It was this album that turned me on to E.D. Truly wonderful stuff. He did a gig in San Jose and wanted to play tenor and flute but he didn't have the horns with him. He asked the audience if anyone had them. I had my tenor and he played a few songs on it. Then, he said, "Now I'll play the difficult one," and took out his clarinet. He was amazing on tenor. Then he burned the place down on clarinet! What an fantastic night. On a side. note, what is Doc doing back there, directing with a pencil?!? Typical jazzer!!!
I first went to Eddie for a lesson 36 years ago, words fail, but I'll say that it was an extraordinary experience. Like for so many, Eddie and Joe Allard conveyed absolutely vital information and experience for me, that has made all the difference. No one in jazz brings to the clarinet the beauty, history, depth, insight, and SWING!, .....like Eddie Daniels.
I studied with Eddie in 1973 for maybe a year. He played piano on my Berklee audition tape. He lived in Hewlett, NY on Long Island at the time. A couple of years later I took several lessons with Joe Allard at New England Conservatory. You and me are lucky guys!
Incredible technique and tone! So smooth. Just discovered him somehow. Played clarinet from elementary school through college and never heard of him until now. I've lived a sad, deprived life!
@@eddiedaniels41 In my effort to design a brand new practice regimen geared toward developing a blues/jazz sound (with scoops, bends etc.), I came across the Joe Allard Master Speaks videos and Harvey Pittel's series explaining what he learned from Joe. (I'm classically-trained sax player.) I heard you mention in a video that Joe was your mentor/father figure. Would you consider doing a video of what you learned from Joe, especially on the throat and how to slide, scoop etc.? I love how you sound so great throughout the whole range of the clarinet - and how you switch from classical to blues so seamlessly. Thanks, in advance, if you decide to consider making your own Joe Allard-related video. I'm looking forward to watching your other videos.
Eddie is the world's premiere Jazz clarinetist. He flies like a bird in his playing, limitless ability to soar and dive through the air with the greatest of ease. The name "Bird" was given to saxophonist Charlie Parker, but the name "Eagle" should be given to Eddie Daniels. Virtuoso !!!
@@honoredutrey Not expressive or melodic.?? Are you sure.?. Eddie Daniels is the evolution of that amazing musicians (60 years ago). He has technique, feeling and imagination.
Nothing to do with evolution.He just chooses to play faster and use more notes.As I said,not AS melodic or expressive as Benny,or Peanuts,or Artie and others.
They don't call it the agony stick for nothing? It is such a tough axe and Eddie just nails it. His playing is so perfect.. Sound, articulation, time and content in spades, what a great player..
@@efanshel I started playing clarinet in 1960. I quit playing clarinet in 1980 to concentrate on the tenor. ( I discovered saxophone much later on in life ) I've just started to play clarinet again, which makes listening to Eddie here even more mind blowing, he just plays so perfectly and I'm struggling to find any kinda chops on the horn again, long layoff or not! I've had to go right back to basic, long tones, scales and arpeggios so I know first hand what kinda work Eddie must have put into the horn to get that good.. He's right up there with Buddy DeFranco, Tony Scott and Putte Wickman.
I've been listening to Eddie Daniels since 1965 . When I heard him Live at a concert at Hunter College in NYC with the Thad Jones & Mel Lewis Orchestra splitting the concert with Johnny Richards Conducting his Arrangements on the first Half & Thad & Mel Orch. playing on the second Half. It was before they started to play on Monday night at the Village Vanguard in Feb.1966. It was a great concert .Then I would go hear them at the Vanguard on Mon. nights. I met most of the Players
Johnny wasn't afraid to let the band play. Most 'stars' want to be the center of attention constantly. That band had a gig as long as Johnny was around.
Yes, but Johnny fought a running battle with the network to keep that band, which cost them millions each year. No question they were more than worth it in my mind... but Johnny paid a price with the bosses for that commitment.
Eddie took his tremendous talent, consummate hard work, and pursuit of unrelenting experience - and, as if that wasn't enough, his insistence on outdoing and surpassing his teachers!......., and has given us all the beauty and depth of great jazz playing on clarinet. I'm exhausted by just writing these words of praise and respect!
My teacher had a couple of private lessons with Eddie. He said Eddie wasn't expecting to play the first piece because they originally told him they only had time for the second piece. When they started playing the intro for the first piece you can see Eddie looking around kind of confused. Said he didn't have time to feel scared about it and so he just went with it and started playing.
