LINKS: 🎥🎻Online violin making course: www.lucasfabro.com/en/online-course/ 🎻🎶Tonebase: tonebase.co?ref=fabroviolins (CODE: FABROVIOLINS) 👕🎻Violin making apparel www.redbubble.com/people/fabroviolins/shop?asc=u ⚒ Some of the tools, strings and equipment I use: - Excel version: www.dropbox.com/s/c6n6zq7om6hqo9g/Tools.xlsx?dl=0 - Pdf: www.dropbox.com/s/5ua7zy0e3h2olm2/Tools.pdf?dl=0
So.. I expected you to make the nut and saddle from an ebony substitute as well. Can you hear the difference between ebony and those materials too much, or have you just not made that change yet?
LINKS:
🎥🎻Online violin making course: www.lucasfabro.com/en/online-course/
🎻🎶Tonebase: tonebase.co?ref=fabroviolins
(CODE: FABROVIOLINS)
👕🎻Violin making apparel www.redbubble.com/people/fabroviolins/shop?asc=u
⚒ Some of the tools, strings and equipment I use:
- Excel version: www.dropbox.com/s/c6n6zq7om6hqo9g/Tools.xlsx?dl=0
- Pdf: www.dropbox.com/s/5ua7zy0e3h2olm2/Tools.pdf?dl=0
How can you work so accurately, when the workpiece is moving? I have been asking myself that all the time.
So.. I expected you to make the nut and saddle from an ebony substitute as well. Can you hear the difference between ebony and those materials too much, or have you just not made that change yet?