looks nice and pro, but something very wrong with tonal curve , you make too much compression at hilights that eat all contrast at bright areas. It could be good for indoor cinema scene for some script mood and feel, but we all have seen so many hi contrast juicy night Tokio on FX3/a7s owners, and your looks very strange. I meant I expected "pop" contrast like in th-cam.com/video/gHfe1xTpomE/w-d-xo.html
I honestly admit that I failed properly setting the conbination of PL filter and exposure. I am going to reshoot the scenery with correct settings, and will make proper colour grading to make it look like cyberpunk-ish contrast as you mentioned. Thank you very much indeed for your sincere advice!!
![ゆりかもめ 2 超色域動画 / YURIKAMOME Line: Toyosu to Shinbashi [Sony FX 3]](http://i.ytimg.com/vi/2bdPmRb72pE/mqdefault.jpg)
![ゆりかもめ 2 超色域動画 / YURIKAMOME Line: Toyosu to Shinbashi [Sony FX 3]](/img/tr.png)
映像が綺麗ですね！！！
ありがとうござます。 新規投稿に時間がかかっていますが、これからもよろしくお願い致します🙇♀️🤲
looks nice and pro, but something very wrong with tonal curve , you make too much compression at hilights that eat all contrast at bright areas. It could be good for indoor cinema scene for some script mood and feel, but we all have seen so many hi contrast juicy night Tokio on FX3/a7s owners, and your looks very strange. I meant I expected "pop" contrast like in th-cam.com/video/gHfe1xTpomE/w-d-xo.html
I honestly admit that I failed properly setting the conbination of PL filter and exposure. I am going to reshoot the scenery with correct settings, and will make proper colour grading to make it look like cyberpunk-ish contrast as you mentioned. Thank you very much indeed for your sincere advice!!