Katia Ricciarelli-Il Trovatore-"Tacea la notte placida...Di tale amor che dirsi"
ฝัง
- เผยแพร่เมื่อ 16 ก.ย. 2024
- "Tacea la notte placida...Di tale amor che dirsi",
Opera, Il Trovatore,
Composer, Giuseppe Verdi,
Manrico, Giuseppe Giacomini,
Leonora, Katia Ricciarelli,
Azucena, Fiorenza Cossotto,
Il Conte di Luna, Sherrill Milnes,
Ferrando, Ivo Vinco,
Ines, Lidia Gastaldi,
Orchestra e Coro del Teatro Regio di Torino,
Conductor, Peter Maag,
Torino, Teatro Regio,
1980.
![Shareปลาวาฬ ส่งท้าย SS1 พาเปียโน ขึ้น Ferrari ก่อนไปขาย แลก Nissan l [Nickynachat]](http://i.ytimg.com/vi/KAknGkTNIvg/mqdefault.jpg)
![[[OFFICIAL MV]] เอิ้นขวัญให้อ้าย- อ๊ะอาย สกุณาพร | ค่ายเพลงเป็นหนึ่ง](http://i.ytimg.com/vi/83x6L3X3qh0/mqdefault.jpg)
Bravo Katia!!!..absolutely wonderful performance of one of the greatest female arias of all time!!
meraviglia! Timbro lunare, notturno, elegante, femminile e passionale come deve essere Leonora!
Non solo nell'aria: mi colpisce la magia della voce e dell'interpretazione nel recitativo. È esattamente come mi immagino debba essere Leonora.
Wonderful!!!!
incantevole Katia, anche qui... purtroppo una partitura troppo pesante per le sue corde e la sua impostazione vocale, insomma già in questa recita del 1980 si percepiva che era roba che lei avrebbe potuto cantarla ben poche volte, e che avrebbe contribuito (col resto) al suo declino precoce. Insomma c'è da ringraziarla per esservisi cimentata.
Condivido in toto quanto scrivi!
Quello che le è mancata è stata l'estensione vocale che le avrebbe permesso di essere a proprio agio nei ruoli.
Del resto tutte dopo un certo tempo perdono il registro che meno appartiene alla propria voce, vedi la Callas il cui registro acuto cominciò a vacillare sin quasi dall'inizio a volte.
a capito tutto!!i saw her at carnegie hall in new york in 1981
long time ago!!she was in her early
30s!!and people were talking
already that her voice was decli
ning,they said she has a poor
thecnique,good voice though
but essentially a lyric soprano
pushed to her limits!!singing
too much heavy repertoire!!
not her voice,not her thecnique
was right for the roles she was
giving to sing and she was taking
without thinking properly about
her essentially lyric soprano voice
the rest,everybody knows. sad,very
sad what happened to this lovely
soprano.
And Karajan pushed her to sing the title role in Turandot, which was a killer for her voice (she was a fantasic Liu).
An what happened to you and Mayito? How many records do you both have?
Y quien es. Mayito?quien eres?nos conocemos?
This part is written for a dramatic with agility, not a lyric looking for trouble.
Ricciarelli had not much above a high C and of course no chestvoice either.
How much opera have you heard in the voice of the beloved Italian diva?
Pablo Perdomo Enough
"Ricciarelli had not much above a high C"
I'm confused, doesn't the score of the song not ago above the high C anyway? If so then what's the issue?