Why do you not have the Eddie daniels with the Japanese orchestra anymore? Also, I forwarded these to Eddie himself and he loved him and was so happy to see them.
Doc and the NBC Orchestra could and did play with every musician or singer who appeared on the program. They rocked and had to be incredible to hear in-person.
I think this was the show that Stan Dunn an announcer at KJAZ 92.7 FM, asked Eddie Daniels if he would wear one of the brand new KJAZ Charlie Parker sweatshirts...or was it the Tonight Show he was on in August/87?
So many great unknown musicians. I have never heard of this guy till today...amazing. If he made to the Tonight show he must have been well known and great already in that time but he is not a household name. Great technique but I have to say however, that as great as his technique is, he does not have the tone or the feeling of Pete Fountain who had more " bite " to his sound and more interesting and powerful phrasing. This is pretty mono-tonal and mostly technical gymnastics. No " kvetch " , which is one of the main characteristics that can be evoked from a clarinet as opposed to other instruments and which gives it that unique sound and flavor. Still he is excellent.
It's hard to reconcile late night TV music like this with late night today. "Interpretation" no longer matters for artists who do all-original material that's choreographed and produced as locked-down music video style. Melody-harmony-rhythm, all passé, Hip hop and rap rule, inciting crowds into rushing the stage and perishing. Bring back the Great American Songbook and Richard Rodgers for the beginning of a return to art and sanity (not to mention safety).
John, this is Marty. Remember me from the DC area? Where are you living now? I am also interested in that video you have of Eddie playing with the Japanese orchestra. How can I get a hold of you?
Marty Nau!! Yes of course I remember you. I've been living in New Orleans since 1994. I do not have that particular video of Eddie playing with the Japanese Orchestra any longer - you have an incredibly good memory!! I retired a few years ago. What you up to these days?
The system is the Boehm system (that's the common system in the United States and many symphony orchestras worldwide). The SIZE of this instrument above is the common Bb soprano clarinet.
Unimaginable on what passes as “television” today. One reason: the general public has zero taste and are stupid. The other: we have technology like this.
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i love that diminished lick he plays in every solo
83 they let a Jazz instrumentalist get some on network TV it was still civilized then.
@@Clarinet69 not really
@@Clarinet69why?
The band is terrific too, and a shout-out to Doc Severinsen, a really serious musician as well as an entertaining personality....
It was this album that turned me on to E.D. Truly wonderful stuff. He did a gig in San Jose and wanted to play tenor and flute but he didn't have the horns with him. He asked the audience if anyone had them. I had my tenor and he played a few songs on it. Then, he said, "Now I'll play the difficult one," and took out his clarinet. He was amazing on tenor. Then he burned the place down on clarinet! What an fantastic night.
On a side. note, what is Doc doing back there, directing with a pencil?!? Typical jazzer!!!
I first went to Eddie for a lesson 36 years ago, words fail, but I'll say that it was an extraordinary experience. Like for so many, Eddie and Joe Allard conveyed absolutely vital information and experience for me, that has made all the difference. No one in jazz brings to the clarinet the beauty, history, depth, insight, and SWING!, .....like Eddie Daniels.
I studied with Eddie in 1973 for maybe a year. He played piano on my Berklee audition tape. He lived in Hewlett, NY on Long Island at the time. A couple of years later I took several lessons with Joe Allard at New England Conservatory. You and me are lucky guys!
Incredible technique and tone! So smooth. Just discovered him somehow. Played clarinet from elementary school through college and never heard of him until now. I've lived a sad, deprived life!
Live on big guy!!!!!!!! Eddie
@@eddiedaniels41 In my effort to design a brand new practice regimen geared toward developing a blues/jazz sound (with scoops, bends etc.), I came across the Joe Allard Master Speaks videos and Harvey Pittel's series explaining what he learned from Joe. (I'm classically-trained sax player.) I heard you mention in a video that Joe was your mentor/father figure. Would you consider doing a video of what you learned from Joe, especially on the throat and how to slide, scoop etc.? I love how you sound so great throughout the whole range of the clarinet - and how you switch from classical to blues so seamlessly. Thanks, in advance, if you decide to consider making your own Joe Allard-related video. I'm looking forward to watching your other videos.
