An English Dreame - concert by Clara Brunet & Bor Zuljan

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  • เผยแพร่เมื่อ 14 พ.ย. 2024

ความคิดเห็น • 45

  • @kelesays
    @kelesays 2 หลายเดือนก่อน +2

    One of the best performances I have heard the last two years. Pure music...

  • @danielfajardo9092
    @danielfajardo9092 4 หลายเดือนก่อน +1

    Precioso, cuanta belleza😊

  • @VA-lo4ul
    @VA-lo4ul 5 หลายเดือนก่อน +3

    First time I hear these songs accompanied on the orpharion, it sounds wonderful. Clara Brunet's voice is absolutely perfect for this repertoire (and for much more, I'm sure). A delightful recital, thank you!

  • @brd55
    @brd55 10 หลายเดือนก่อน +4

    Bore, you are privileged! 🙂 Clara is FANTASTIC! 🙂

  • @brd55
    @brd55 11 หลายเดือนก่อน +4

    Fantastic! Bravo Bore! Brava Clara! Branislav

  • @Freotheric
    @Freotheric 6 หลายเดือนก่อน +2

    It's a pleasure to hear Peter Warlock matched with the Elizabethan composers whom he was among the first to appreciate, and imitate. "Sleep" is perhaps his finest song, but I would welcome more of his other settings. Clara Brunet's delivery is subtle and lovely, and the orpharion makes a fine substitute for the piano.
    Thanks too for Byron's "Darkness" -- a text for our grim times.

  • @fabiocalzavara6493
    @fabiocalzavara6493 10 หลายเดือนก่อน +3

    Magnificent! Absolute greatness.

  • @blainetrain2299
    @blainetrain2299 4 หลายเดือนก่อน +1

    Holy Moly

  • @tonyjohnson5893
    @tonyjohnson5893 11 หลายเดือนก่อน +4

    I was held captive by this well of musical beauty, thank you!

    • @borzuljan7713
      @borzuljan7713  11 หลายเดือนก่อน

      Thank you, dear Tony!

  • @adrienpiece
    @adrienpiece 10 หลายเดือนก่อน +3

    👍😍how beautiful ! happy new year!

    • @borzuljan7713
      @borzuljan7713  10 หลายเดือนก่อน

      Merci Adrien ! Magnifique année à toi !

  • @Freotheric
    @Freotheric 6 หลายเดือนก่อน +4

    For listeners' convenience, here are the texts:
    [John Dowland]
    Come ye heavy states of night,
    Do my fathers spirit right,
    Soundings baleful let me borrow,
    Burthening my song with sorrow,
    Come sorrow come her eyes that sings,
    By thee are turnèd into springs.
    Come you virgins of the night,
    That in dirges sad delight,
    Choir my anthems, I doe borrow
    Gold nor pearle, but sounds of sorrow:
    Come sorrow come her eyes that sings,
    By thee are turnèd into springs.
    --Anonymous
    [Robert Johnson]
    Care-charming Sleep, thou easer of all woes,
    Brother to death, sweetly thyself dispose
    On this afflicted [k]night*; fall like a cloud
    in gentle show'rs; give nothing to it loud
    Or painful to his slumbers; easy, sweet.
    And as a purling stream, thou son of Night
    Pass by his troubled senses; sing his pain
    Like hollow murmuring wind or silver rain.
    Into thyself** gently, O gently, O gently slide
    And kiss him into slumbers like a bride.
    -- John Fletcher, *Valentinian* (1610-14)
    Alternative readings:
    * prince
    ** Into this prince
    [John Dowland]
    Goe nightly cares, the enemy to rest,
    Forbeare a while to vexe my grieved sprite,
    So long your weight hath lyne upon my breast,
    that loe I live of life bereaved quite,
    O give me time to draw my weary breath,
    Or let me dye, as I desire the death.
    Welcome sweete death, oh life, no life, a hell,
    Then thus, and thus I bid the world farewell.
    False world farewell, the enemy to rest,
    now doe thy worst, I doe not weigh thy spight:
    Free from thy cares I live for ever blest,
    Enjoying peace and heavenly true delight.
    Delight, whom woes nor sorrowes shall amate,
    nor feares or teares disturbe her happy state.
    And thus I leave thy hopes, thy joyes untrue,
    and thus, and thus vaine world againe adue.
    -- Anonymous
    [Mr. Dowland's Midnight (John Dowland) - Tis Now Dead Night (text by John Coprario)]
    CORRECTION: Text by Thomas Campion*
    'Tis now dead night, and not a light on earth,
    Or starre in heaven, doth shine:
    Now let a mother mourne the noblest birth
    That ever was both mortall, and divine.
    O sweetnesse peerlesse! more then humane grace!
    O flowry beauty! O untimely death!
    Now Musicke, fill this place
    With thy most dolefull breath:
    O singing wayle a fate more truly funerall
    Then when with all his sonnes the sire of Troy did fall.
    -- *Songs of Mourning bewailing the vntimely death of Prince Henry. Worded by Tho. Campion. And set forth to bee sung with one voyce to the lute, or violl: by Iohn Coprario*. London, 1613
    [John Dowland]
    From silent night, true register of moanes
    From saddest Soule consumde with deepest sinnes
    From hart quite rent with sighes and heavie groanes
    My wayling Muse her wofull worke beginnes.
    And to the world brings tunes of sad despaire
    Sounding nought else but sorrow, griefe and care.
    -- Anonymous
    [John Dowland]
    In darkness let me dwell; the ground shall sorrow be,
    The roof despair, to bar all cheerful light from me;
    The walls of marble black, that moist'ned still shall weep;
    My music, hellish jarring sounds, to banish friendly sleep.
    Thus, wedded to my woes, and bedded in my tomb,
    O let me living die, till death doth come, till death doth come.
    -- Anonymous
    [Peter Warlock]*
    SLEEP
    Come, Sleep, and with thy sweet deceiving
    Lock me in delight awhile;
    Let some pleasing dreams beguile
    All my fancies; that from thence
    I may feel an influence
    All my powers of care bereaving!
    Though but a shadow, but a sliding,
    Let me know some little joy!
    We that suffer long annoy
    Are contented with a thought
    Through an idle fancy wrought:
    O let my joys have some abiding!
    -- John Fletcher
    *Philip Arnold Heseltine (1894-1930)
    DARKNESS
    I had a dream, which was not all a dream.
    The bright sun was extinguish'd, and the stars
    Did wander darkling in the eternal space,
    Rayless, and pathless, and the icy earth
    Swung blind and blackening in the moonless air;
    Morn came and went-and came, and brought no day,
    And men forgot their passions in the dread
    Of this their desolation; and all hearts
    Were chill'd into a selfish prayer for light:
    And they did live by watchfires - and the thrones,
    The palaces of crowned kings - the huts,
    The habitations of all things which dwell,
    Were burnt for beacons; cities were consum'd,
    And men were gather'd round their blazing homes
    To look once more into each other's face;
    Happy were those who dwelt within the eye
    Of the volcanos, and their mountain-torch:
    A fearful hope was all the world contain'd;
    Forests were set on fire-but hour by hour
    They fell and faded-and the crackling trunks
    Extinguish'd with a crash-and all was black.
    * * *
    The world was void,
    The populous and the powerful was a lump,
    Seasonless, herbless, treeless, manless, lifeless -
    A lump of death - a chaos of hard clay.
    The rivers, lakes and ocean all stood still,
    And nothing stirr'd within their silent depths;
    Ships sailorless lay rotting on the sea,
    And their masts fell down piecemeal: as they dropp'd
    They slept on the abyss without a surge -
    The waves were dead; the tides were in their grave,
    The moon, their mistress, had expir'd before;
    The winds were wither'd in the stagnant air,
    And the clouds perish'd; Darkness had no need
    Of aid from them - She was the Universe.
    --George Gordon, Lord Byron (1816)

