Upon perusing the critiques within this review thread, I am reminded of the pervasive phenomenon of the "great white hype." This is a world where subpar talent from the likes of NSYNC, Madonna, and their ilk can waltz into the realm of Black American music and be lauded as "great." Such a double standard is an unequivocal indictment of the world we inhabit. It is with this backdrop that I commend Mr. Carter for daring to record an album that beckoned me, a classical aficionado, to the world of jazz. To be honest, the dead and often lifeless interpretations I have seen from white and other ethnicities in the classical arena have hitherto dissuaded me from venturing into the genre. Therefore, I must at least acknowledge his fortitude in attempting such a feat. In my view, it would be fascinating to witness some of the best classical bassists try their hand at a jazz album. Alas, I am almost certain that it would fall woefully short of the mark and not even merit a release. This album, while not without flaws, exemplifies what one would expect from a jazz musician. Striving for perfection and creating something unique in the moment is arguably superior to achieving perfection. Let us not forget that perfection is a lofty goal, but a noble pursuit nonetheless.
1 Air @ 2 Christ Lag In Todesbanden (Chorale) @ 3 Wachet Auf, Ruft Uns Die Stimme (Chorale-Prelude) @ 4 Arioso @ 5 Jesu, Joy Of Man's Desiring @ 6 Es Woll Uns Gott Genadig Sein (Chorale) @ 7 Gavotte En Rondeau @ 8 Prelude, Interlude And Fugue In C Major @ 9 Siciliano @ 10 Praeludium In C Major, Interlude, Praeludium In C Minor @ 11 Komm Susser Tod, Komm Sel'ge Ruh' . @
Good question thanks for asking, as far as I can tell Ron Carter is the primary if a not only artist on this album playing based, this may be obvious to some the title but it was composed By Johann Sebastian Bach in the first place. I found a list of engineers and producers if you are interested in this let me know. Much love.
In this album I feel the great love of Ron Carter for the cello, instrument that he studied when he was young.
Most ambitious crossover in history fucking love it
I'm glad you like it Felipe, Truly a beautiful album
Interesante trabajo de Ron Carter, magnifico con el picolo bass.
ME ENCANTA RON CÁRTER CON EL PICOLO BASS.
落ち着く🎵
気持ち冷静で居られる🎵
Upon perusing the critiques within this review thread, I am reminded of the pervasive phenomenon of the "great white hype." This is a world where subpar talent from the likes of NSYNC, Madonna, and their ilk can waltz into the realm of Black American music and be lauded as "great." Such a double standard is an unequivocal indictment of the world we inhabit.
It is with this backdrop that I commend Mr. Carter for daring to record an album that beckoned me, a classical aficionado, to the world of jazz. To be honest, the dead and often lifeless interpretations I have seen from white and other ethnicities in the classical arena have hitherto dissuaded me from venturing into the genre. Therefore, I must at least acknowledge his fortitude in attempting such a feat.
In my view, it would be fascinating to witness some of the best classical bassists try their hand at a jazz album. Alas, I am almost certain that it would fall woefully short of the mark and not even merit a release.
This album, while not without flaws, exemplifies what one would expect from a jazz musician. Striving for perfection and creating something unique in the moment is arguably superior to achieving perfection. Let us not forget that perfection is a lofty goal, but a noble pursuit nonetheless.
That reads like an AI composition.
1 Air @
2 Christ Lag In Todesbanden (Chorale) @
3 Wachet Auf, Ruft Uns Die Stimme (Chorale-Prelude) @
4 Arioso @
5 Jesu, Joy Of Man's Desiring @
6 Es Woll Uns Gott Genadig Sein (Chorale) @
7 Gavotte En Rondeau @
8 Prelude, Interlude And Fugue In C Major @
9 Siciliano @
10 Praeludium In C Major, Interlude, Praeludium In C Minor @
11 Komm Susser Tod, Komm Sel'ge Ruh' . @
Air..........
Arioso - #4 tho! 🔥
Que te atraviesa el Alma?
who else is playing on this record, or is it all Ron Carter?
Good question thanks for asking, as far as I can tell Ron Carter is the primary if a not only artist on this album playing based, this may be obvious to some the title but it was composed By Johann Sebastian Bach in the first place. I found a list of engineers and producers if you are interested in this let me know. Much love.
@@thriftriffs7526 Thanks man.
apparently it is overdubbed recording..
Que comentario voy agregar????
Oki, bien éso ES!!
Is it the plucking of a (bass(?)) which still keeps this in the jazz domain?. It would be great if ‘thrift riffs’ could reply.
Uhhhhh....lol
sounds like a drunk person playing bach
have you ever produced anything of cultural value in your life?