Ahmad Jamal - Darn that dream
ฝัง
- เผยแพร่เมื่อ 27 ม.ค. 2025
- Darn that dream - Ahmad Jamal (piano), Israel Crosby (bass), Vernell Fournier (drums) 1959
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on TH-cam in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in TH-cam in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
I can't believe this really happened. In Chicago in 1959? Was that really Hank Jones standing next to Jamal? And was that really Ben Webster digging what he was hearing & thinking 'are these guys for real?' Was that white guy with the pipe really Nat Hentoff the editor of Down Beat then? And was the really the great Jo Jones smiling at us at the very end? Was it for real - or was this just a darn dream?
Nat Hentoff was never editor of Down Beat. He became the editor of Jazz Magazine a couple of years after this wonderful clip.
Yes, and also trumpeter Buck Clayton, and I do think the Count Basie Orchestra might have shared this show and so they are all there with others. Ben Webster was one of Jamal's biggest influences.
@@retrorex I'm unfamiliar with these positions. Is there a difference between Editor of Downbeat and maybe a position like "City Editor"?
Wikipedia says this: "In 1952, Hentoff joined Down Beat magazine as a columnist.[17] The following year, he moved to New York to become the city's editor of the magazine.[6] He was fired in 1957, he alleged, because he attempted to hire an African-American writer.[18]"
He was editor of something at Down Beat for approximately 5 years.
I was born and raised in Chicago. I still can't believe how blessed I was to be able to study with Vernel for 1.5 years starting in 1965. I still use everything he taught me including the beat for Poinciana. He was a quiet soft spoken man with no hidden agenda. I sure miss him.
What a monster player. Underrated.
the brush master. must have been a real treat to learn from a legend like Vernel
i love his style....do u still play?
@@timcuff6514 ...You took the words right out my mouth, Tim! Of course, Papa Joe Jones is number one! Vernell Fournier is 1a). Those two were head and shoulders above the rest of the brush masters, PERIOD!!!
I've been a fan since the early 1960's. I saw him live at Jazz Alley in Seattle in 1994. He was terrific, and kind enough to talk with me between sets. A real gentleman, as well as an all time great musician.
I recall not getting into the Pershing Lounge on Cottage Grove and 64 but I stood outside and heard this trio playing Surry with the Fringe On Top .... through the doorway. I was 14 at the time ... I believe it was 1955 or 56 ..... Argo was recording the sessions over a weekend
Broadcast from CBS Studio 61, housed at the Monroe Theatre at 1456 First Avenue, at East 76th Street, this 1959 episode of Jazz from Sixty-One featured a live performance of "Darn That Dream" by Ahmad Jamal and his trio. Pianist Ahmad Jamal (1930-2023) was accompanied by Crosby (1919-1962) on bass, and Vernel Fournier (1928-2000) on drums.
Also visible in the video are other luminaries who performed that evening, including tenor saxophonist Ben Webster, pianist Hank Jones, bassist George Duvivier, drummer Jo Jones, trumpeter Buck Clayton and trombonist Vic Dickenson.
The show's consultant, Nat Hentoff, can be is seen nodding to the music with a pipe in his mouth and his wife next to him.
Jamal’s phrasing is a masterclass.
the hang in that room is legendary
papa jo face in the end...awesome.Vernel was the MAN!!!!
Israel Crosby! What a legend!
Lots of greats in the audience, the kind of crowd to unnerve a young artist, but Ahmad is steely throughout -awesome
Great point. Most people would slip with an audience like that. Ahmad’s the GOAT
Gentleman Martin Haggis 69 thanks 😊
i don't think there's a limit to how much he can blow your mind.
RIP Nat Hentoff , bearded man smoking a pipe at 4:46 .. passed away this last January
Absolutely sublime. Sophistication, elegance and delicacy ...
Rest in Peace. Thank you for your artistry.
Ahmad has been good for a long time
Yes: the rhythm sections was absolutlely killin'! Israel Crosby was like having Johann Sebastian Bach as your bass player...a genius! And Vernel Fournier was perfect: really perfect. Never played anything that wasn't appropriate to the music! What a great trio!
Reading Ted Gioia, How To Listen To Jazz. Is it the one ?
yup. an example showing that good jazz doesn't need to be amplified to death, right? this is ahmad jamal's great early trio. poinciana (live at the pershing) was a big hit.
I’m doing the same thing Leo. I have been listening to jazz for forty years and I am still amazed at how many wonderful artists there are in this medium.
Oh Mann Groove, groove , grove at its best. Just listen to the shifting, grooving, swing. By all members of this once in a lifetime rhythm section. Ahmad at his amazing early years best..!! Still relent today folks!
my grandfather told me a story about how Ahmad Jamal came to his school, Ahmad was only 17 at the time but he played like he was 60 and had practiced his whole life.
I'm speechless...... what a performance... I
To think that man innovated an entire genre of music ! Truly incredible
Fascinating to listen and see.