Eddie is the world's premiere Jazz clarinetist. He flies like a bird in his playing, limitless ability to soar and dive through the air with the greatest of ease. The name "Bird" was given to saxophonist Charlie Parker, but the name "Eagle" should be given to Eddie Daniels. Virtuoso !!!
I love how buzzing he is, you can see him just vibing every minute!
Eddie is the number one in Jazz clarinet
Let's not forget benny goodman the king of swing and king of clarinet
@@lolololololol369 Yes, you are right, but it was 60 Years ago. Eddie is on another level..
Virtuoso technique,but noi as expressive or melodic as Benny,Artie,or Peanuts Hucko.
@@honoredutrey Not expressive or melodic.?? Are you sure.?. Eddie Daniels is the evolution of that amazing musicians (60 years ago). He has technique, feeling and imagination.
Nothing to do with evolution.He just chooses to play faster and use more notes.As I said,not AS melodic or expressive as Benny,or Peanuts,or Artie and others.
Yes, Eddie Daniels IS a God!
Tell that to Martin Frost
Adam G he is a genius but only in classic. Eddie Daniels is a god in jazz and classic.
Corrado giuffredi clarinet
@@fallpepper6902 well martin certainly should be a very serving humble servant for the God
My band teacher told me to look up Eddie Daniels since I’m going to start learning the clarinet and this is just amazing.
THAT'S WHAT LOTS OF PRACTICE AND SUPER TALENT CAN PRODUCE
They don't call it the agony stick for nothing? It is such a tough axe and Eddie just nails it. His playing is so perfect.. Sound, articulation, time and content in spades, what a great player..
I knew him when I was young. Nobody works harder, or brings more passion.. Kudos to whoever booked him for the show...
@@efanshel I started playing clarinet in 1960. I quit playing clarinet in 1980 to concentrate on the tenor. ( I discovered saxophone much later on in life ) I've just started to play clarinet again, which makes listening to Eddie here even more mind blowing, he just plays so perfectly and I'm struggling to find any kinda chops on the horn again, long layoff or not! I've had to go right back to basic, long tones, scales and arpeggios so I know first hand what kinda work Eddie must have put into the horn to get that good.. He's right up there with Buddy DeFranco, Tony Scott and Putte Wickman.
Wow - that was incredible 👍 Bravo!
First time hearing this guy and the only thing I can say is "god dayum Eddie, hell ya dude".
I love it and look how relaxed he looks.Thats a master for you
having fun, too...
I've been listening to Eddie Daniels since 1965 . When I heard him Live at a concert at Hunter College in NYC with the Thad Jones & Mel Lewis Orchestra splitting the concert with Johnny Richards Conducting his Arrangements on the first Half & Thad & Mel Orch. playing on the second Half. It was before they started to play on Monday night at the Village Vanguard in Feb.1966. It was a great concert .Then I would go hear them at the Vanguard on Mon. nights. I met most of the Players
Gerry Cappuccio that was my father - Sonny Lester - who put the Thad Jones Mel Lewis Orchestra together to record on his Solid State label
@@dannylester4712 The LEGENDARY Sonny Lester!
Johnny wasn't afraid to let the band play. Most 'stars' want to be the center of attention constantly. That band had a gig as long as Johnny was around.
Yes, but Johnny fought a running battle with the network to keep that band, which cost them millions each year. No question they were more than worth it in my mind... but Johnny paid a price with the bosses for that commitment.
Eddie took his tremendous talent, consummate hard work, and pursuit of unrelenting experience - and, as if that wasn't enough, his insistence on outdoing and surpassing his teachers!......., and has given us all the beauty and depth of great jazz playing on clarinet. I'm exhausted by just writing these words of praise and respect!
Pete Fountain is my favorite, but this guy is incredible!!!
Very nice promotion for the clarinet with stunning ambiance!!
My teacher had a couple of private lessons with Eddie. He said Eddie wasn't expecting to play the first piece because they originally told him they only had time for the second piece. When they started playing the intro for the first piece you can see Eddie looking around kind of confused. Said he didn't have time to feel scared about it and so he just went with it and started playing.
Excelente!!!
BRAVO ! A Great Performance !
Been listening to him since high school. He is an awesome Tenor Sax player also. That's him on "I Try"-Angela Bofill
That was thirty-three years ago, and it still sounds great today.
Ok
GOAT!! Love Eddie Daniels
I aspire to one day play as good as Eddie Daniels.
