It's a really good de-esser, and indeed, one has to have the essential tools quickly available within the DAW itself, without & regardless of additional, purchased plugins, I totally agree with you. I've been requesting this on the Presonus forum fir quite a while, so it's very welcome. 2 big missed opportunities, though: 1-apart from frequency specific compression, they could have also added & offered the option of phase inversion based de-essing, like SPL does, or like the old Valley hardware did. The tech is out there, why not implement it? Not only it can often sound better, but having the option would have made this a pretty definitive de-esser, and a major feature 2-the GUI is horrendously plain and unattractive, plus small and hard to read with the silly dark background. Of course this has no impact on the sound, but it does on ergonomics, and the eyes also want their part (as Presonus seems to have understood with e.g. the Analog Delay or the Red Light District saturation stock plugins. So... room for improvement in the next S1, if they take note, as they should.
Thanks Marcus! This was a thorough tutorial. Very useful! Thanks!
Thanks very much Marcus, very helpful as always, appreciated!
As you said that you could use the de-esser plugin more than once to eliminate separate frequencies eh? great explanation as always
It's a really good de-esser, and indeed, one has to have the essential tools quickly available within the DAW itself, without & regardless of additional, purchased plugins, I totally agree with you.
I've been requesting this on the Presonus forum fir quite a while, so it's very welcome.
2 big missed opportunities, though:
1-apart from frequency specific compression, they could have also added & offered the option of phase inversion based de-essing, like SPL does, or like the old Valley hardware did. The tech is out there, why not implement it? Not only it can often sound better, but having the option would have made this a pretty definitive de-esser, and a major feature
2-the GUI is horrendously plain and unattractive, plus small and hard to read with the silly dark background. Of course this has no impact on the sound, but it does on ergonomics, and the eyes also want their part (as Presonus seems to have understood with e.g. the Analog Delay or the Red Light District saturation stock plugins.
So... room for improvement in the next S1, if they take note, as they should.
Keep it up! Don't get left behind = 'Promosm'.