A number of people do not like Lack because they only know a few of his bunch of "salon pieces", whose Lack is mostly remembered. To my taste those pieces are very pleasant and well written and, incidentally, salon music has often got its own dignity. Something is very good, something good, something just OK, something poor likewise everything else in music or fine arts. I appreciate some people may dislike salon music as a whole, but I am afraid taste is an individual story and each of us has got his/her own! However Lack is not only "salon music" and the things I heard (mostly from you because others very seldom explore Lack, except salon) are extremely interesting and sometimes excellent, deserving a lot more knowledge.
So Schumannesque It could be included in Op 124 Albumblätter. I know his célèbre Idilio. Very musical composer with so much music to explore. Excellent performance.
Bravo, Gamma. I am a great admirer of Lack's compositions, always very elegant and very pianistic. I have uploaded numerous pieces by him on IMSLP. I am very glad to hear this Etude de Bravoure, so well played. I wish you are going to play some others form the same collection. Thank you.
@@PianoScoreVids Beautiful playing! Your channel is really a gem, I discovered so many pieces thanks to you. I had been playing for 10 years until last year, when i suddently stopped. The Dvorak etudes that you posted really motivated me to get back to playing. Kind regards!!
@@PianoScoreVids Oh, fantastic! I've been subscribed for quite some time now and have only just realised. You are a fantastic player and the rate at which you learn your pieces is commendable. Thank you for the service that you are providing - it does not go unnoticed.
I thought it was a good idea to clarify that indeed I don't just copy audio files from somewhere but actually play and interpret everything on my own. It's a quite personal channel that way :)
@@PianoScoreVids There are several different tunings of unequal temperament (not equal temperament). The best types are ‘closed unequal temperaments’, as they can be used for all 24 keys. ‘Thomas Young’ and ‘Kirnberger’ tuning is good for 18th and 19th century playing, and Kellner tuning is more versatile I think. The point of unequal tuning is to favour keys close to C in the circle of fifths (meaning purer intervals, especially thirds) and making the tonality brighter or darker the further away you go from C. This effect is very mild, but it was used since Bach, all throughout the 19th century and even into the 20th century. A move towards atonality and the rise of German piano manufacturers in Europe standardised equal temperament (all keys sounding the same). Another benefit to keys having their own associated characters is the fact that the piano becomes even more resonant (as a result of the pure intervals). Unfortunately most piano tuners can only tune in equal temperament, so you’ll have to find someone who is very good and can tune in closed unequal temperaments. The TH-cam channel ‘latribe’ is really interesting: th-cam.com/video/sb6pt3OvU_o/w-d-xo.html th-cam.com/video/QnYITP11UgQ/w-d-xo.html
very detailed info, thanks! since the pianos I use are digital (but good) anyway, I am not sure if those rather subtle differences would make a significant difference in the output, I can imagine it will make a big difference on a real grand. I will never forget for example how the meantone temperament sounds on a real, original harpsichord from the 17th century.... a chromatic scale is the nearest to a musical representation of someone crying in that case... however some intervals can make the hair stand ...
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A number of people do not like Lack because they only know a few of his bunch of "salon pieces", whose Lack is mostly remembered.
To my taste those pieces are very pleasant and well written and, incidentally, salon music has often got its own dignity. Something is very good, something good, something just OK, something poor likewise everything else in music or fine arts.
I appreciate some people may dislike salon music as a whole, but I am afraid taste is an individual story and each of us has got his/her own!
However Lack is not only "salon music" and the things I heard (mostly from you because others very seldom explore Lack, except salon) are extremely interesting and sometimes excellent, deserving a lot more knowledge.
Good discussion on this subject
the irony is that Chopin, in this final analysis, wrote mostly salon music. Much of his output is mazurkas, waltzes and nocturnes.
@@SputnikExperiment Exact!
Another composer I'd never heard of before. Thank you for the tribute, and for the beautiful performance.
So Schumannesque It could be included in Op 124 Albumblätter. I know his célèbre Idilio. Very musical composer with so much music to explore. Excellent performance.
Grandioso Estudo!
Brilhante!
Bravo!!!!!!!!!
Bravo, Gamma. I am a great admirer of Lack's compositions, always very elegant and very pianistic. I have uploaded numerous pieces by him on IMSLP. I am very glad to hear this Etude de Bravoure, so well played. I wish you are going to play some others form the same collection. Thank you.
Never a disappointment with your selections and sight-reading - my style of piece! I’ll have to try this one day as well...
So beautiful 🙃 beautiful playing too
Great. Love love love
Wow! Absolutely gorgeous!
So lack performances are lacking ?
We lack lack performances, basically
Que lindo!!!!
Hello! I'm very grateful for your channel!!! I was wondering if you are the one performing these pieces?
All pieces on the channel :)
@@PianoScoreVids Beautiful playing! Your channel is really a gem, I discovered so many pieces thanks to you. I had been playing for 10 years until last year, when i suddently stopped. The Dvorak etudes that you posted really motivated me to get back to playing. Kind regards!!
Amazing! Are You a sight reader?
Yes!
Play Lack's Bach Sicilienne! 🤗💗
Very Chopinic. Reminds me of Etudes, Op. 10.
there's quite a few of them. could you be more specific? or is it just the general style
Nice dynamics
Is it you that's playing these pieces?
Yup! All on the channel
@@PianoScoreVids Oh, fantastic! I've been subscribed for quite some time now and have only just realised. You are a fantastic player and the rate at which you learn your pieces is commendable.
Thank you for the service that you are providing - it does not go unnoticed.
I thought it was a good idea to clarify that indeed I don't just copy audio files from somewhere but actually play and interpret everything on my own. It's a quite personal channel that way :)
Have you ever been interested in tuning your piano to an unequal temperament? I think it would greatly enhance your already beautiful piano playing.
How does the choice of temperament of a piano enhance the piano playing? Do you have a concrete suggestion?
@@PianoScoreVids There are several different tunings of unequal temperament (not equal temperament). The best types are ‘closed unequal temperaments’, as they can be used for all 24 keys. ‘Thomas Young’ and ‘Kirnberger’ tuning is good for 18th and 19th century playing, and Kellner tuning is more versatile I think. The point of unequal tuning is to favour keys close to C in the circle of fifths (meaning purer intervals, especially thirds) and making the tonality brighter or darker the further away you go from C. This effect is very mild, but it was used since Bach, all throughout the 19th century and even into the 20th century. A move towards atonality and the rise of German piano manufacturers in Europe standardised equal temperament (all keys sounding the same). Another benefit to keys having their own associated characters is the fact that the piano becomes even more resonant (as a result of the pure intervals). Unfortunately most piano tuners can only tune in equal temperament, so you’ll have to find someone who is very good and can tune in closed unequal temperaments.
The TH-cam channel ‘latribe’ is really interesting:
th-cam.com/video/sb6pt3OvU_o/w-d-xo.html
th-cam.com/video/QnYITP11UgQ/w-d-xo.html
very detailed info, thanks! since the pianos I use are digital (but good) anyway, I am not sure if those rather subtle differences would make a significant difference in the output, I can imagine it will make a big difference on a real grand. I will never forget for example how the meantone temperament sounds on a real, original harpsichord from the 17th century.... a chromatic scale is the nearest to a musical representation of someone crying in that case... however some intervals can make the hair stand ...
Chopin...