Dream on pal!
He was also a killer alto sax player.
Tenor. And he still is.
Jesus christ ,: -O
,awesome! The best
Incredible.
OMG! Imagine being one of the backing musicians having to play at THAT speed!!!
That band was just full of truly great musicians. I watched the show entirely because of the music....
Bravo
Classical Jazz is in the House, courtesy of Prof. Eddie Daniels.
Lohvissimo!
4:30 Mozart Symphony no. 40
Class!
Maestroooo!!!! 👍👏👏👏👍
❤ sei il top
I love it
Eddie is so totally free as a player and personality too...he soars like a bird.
Fantastic
Love this arrangement with Eddie! JUST AWESOME!
💥Wow - bravo, Eddie!!!
Pure Badassery, even now!
My God. Sensacional
Absolument sensationnel
This is gold
Wowzer!
It's good! Super!
Yes Don, did we Play in a Dixieland band also?
Wow!
This is so baller
Marty , use to play with you Dad, long ago!
Wow wow... ,:-O
Why do you not have the Eddie daniels with the Japanese orchestra anymore? Also, I forwarded these to Eddie himself and he loved him and was so happy to see them.
Doc and the NBC Orchestra could and did play with every musician or singer who appeared on the program. They rocked and had to be incredible to hear in-person.
I think this was the show that Stan Dunn an announcer at KJAZ 92.7 FM, asked Eddie Daniels if he would wear one of the brand new KJAZ Charlie Parker sweatshirts...or was it the Tonight Show he was on in August/87?
Гениальный чувак
I'd wager this is the only time a clarinetist has been featured on the Tonight Show! I'd better start schmoozing Questlove...
Pete fountain was there Too. He was a Monster too
woow the best
So many great unknown musicians. I have never heard of this guy till today...amazing. If he made to the Tonight show he must have been well known and great already in that time but he is not a household name. Great technique but I have to say however, that as great as his technique is, he does not have the tone or the feeling of Pete Fountain who had more " bite " to his sound and more interesting and powerful phrasing. This is pretty mono-tonal and mostly technical gymnastics. No " kvetch " , which is one of the main characteristics that can be evoked from a clarinet as opposed to other instruments and which gives it that unique sound and flavor.
Still he is excellent.
The clarinet is part of a secret society
Sorry pete fountain soul counts
is that Bob Haggart on Bass?
Eddie's got a big head which gives him unmatched resonance and intelligence.
Ego?
N-1
What late nite TV show would have music and musicians like this now????
But the great musicians never gave up, they just worked even harder.....
It's hard to reconcile late night TV music like this with late night today. "Interpretation" no longer matters for artists who do all-original material that's choreographed and produced as locked-down music video style. Melody-harmony-rhythm, all passé, Hip hop and rap rule, inciting crowds into rushing the stage and perishing. Bring back the Great American Songbook and Richard Rodgers for the beginning of a return to art and sanity (not to mention safety).
Yes, but we have youtube!
4:31 that's a crazy reference oml
15 haters have no clue what planet they live on.
Well you know music just keeps getting more dumbed down as time goes on. A big part of the population has no clue.
John, this is Marty. Remember me from the DC area? Where are you living now? I am also interested in that video you have of Eddie playing with the Japanese orchestra. How can I get a hold of you?
Marty Nau!! Yes of course I remember you. I've been living in New Orleans since 1994. I do not have that particular video of Eddie playing with the Japanese Orchestra any longer - you have an incredibly good memory!! I retired a few years ago. What you up to these days?
Holy fucking shit, those are some nimble ass fingers
OMFUCKINGOD
☝️
What is the system of this clarinet?
The system is the Boehm system (that's the common system in the United States and many symphony orchestras worldwide). The SIZE of this instrument above is the common Bb soprano clarinet.
Who was playing bass back then?
Usually Joel DiBartolo.
1:03
intro : malmsteen on Clarinet ..
Unimaginable on what passes as “television” today. One reason: the general public has zero taste and are stupid. The other: we have technology like this.
Hair!
he plays a lot of licks...I like 'em!
No he isn't,Benny Goodman is.
Eddie is a great palyer no doubt but Solffegietto was way too fast and incoherent.
I must be younger than everyone else in this comment section. All I hear is the high-frequency white noise!
Uh, no... you have no ears!
might wanna get that checked, homie.