Andrew Tyson - Polonaise in A flat major, Op. 53 (second stage, 2010)
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- เผยแพร่เมื่อ 7 เม.ย. 2016
- Andrew Tyson
II etap
Polonez As-dur op. 53
Andrew Tyson
Second stage
Polonaise in A flat major, Op. 53
All rights reserved 2010
The Fryderyk Chopin Institute (NIFC), Polish Television (TVP), National Audiovisual Institute (NInA) - เพลง
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He is really enjoying himself i love his smile when he play that is true passion
Gorgeous playing!
wow that was actually pretty good! it deserves way more views
He has own characteristic... so charming
Bravo, Andrew!
すっきりスカッとしたポロネーズ。はぎれ良くてかっこいい。
meraviglioso
Good to see an Englishman can play so brilliantly and with such feeling. Look out Lang Lang
Tyson is American actually :)
Surely hi aspirations can reach higher than Lang Lang!
Bravo!!! I loved it!! My favorite Chopin piece.
Love Andrew, this was an unusual and not always successful interpretation but I enjoyed it a lot, haha! :) I think he took a bit to warm into it, the second half is definitely better.
Сколько хороших пианистов! Мне нравится, слушать некому. Немного тяжеловат, но яркий.
So much like Philippe Entremont approach. Super-understated, anti-bombastic. Very refreshing and charming, witty, refined, noble. Excellent, but for the climbing diminished chord arpeggios towards the end, instead of playing them as an even, steady stream of notes, I find the best results come from playing each triplet group as a block (I.e., a rolled triad), with three downward hand motions (i.e., one downward hand motion for each triplet/chord). Finger it accordingly, even playing each chord as an unbroken block at first; then gradually break/arpeggiate the chord more and more until you get closer to even notes, but the hand motion really being downward in one plunge for each group of 3. And of course, you're repositioning the arm to the right for each grouping. Whereas in the approach in the video, the fingers are doing all the work, and the wrist and arm following the fingers. I think it should be the other way around. That's how I understand it, and I suspect Rubinstein and other great exponents of this work get the heightened velocity and virtuoso effect this way: instead of nine notes climbing upward, three broken/arpeggiated triads in succession.
BRILLIANT! I don’t care how many “likes” this got on youtube. A fantastic and precise interpretation that is amazing and among the best I have ever heard. Please keep recording these! Wow!
It's an unusual playing of Chopin music 🤔
@@aleksandrnote2525 We’ll never know what Chopin would have sounded like when he played this - all we have are the annotated sheets of music he left. One of the great joys of listening to different artists is to hear how different musicians interpret those sheets. When you say “unusual”, it sounds like his rendition is different from what you’re used to listening to. That’s okay, but realize that others can appreciate it without comparing it to something they heard before. Great rendition? Absolutely. Unusual? Only in a good sense. When you hear a Chopin piece played by Horowitz and compare it to the same one played by Rubinstein, which one is unusual?
@@paulschumacker9901 We can guess how Chopin would have sounded not only from the scores, bearing carefully detailed markes made by Chopin himself (which are observed by the pianist), but from the knowledge of history of music and characteristic featuers of genres, from inherited ways of interpratation, from the composer's biography, enabling us get to know the charachter of the composer himself, as well.
A little more rubato than I would expect, but its his personal style :) I really like the dynamics though, one more pianist to admire!
3:13 best moment ❤
si j'avais été dans le jury du concours Chopin 2010, j'aurais partagé le premier prix entre Andrew Tyson et Ingolf Wunder! Je ne suis pas compétent que pour être dans le jury mais j'ai le droit de dire que le jury de cette édition (et je suis loin d'être le seul à le penser) a fait deux grosses erreurs : placer Yulianna Avdeeva devant Ingolf Wunder et ne pas admettre Andrew Tyson en finale, c'est une erreur, un scandale même, dans les deux cas!
He must have confused Chopin with Byron
or liberace