@@suprlunrWhy would anyone do a mono pedal for synths, especially for the OB-1 that thrives off its wide audio spread? Then again for mono applications like a guitar on stage, it's too flimsy! Bad design, keeping my Electro Harmonix Overlord instead, costs half as much, built like a tank, also has 3 EQ knobs when I only want to distort bass/mids/highs, not everything 🫤
@@g3cdmany producers make a stereo mix, but track in total mono. I do. It lets me have total control over the final stereo mix. I often also take the stereo output of a synth or drum machine that has L and R outs,, and run each channel thru separate effects lanes then into a summing mixer for a final treatment before being tracked into the DAW.
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What a beautiful machine you’ve built.
Thanks so much!
You got mail!
Great design 👏
🙏🏻
whats the similar looking synth you got there? very cool saturator.
Thanks! That synth is an OP-1 Field.
looks/sounds great - is it mono or stereo?
Thanks! It’s mono.
@@suprlunrWhy would anyone do a mono pedal for synths, especially for the OB-1 that thrives off its wide audio spread? Then again for mono applications like a guitar on stage, it's too flimsy! Bad design, keeping my Electro Harmonix Overlord instead, costs half as much, built like a tank, also has 3 EQ knobs when I only want to distort bass/mids/highs, not everything 🫤
@@g3cdso you buy 2
@@g3cdmany producers make a stereo mix, but track in total mono. I do. It lets me have total control over the final stereo mix. I often also take the stereo output of a synth or drum machine that has L and R outs,, and run each channel thru separate effects lanes then into a summing mixer for a final treatment before being tracked into the DAW.