Bessie is by far the most powerfull voice from the tventies and thirties, and for that matter of all time, and i love Ella and Billie but you simply Can not deny that Bessie blew Them all away!
Wow! Just found out about her today. American History needs to tell the whole story on the origins of the music genres and not what they want us to know.
Su voz me lleva a tiempos de esperanza. Por paradójico que parezca, las músicas fonográficas contribuyeron a una liberación somática radical, paralela a la que se dio en la literatura, en el vestir y en las artes plásticas al punto de anticipar movimientos de liberación que se darían por todo el orbe. Pero la música, en relación con las otras artes, tiene la virtud de conmovernos en la entraña y trastocarnos mentalmente.
Transitional. No longer barrel-house torch, not quite jazz, but almost. Still belongs to the Louis Armstrong generation, while pointing towards Ella, Billie, and beyond.
Bessie is by far the most powerfull voice from the tventies and thirties, and for that matter of all time, and i love Ella and Billie but you simply Can not deny that Bessie blew Them all away!
ABSOLUTELY ❤❤❤
This is a such a great song. I love piano playing in the background.
Just the piano?
There's those trumpets🎺 again ❤❤❤❤
#Bessiesmith best blues singer ever🎉🎉🎉
Recorded during her last recording session in 1933.
1993!
Wow! Just found out about her today. American History needs to tell the whole story on the origins of the music genres and not what they want us to know.
Love it!
Amo as músicas dessa mulher. Uma artista incomun e com estilo forte e poderoso. R. I.P. Bessie.
Su voz me lleva a tiempos de esperanza. Por paradójico que parezca, las músicas fonográficas contribuyeron a una liberación somática radical, paralela a la que se dio en la literatura, en el vestir y en las artes plásticas al punto de anticipar movimientos de liberación que se darían por todo el orbe. Pero la música, en relación con las otras artes, tiene la virtud de conmovernos en la entraña y trastocarnos mentalmente.
Transitional. No longer barrel-house torch, not quite jazz, but almost. Still belongs to the Louis Armstrong generation, while pointing towards Ella, Billie, and beyond.
Yeah if only Bessie had lived another 10 years and got recorded with a great Swing Band.