending for unknown reasons. let's stand around and calmly talk about it in the most inefficient and flowery way we can.
Happy music! ♥
I really hope there ends up being another good use for this song in future expansions
Well they did find a use indeed.
@@IronCactuar you have no idea how happy I was to hear it play in DT
Questa canzone è perfetta
Anyone know the name of that absolutely creepy piece of music they use during the "report" scene?
That is called "Tremble" on the soundtrack. I'll get around to uploading that when I stop being a lazy bum :"D
@@uvi- Thank you, was looking every where for it!
So I know it would have been really late into the story to do it. But I really wish the Endwalker title appeared alongside THIS song. Most of the story up until that point had felt more like we were finishing off Shadowbringers stuff then anything, so for me this is where the expansion really started.
This song honestly just said to you, You are fucked there is no more hope now anything you do now is worthless to try.
And then you oneshot the Great Evil and befriended it...
Anyone know what the music when "dark Meteion" talks is? The one that sounds more like a horror movie soundscape then a music track. Trying to find it.
This should already be the song you're looking for, if you're referring to the cutscene at the end of Ktisis Hyperboreia
@@uvi- i think an example would be when Meteion appears to the Scions on the Ragnarok. I seem to recall it playing there. As I said, it is less a song and more a horror aesthetic sound thingy.
Hmm, yes, I do believe I know what you're referring to. It plays during several of Fandaniel's appearances as well. I didn't include it because, as you said, it's more "ambience" than an actual song.
@@uvi- Ahh, you're right it does. I've been scouring youtube for it, but no luck. I know, strange choice of thing to look for, but stuff like that is good for my creativity.
I think that one is called Tremble
"RUN EVERYBODY RUN"
-spongebob
Is it Just me or do the "blasphemies" allude to the Eclipse Demons from Berserk? Both seem to Emit such a Crippling Despair
That was my first thought. “Damn we went from final fantasy to Berzerk real quick”
Watching the current news regarding possible ww3 and pondering the law of Moore with AI dictating the fate of mankind due to our inability to overcome the ego collective of self perseverance while listening to this. Book of revelations has never been so epic before this 😅
Someone should make a battle remix of this
nah bro this theme got demoted to Zoraal Ja does things
I thought he used it just fine. Despite how you feel about him, the dude got augmented, betrayed his country and family with an invading force, and killed his father. Its definitely a "shit just got really bad" moment.
Of course it's a catboi in a little hat. :o
Theme of Twitter circa November, 2022
The woketards thought their reign was eternal, but all they've been left with is the choking ash of their complete failure, and the destroyed ruins of their own hubris.
It truly is a beautiful sight to see.
The place had never had any hope to begin with, but now... Now it is beyond ultima thule.
Despair and anguish in a hate-filled swamp, and their clueless overlord musk is only further sowing chaos.
(Ascian Elon?!)
This plays everytime I explain to a Wuk lamat enjoyer how much I don't like Wuk Lamat.
/smile
/press button
Vietnam seeing democracy coming be like:
🟦➡️⬛
One of the few repeatable tracks in EW (Most of the music was good, but doesn’t really hold up to repeated listens, gets tiring after a while, EW has been the only XPac where I have started muting BGM)
Best ost in Endwalker by far. It's a shame the story failed so bad, this song deserved better. At least the scenes with this were extremely good. This song slams you hard with emotion and I love every second of it.
???
EW >>> ShB
@@nenjutsu1774 SHB > HW > SB = EW > ARR.
That's a hot take I've not heard literally anyone else have, youre entitled to your opinion though
@@jetlaudir saying stormblood is better than ew... cringe ass opinion fr
Story failed???
BORING The best way to improve this game is to turn off the music and play a better FF soundtrack