Jamal surrounded by connaisseurs. TOP
Hermosa la version y muchas figuras famosas escuchando la magistral interpretacion de Ahmad Jamal. Un momento inolvidable para los amantes del jazz.
That was amazing! For a moment I wish I was back in those days... 🤔
My co-worker Brian brought me here. This performance was everything!
another old tune well played. like the clock striking on keyboard & bass 2.he's great now & was good then 2.genius as ever.what an example to young musicians.
Jamal's playing is often an orchestra in itself!
The young Ahmad Jamal presents his thesis to the committee.
I love Joe Jones’s face at the end!
Papa Joe Jones in the audience!!
Zamphyr ... I spotted that too. Blimey, can you imagine how nervous you'd be if Papa Jo was standing behind you... "Aaaaargh". I wouldn't be able to play.
I love Ben Webster in these videos. He’s like “what the fuck do you want?” The BRUTE!
Fournier, another master of brushes up there with Ed Thigpen and Art Taylor. And you can't play mallets on the floor tom without acknowledging Fournier.
Is this the only video footage of Vernel? It's all I've ever seen.
I would love to see more of Fournier. He's great.
At last, you can hear Israel Crosby loud and clear! He was always buried in the album mixes. BTW, I didn't know Vernell Fournier was white. There was never a picture of the Ahmad Jamal Trio on any of the albums they made together, just a picture of Ahmad. I always wondered why.
VF He's a Louisianan - so no tellin what he is, you dig? Frenchman and whatever else.
zdogg8 looked creole to me
Sensational
I really like how Papa Jo is having a great time.
Masterly !
still love it!!
R.I.P. Mr. Jamal.
The Nigerian artist now known as Sade was in possession of a time traveling device prior to Crosby’s death in 1962
FAB-U-LUSSS 100%
top notch all the way
Ahmad Jamal looks like he's barely 20 something and he could swing! ( ^ _ ^ )
He was 28 when this was filmed.
Funny thing: On all his album covers, Jamal NEVER showed any photos of Israel Crosby or Vernell Fournier, so I've always wondered what the heck they looked like. This is from the period when Jamal was playing some very interesting stuff in a very individual style and the critics (including Hentoff) could never give him anything but criticism ("cocktail piano," "glib," etc) for it!
I am suprised by the Hentoff tidbit. I knew some others made this stupid "charge" denigrating one of the architects of modern jazz and one of its true virtuosos. Nobody ever played like Jamal, and the chance you would ever see another are slim and none. I was with him about three weeks ago, and he's still going strong, the music still lucid and supple - and bombastic at times - as well. Great man and unbelievable musical mind.
Jamal's emphasis is always on rhythm. His ornamentation is brilliant but he uses it to emphasize the rhythm, often to the extent that the melody falls apart. One gets the feeling he isn't interested in the lyrics of the tune. Maybe, too, he's tired of hearing the song rehashed with the same old cliches & embarrassed to play it straight - the way Gould would do some Mozart. The people who think it's cocktail music miss it's rythmic pulse.
RIDICULOUS. any more footage from this session ?
Yes, found one more so far. Search "Ahmad's Blues".
Zach Berns darn that dream ahmad Jamal Ben Webster sewstet
still issssssssssssssss!!!!!!
as a piano player, I feel personally attacked
ha ha! dig it
What broadcast is this from? Looks like The Sound Of Jazz but it didn't make it into the final cut?
2019 anyone?
@gr2222 still issssssssssssssssssss!!!!!!!!!!!
Anyone know what key this song is is in?
Flat major. The bridge goes to Amajor. It's normally played in Gmajor.
DFlat major.
@@jjazz22 It's in the key of AHMAD!!!
5:25 when the poop finally comes out
At 0:14 looks like Ben Webster
He's on the same program playing c-jam blues with his band
Le prophète des rêves.
N'importe quoi
@@bonjourbonjour7635 Bonjour.
Pas beaucoup mis en avant , bien sur maintenant oui. mais au fait pourquoi 'peut être que son nom et prénom ne sonnait pas trop jazz..
looks like a joint he has there....lol
M
Papa Joe @ 5.28' , Ben Webster .ao,
Is that freakin' Fidel Castro???????
Jazz critique and commentator on life, the late Nat Hentoff, of the Village Voice. Died a year or two ago.
Strange
Since I know Petrucciani better
I find Jamal lacking phantasie
But He is still nice
btw
I have the same feeling concerning Oscat, please forgive
Willie Vijer that's a style. If I could describe (which I can't) hard/stale style of playing compared to "Phantasie". Both players Ahmad and Oscar use maybe shorter/wider tones.... Brings out the warmth. If that makes any sense.
Petrucciani couldn't carry Jamal's water bottle.
@@zdogg8 ...Tell him about it! THANK YOU!!!
still isssssssssss!!!!!!!!
@gr2222 still issssssssssssssssssss!!!!!!!!!!!