During the last days, everything I thought to myself would be cool to watch or listen to, has been popping up in my feed. This included Bernstein playing "All the things" in a duo. Shit's getting scary..... Great interplay !!
blazuul66 i find exactly the opposite happens. The other guy throws tons of notes around without a definite goal. (For my taste, and compared to peter). And I find if I concentrate hard enough on one single phrase he plays, I get why he might have thought it was interesting but then three bars have passed by and he's somewhere else. Bernstein makes it all make sense, melodically, he takes you through the song, plays one clear idea after another, without hiding in a pool of notes, plays the fuck out of the B diminished which is so pretty to me by the way..
a comping that get you lost is not good ... Comping should help the other player and the listener, and, no matter how complicated it is, it should "sound" simple and organised.
Ralf, what kind of amp are you using? Tone sounds great on that Godin, I thought I was fully hollow, so nice and rich! I am trying to get my 339 / Twin to sound like that, can't quite nail down the right settings.
Hi Daniel, If it sounds good, it's the guitar not the amp. I was running it through the amp that was provided which was pretty crappy. The Godin Premiere IS fully hollow. It looks like a 335 style, but doesn't have the wood block in the centre, just some braces.
I have the Montreal Premier and it has a center block/arch thingy inside. It's almost like a center block but they removed material below it (hence the "arch")... Did they totally get rid of that?! I'm just curious because I feel like they really started gearing that thing toward jazz AFTER I got mine (now you can get the trapeze tailpiece and what not). Annnnnyways, awesome playing!!!
jazz1bro No, haven't tried the Benedetto's. I own a couple of Eastman's. They're nice, but a bit pricier. The Godin's are very affordable with excellent workmanship.
Bernstein develops all his melodic idea like he was telling us a story. It's powerfull
peter’s solo made melodic and structural sense.. istead playing everything possible, he played more of what was essential.. 🎸😎
Man, Peter's solo was something else
New supscriptor!i 'm great peter bernstein fan but I've never heard you ralph you're great too!
Thanks a lot, Marc. Glad you liked the video.
During the last days, everything I thought to myself would be cool to watch or listen to, has been popping up in my feed. This included Bernstein playing "All the things" in a duo.
Shit's getting scary.....
Great interplay !!
Thanks, Francisco. Glad you enjoyed it.
beautiful playing and awesome communication
Thanks
thanks for sharing, have a good day
Wow, I just came across this. So awesome!
Thanks, Justin. Hope you're doing well.
nailed it
Bernstein is the most thoughtful improvisor
So cool!
roblawsonmusic Thanks, Rob!
Breathe....
It might take a little more effort to really hear what Peter is playing,but i think his playing is simply great on this video.Thanks for sharing it.
blazuul66 i find exactly the opposite happens. The other guy throws tons of notes around without a definite goal.
(For my taste, and compared to peter). And I find if I concentrate hard enough on one single phrase he plays, I get why he might have thought it was interesting but then three bars have passed by and he's somewhere else.
Bernstein makes it all make sense, melodically, he takes you through the song, plays one clear idea after another, without hiding in a pool of notes, plays the fuck out of the B diminished which is so pretty to me by the way..
bernstein's comping is very unique. i often get lost :(
a comping that get you lost is not good ... Comping should help the other player and the listener, and, no matter how complicated it is, it should "sound" simple and organised.
If he would be comping you and he heard you were getting lost he would be supportive and change things up probably.
Haha i thought the guy in black shirt was andreas oberg
Ralf, what kind of amp are you using? Tone sounds great on that Godin, I thought I was fully hollow, so nice and rich! I am trying to get my 339 / Twin to sound like that, can't quite nail down the right settings.
Hi Daniel, If it sounds good, it's the guitar not the amp. I was running it through the amp that was provided which was pretty crappy. The Godin Premiere IS fully hollow. It looks like a 335 style, but doesn't have the wood block in the centre, just some braces.
I have the Montreal Premier and it has a center block/arch thingy inside. It's almost like a center block but they removed material below it (hence the "arch")... Did they totally get rid of that?! I'm just curious because I feel like they really started gearing that thing toward jazz AFTER I got mine (now you can get the trapeze tailpiece and what not). Annnnnyways, awesome playing!!!
Sounds very Good! What do you think about the Godin guitar compared to others?
Great! Really nice guitar. Very light with a consistently fine tone.
Ralf Buschmeyer Thanks! Have you played Benedettos/etc?
jazz1bro No, haven't tried the Benedetto's. I own a couple of Eastman's. They're nice, but a bit pricier. The Godin's are very affordable with excellent workmanship.
jazz1bro The Godin Montreal Jazz is also worth checking, it's quite nice. a lot like a Metheny Ibanez I used to own.
What guitar are you playing? Very good tone!
Hi Wegtis, It's a Godin Premiere. Great guitar, consistently nice sound no matter what amp I've plugged it into.