I attended one of his clinics when he was with the Airmen of Note and he said he accidently banged up his front teeth and after that was blessed with an incredible range. He advised that we not hit our teeth with a hammer to achieve the same results. It may not work.
Lol that s funny .. That s cool and i guess that other rapper who got hit by a gun on his throat also became great after that.. I do no advise u to shoot ya lol
I bet he'd have the same range on a Bach 12C. It's more the musician than the model of horn or the mouthpiece. Practice makes perfect, AND perfects the talent; but you have to have talent in the first place, then second is dedication and practice, practice, practice.
Who can give me a recommendation on the backbore regarding the 1, 2,or 3 size or model star or standard for my purchase. I play a Large Shank Trombone (Yamaha Xeno 882GO) I plan on getting the 9ST top. I'm sure it has to be a ST model correct? There's not a lot of information I can find for Warburton and trombone specifications of these split mouthpieces as far as images are concerned
@isl1551 You use exactly as much pressure as your lips are pushing out against the mouthpiece. Gotta keep your horn on your face, after all. As most people start playing higher, their lips start pushing out more, so there's more pressure. Try and talk to any brass player who works for a living and they'll tell you about the same thing.
Absolutely! Doc Reinhardt put it this way, “The forward pressure (of puckered resistance) equals the backward pressure and reaches a neutral/freezing point”. Decrease the AMOUNT of air as you ascend the horn and simultaneously increase the abs and intercostal compression. DON’T try to play developing range loud, at first. Again, Reinhardt: “The squeaker of today is the high note of tomorrow.” Open the lip aperture up (Lynn Nicholson “Relax the middle” [of the chops]) The lips are just there to vibrate. If the SMALLER AMOUNT of air goes faster, the lips will “tag along” (that one is mine 😆) Buzz on a mouthpiece rim, alone. It forces you to get the air right.
Dave, what's the air like up there?! :)
I attended one of his clinics when he was with the Airmen of Note and he said he accidently banged up his front teeth and after that was blessed with an incredible range. He advised that we not hit our teeth with a hammer to achieve the same results. It may not work.
Lol that s funny .. That s cool and i guess that other rapper who got hit by a gun on his throat also became great after that.. I do no advise u to shoot ya lol
😅😅😅😅😅😅😅😅😮😅😅😅😅😅😅😅😅😅😅😅😅😅b. Guyyyy
Double High D at the end. Nice!
tea's ready
0:58
lolol
Is there an octave key on that trombone? How convenient that would be!
I would guess he's using little to none. Steinmeyer is a beast.
Stumpy!!!! You look great and sound, this is hard to believe, even better than our days in the USAF BAnd. Bruce Bevans
A super Db...? I'm pretty sure that note just broke physics
I bet he'd have the same range on a Bach 12C. It's more the musician than the model of horn or the mouthpiece. Practice makes perfect, AND perfects the talent; but you have to have talent in the first place, then second is dedication and practice, practice, practice.
Wow, this dude has some serious chops!!!!
Hello Mr Steinmeyer! My dad was the CWO Bob Bunton. You played with him in the Air Men of Note.
Listening to this guy makes me want to throw away my trumpet and take up trombone!
grande professore, uno stile unico inconfodibile nel tempo. un saluto dal sud italia
❤❤❤❤
incredible!
Very good!!!
Wow
IT DOESN'T EVEN LOOK LIKE HES TRYONG THAT HARD!!!
The secret is that he isn't trying hard "It's all air" as he would say
holy crap that is high and controlled!
CHOPS!
what the!?!?!?!
Who can give me a recommendation on the backbore regarding the 1, 2,or 3 size or model star or standard for my purchase. I play a Large Shank Trombone (Yamaha Xeno 882GO) I plan on getting the 9ST top. I'm sure it has to be a ST model correct?
There's not a lot of information I can find for Warburton and trombone specifications of these split mouthpieces as far as images are concerned
@isl1551 You use exactly as much pressure as your lips are pushing out against the mouthpiece. Gotta keep your horn on your face, after all. As most people start playing higher, their lips start pushing out more, so there's more pressure. Try and talk to any brass player who works for a living and they'll tell you about the same thing.
Absolutely! Doc Reinhardt put it this way, “The forward pressure (of puckered resistance) equals the backward pressure and reaches a neutral/freezing point”.
Decrease the AMOUNT of air as you ascend the horn and simultaneously increase the abs and intercostal compression.
DON’T try to play developing range loud, at first.
Again, Reinhardt: “The squeaker of today is the high note of tomorrow.”
Open the lip aperture up (Lynn Nicholson “Relax the middle” [of the chops])
The lips are just there to vibrate. If the SMALLER AMOUNT of air goes faster, the lips will “tag along” (that one is mine 😆)
Buzz on a mouthpiece rim, alone. It forces you to get the air right.
What model mouthpiece is he playing?
?????? im just joking
Range, technique, legato, control ... You facepalm.
WTF
hand position ... facepalm