Why do I feel like I'm like the only person that actually likes Dr. Murphy's vibrato style? Like seriously, it adds so much more energy to his music, it's awesome!
I like it I was the school French saxophon of Marcel Mule via Daniel Deffayet he was the teacher of my tracher 's saxophon in Music School of St Nazaire (France -Loire-Atlantique)
It was my piece of music for my entrance Supérieur in Music School of Saint-Nazaire in France (Loire Atlantique) in 1985, year It is marvellous piece and this it is a very good interpretation
I take lessons from a guy who was one of Otis Murphy's top students (look up Zach Shemon). I asked him why Murphy's vibrato was the way it was, and he said it was all about the environment he was in. If he were playing a solo piece, he would use a fast and wide vibrato to stand out, and if he was playing with a small ensemble, he would use significantly less vibrato. All being said, if you're going to judge a world-class musician who has shaped the lives of many successful saxophonists simply on his vibrato, you need to loosen up.
Hey, what are the odds? I currently take lessons from Professor Shemon and he says that Murphy uses way faster vibrato than necessary but he’s developed his own style with vibrato that fast. If you’ve seen Otis Murphy play Claude T Smith’s Fantasia he uses vibrato at around quarter = 110 (16ths) even when he gets up to an altissimo E. It’s insane.
Would you believe it if I told you it was shot entirely using an iPad? The room was well lit though, so that makes it easier for the lense and imaging sensor.
Vibrato is one of those interesting subjects and usually comes down to taste,sometimes it gets in the way of the music and can be really off putting. Other times vibrato can be really useful.for eg late 30s 40s bands [Glenn Miller]use it in abundance,it wouldn't sound like Glenn Miller without vibrato. However if you sang or played Rameau etc no vibrato.The problem is you have to be in control of it otherwise it sounds annoying. I would not say you alter your vibrato to suit the venue you are singing or playing it's all about the style of the piece of music you are playing. Glazunov [romantic] this vibrato is way too fast.You want a warm vibrato ie slow.
I actually appreciate this comment. A romantic vibrato is definitely wide and rubato. Usually vibrates at the end of a longer tone and slowly works into the vibrato.
I believe this fast and wide vibrato, which is completely up to the particular musician btw, is more in line with the traditional French style. If you listen to Marcel Mule, you’ll hear this a lot.
+Alonso Toro Old fashioned? Obviously you have never heard Marcel Mule's playing. This vibrato style tops off the piece. Learn to differentiate, earn your DMA in Saxophone, and then speak about "old fashion vibrato is simply awful." Downright snobby
He is playing in the style that this piece was intended to to be played in. This piece was composed in the 30's, this is the style used in those time. If you listen to any recording of artists in those time such as Rascher or Mule, you'll hear that. Also, earned his DMA. He can use the style he sees fit. This man is a master of the saxophone.
![Jean-Yves Fourmeau - Concerto in E-flat major [Alexander Glazunov] (Soliste 2000Released)](http://i.ytimg.com/vi/PvosIonWurU/mqdefault.jpg)
![Jean-Yves Fourmeau - Concerto in E-flat major [Alexander Glazunov] (Soliste 2000Released)](/img/tr.png)
Why do I feel like I'm like the only person that actually likes Dr. Murphy's vibrato style?
Like seriously, it adds so much more energy to his music, it's awesome!
I like it
I was the school French saxophon of Marcel Mule via Daniel Deffayet he was the teacher of my tracher 's saxophon in Music School of St Nazaire (France -Loire-Atlantique)
Beautiful piece by Alexander Glazunov played by a Master saxophonist, Otis Murphy!! Bravo!!
It was my piece of music for my entrance Supérieur in Music School of Saint-Nazaire in France (Loire Atlantique) in 1985, year
It is marvellous piece and this it is a very good interpretation
A born genius and a prodigy.
God bless him.
I take lessons from a guy who was one of Otis Murphy's top students (look up Zach Shemon). I asked him why Murphy's vibrato was the way it was, and he said it was all about the environment he was in. If he were playing a solo piece, he would use a fast and wide vibrato to stand out, and if he was playing with a small ensemble, he would use significantly less vibrato. All being said, if you're going to judge a world-class musician who has shaped the lives of many successful saxophonists simply on his vibrato, you need to loosen up.
Turns out, people who are successful make the rules. Who would've thought?
Hey, what are the odds? I currently take lessons from Professor Shemon and he says that Murphy uses way faster vibrato than necessary but he’s developed his own style with vibrato that fast. If you’ve seen Otis Murphy play Claude T Smith’s Fantasia he uses vibrato at around quarter = 110 (16ths) even when he gets up to an altissimo E. It’s insane.
I personally choose to use his style of vibrato in my own playings
That conductor thought he was the featured act, not the soloist.
lol
Distraction to the audience
Bravo
It was great to see this live! Too bad the conductor was in his own little world, you could see the frustration on Dr. Murphy's face.
You can kinda hear his frustration in his playing too lmao
非常好
excelent
Why is the conductor so excited?
bro this was posted in 2012 but its in like 8k
Would you believe it if I told you it was shot entirely using an iPad?
The room was well lit though, so that makes it easier for the lense and imaging sensor.
it's just 1080p *shrug*
The conductor is dancing yo
are he trying a circular breath at 5:02
Does anyone know this mans set up
@@micahmazzella he did switch to the S90
S90 170, 3.0+ Reserves Custom EXII,
This conductor is awful...
Vibrato is one of those interesting subjects and usually comes down to taste,sometimes it gets in the way of the music and can be really off putting. Other times vibrato can be really useful.for eg late 30s 40s bands [Glenn Miller]use it in abundance,it wouldn't sound like Glenn Miller without vibrato. However if you sang or played Rameau etc no vibrato.The problem is you have to be in control of it otherwise it sounds annoying. I would not say you alter your vibrato to suit the venue you are singing or playing it's all about the style of the piece of music you are playing. Glazunov [romantic] this vibrato is way too fast.You want a warm vibrato ie slow.
I actually appreciate this comment. A romantic vibrato is definitely wide and rubato. Usually vibrates at the end of a longer tone and slowly works into the vibrato.
I believe this fast and wide vibrato, which is completely up to the particular musician btw, is more in line with the traditional French style. If you listen to Marcel Mule, you’ll hear this a lot.
@@johnmarkconnolly6414 It is effectif ...See interprétation' s Jean Marie Londeix
this old fashion vibrato is simply awful
Alonso Toro ...and your credentials are?
+Michael173 lol noob
+Alonso Toro Old fashioned? Obviously you have never heard Marcel Mule's playing. This vibrato style tops off the piece. Learn to differentiate, earn your DMA in Saxophone, and then speak about "old fashion vibrato is simply awful." Downright snobby
He is playing in the style that this piece was intended to to be played in. This piece was composed in the 30's, this is the style used in those time. If you listen to any recording of artists in those time such as Rascher or Mule, you'll hear that. Also, earned his DMA. He can use the style he sees fit. This man is a master of the saxophone.
This is the traditional saxophone vibrato. Please listen to Sigurd Rascher. Just like a concert violinist.