  • @dbadagna
    @dbadagna 10 หลายเดือนก่อน +2

    It's my first time to hear an orpharion played in delicate, lute-like manner; in other hands it usually sounds much more rough and brash.

  • @GiulioTanasini
    @GiulioTanasini 11 หลายเดือนก่อน +3

    Mezmerizing! Bravissim*

  • @timmypeko
    @timmypeko 11 หลายเดือนก่อน +3

    Wonderful as always, Bor. Thank you. -Timotej

  • @giorgiazanin7675
    @giorgiazanin7675 9 หลายเดือนก่อน +2

    Beautiful, Bravi!

  • @ThomasLangloisLute
    @ThomasLangloisLute 11 หลายเดือนก่อน +3

    Beautiful!

    • @borzuljan7713
      @borzuljan7713  11 หลายเดือนก่อน

      Thank you Thomas!

  • @bostjankovacic8960
    @bostjankovacic8960 11 หลายเดือนก่อน +2

    Beautiful. 🎼👌❤

  • @emilioalvarez2049
    @emilioalvarez2049 3 หลายเดือนก่อน

    Me sumo a DanielFajardo: cuanta belleza!! Y qué laud tan precioso!! Alguien sabe de qué luthier es??

  • @haimlute
    @haimlute 10 หลายเดือนก่อน +3

    Marvelous!!!

    • @borzuljan7713
      @borzuljan7713  10 หลายเดือนก่อน

      Gracias, merci!

  • @tamarabernstein6237
    @tamarabernstein6237 11 หลายเดือนก่อน +2

    Sublime!

    • @borzuljan7713
      @borzuljan7713  11 หลายเดือนก่อน

      Thank you Tamara!

  • @EmmaLisaRoux
    @EmmaLisaRoux 11 หลายเดือนก่อน +3

    Enchanting. Thanks for sharing!!

    • @borzuljan7713
      @borzuljan7713  11 หลายเดือนก่อน +1

      Merci Emma-Lisa!

  • @LEMENG885
    @LEMENG885 10 หลายเดือนก่อน +1

    BRAVO!!!

  • @szymonnowak4628
    @szymonnowak4628 11 หลายเดือนก่อน +4

    Ah, Bor. was anything you did any less than brilliant?

    • @borzuljan7713
      @borzuljan7713  11 หลายเดือนก่อน +1

      Oh, thank you! Glad you like it all!

  • @patrigkernoa3628
    @patrigkernoa3628 11 หลายเดือนก่อน +5

    Magnifique!!!! Who is the luthier? Qui a réalisé ce bel instrument?

    • @borzuljan7713
      @borzuljan7713  11 หลายเดือนก่อน +2

      Merci ! L'orpharion ? C'est Bruce Brook qui l'a fait.

    • @patrigkernoa3628
      @patrigkernoa3628 11 หลายเดือนก่อน +1

      je m'en doutais. Je lui ai commandé un instrument, l'attente est le premier pas vers le plaisir.

    • @borzuljan7713
      @borzuljan7713  11 หลายเดือนก่อน

      @@patrigkernoa3628 super ! Bonne attente alors ;)

  • @mattcecil9007
    @mattcecil9007 11 หลายเดือนก่อน +3

    wonderful! Are the Preludium and Fancy original compositions?

    • @borzuljan7713
      @borzuljan7713  11 หลายเดือนก่อน

      Thanks! They are free improvisations

  • @AlessandroAntimi27
    @AlessandroAntimi27 2 หลายเดือนก่อน +1

    Some interesting pieces, beautiful voice, but perhaps the meaning is not very understandable towards the end.