Η φωνή τής Σουλιώτη είχε πάντα κάτι το συναρπαστικό κι αυτό φαίνεται από τα ενθουσιώδη χειροκροτήματα τού κοινού, ακόμη και στο Σαν Κάρλο τής Νάπολης, που έχει το δυσκολότερο κοινό τού κόσμου. Έλενα, Έλενα, ... ο χαμός γίνεται! Φίλε μου, ωραίο πρωτοχρονιάτικο δώρο μού έκαμες και σ' ευχαριστώ πολύ. Ει δυνατόν, ανέβασε κι άλλα με την Σουλιώτη. Ας μην την αφήσουμε να ξεχαστεί.
She had an interesting voice and she chose interesting repertoire BUT one can hear where she stopped learning ( which they should never do…). After the Giudici comes that crescendo that Callas does so well and mesmerizing! Souliotis is only loud from the start, no stamina, no ear for the significance of it! This is why Callas will be for ever the gratest! She understood what each note ment why each embellishment was there is she never skipped them
Because her technique wasn’t developed as should to protect her voice!! She over sang many dramatic repertoire (Nabucco (many performances) ,Aida, Cavalleria, La Forza Del Destino, Un Ballo in Maschera, Gioconda etc at age of 21-23!!) So she burnt out too quick! She started to have vocal problems and after a 1976 Carnegie Hall recital (not a successful) she just retired!
Malgré le contre ré final ,le reste est assez mal rendu .Cela manque de propreté technique et on sent qu'elle est dépassée par moment .Ce qui fait craindre pour la scene finale d'une toute autre difficulté .
Η φωνή τής Σουλιώτη είχε πάντα κάτι το συναρπαστικό κι αυτό φαίνεται από τα ενθουσιώδη χειροκροτήματα τού κοινού, ακόμη και στο Σαν Κάρλο τής Νάπολης, που έχει το δυσκολότερο κοινό τού κόσμου. Έλενα, Έλενα, ... ο χαμός γίνεται!
Φίλε μου, ωραίο πρωτοχρονιάτικο δώρο μού έκαμες και σ' ευχαριστώ πολύ. Ει δυνατόν, ανέβασε κι άλλα με την Σουλιώτη. Ας μην την αφήσουμε να ξεχαστεί.
4 December 2004 - 4 December 2023, 19years since he left us.
R.I.P.
Like Marissa Galvany, she had the ability and wherewithal to genuinely excite an audience. I like excitement!
Grazie Marco. Buon 2023❤
Some people do whistle in appreciation, instead of cheering.
She had an interesting voice and she chose interesting repertoire BUT one can hear where she stopped learning ( which they should never do…). After the Giudici comes that crescendo that Callas does so well and mesmerizing! Souliotis is only loud from the start, no stamina, no ear for the significance of it! This is why Callas will be for ever the gratest! She understood what each note ment why each embellishment was there is she never skipped them
If only she had a better vocal training and she was waiting for the good timing!
Cómo se llama esta pieza, por favor??
Giudici ad Anna
@@OperaMyWorld Es lo más bello que he oído en la vida!! Gracias
🎉❤why stoped so early her career?. utube JOHN BAVAS ΤΟ ΠΑΛΙΟ ΡΟΛΟΙ
Because her technique wasn’t developed as should to protect her voice!! She over sang many dramatic repertoire (Nabucco (many performances) ,Aida, Cavalleria, La Forza Del Destino, Un Ballo in Maschera, Gioconda etc at age of 21-23!!) So she burnt out too quick! She started to have vocal problems and after a 1976 Carnegie Hall recital (not a successful) she just retired!
@@OperaMyWorld τhanks for your informations
Scusa. Ho sbagliato. Volevo scrivere a Marco. Ma il buon 2023 va benissimo.❤
Malgré le contre ré final ,le reste est assez mal rendu .Cela manque de propreté technique et on sent qu'elle est dépassée par moment .Ce qui fait craindre pour la scene finale d'une toute autre difficulté .