Modern Classical Guitar Full Build - Christian Crevels Handmade Guitars

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  • เผยแพร่เมื่อ 26 มิ.ย. 2024
  • No music and no talking.
    Nova, my experimental Modern Classical Guitar, is finally finished. Check out the video to see some of its innovations and special features:
    - Lamella Bracing
    - Bevel Armrest
    - Bevel Cutaway
    - Bound and Radiused Fingerboard
    And much more!
    You can see all my guitars on my Website:
    www.crevelsguitars.com/gallery
    0:00 Soundboard
    3:31 Bracing and Voicing
    8:18 Back and Sides
    11:59 Bevels and Bindings
    15:09 Fingerboard and Bridge
    19:00 Finish and Outro
    Specs:
    Engelmann Spruce Soundboard with unique experimental Lamella Bracing
    Ebonized Khaya 'African Mahogany' Back and Sides
    Khaya 'African Mahogany' Neck
    Bound and Radiused Wenge Fingerboard
    12-Hole Ultra Lightweight Ebonized Walnut Bridge
    Oil Finish
    There is a dedicated video for each part of the build, for those interested in more detail, just check out this Playlist:
    • #09 'Nova' - A Modern ...
    Check out my website to see all the guitars I have made so far!
    www.crevelsguitars.com/
    Or follow me on Instagram, where you can also see my builds!
    @chriscrevelsguitars
    #guitar #guitarmaker #luthier
  • เพลง

ความคิดเห็น • 38

  • @Elephantine999
    @Elephantine999 18 วันที่ผ่านมา +1

    Cool. Lots of work!

  • @rogeriocosta1035
    @rogeriocosta1035 24 วันที่ผ่านมา +3

    Love the scientific approach to tune the top, the radius on the fretboard and the overall guitar appearance. But you really need a good classical player to do the demo. A good classical piece would show the real potencial of the guitar. The volume, the dynamic, the overtones, the sustain etc.

    • @chriscrevelsguitars
      @chriscrevelsguitars  22 วันที่ผ่านมา +1

      You are right, my abilities as a player does not measure to professionals. I will work on getting some pro players to test drive the guitars!

  • @user-cn2cx6it7r
    @user-cn2cx6it7r 8 หลายเดือนก่อน +2

    Дякую, що поділилися ! Thank you!

  • @lucianomunoz6349
    @lucianomunoz6349 หลายเดือนก่อน

    Great Job

  • @LittlePunjabiKid
    @LittlePunjabiKid หลายเดือนก่อน +1

    You have crafted a beautiful guitar 🙂

  • @policroniogonzaga4766
    @policroniogonzaga4766 7 หลายเดือนก่อน +1

    Nice build

  • @imacnz
    @imacnz 2 หลายเดือนก่อน +1

    Very good to see the whole process. Many different skills involved. I would suggest a bigger flat surface when bracing for stability.

    • @chriscrevelsguitars
      @chriscrevelsguitars  2 หลายเดือนก่อน

      Thank you! Actually the surface of the solera is not flat, as is the soundboard of the guitar slightly domed

  • @holden2gether
    @holden2gether 2 หลายเดือนก่อน +1

    Interesting take on the traditional Fan bracing (I'm all for improving or changing 'tradition'). Would be nice to hear it played by a classical guitarist who finger picks, not criticizing your playing but it just sounds a little 'thin'. But I see you were using a plectrum, so I can't tell if it's the bracing pattern or the pick that is making it lose some of that 'fullness' usually associated with Classicals. Plus it's a Spruce as opposed to Cedar so that would shift the frequencies upward a bit. What is your thinking behind not running the linings all the way around the rest of the soundboard from the bevels? Just interested, and thanks for posting your process.

    • @chriscrevelsguitars
      @chriscrevelsguitars  2 หลายเดือนก่อน

      Hey! Thanks for your comment. Well, I actually look at it as a variation on the lattice design, but it does also resemble the fan brace, so it is indeed somewhat in between. As for my playing, you are right, I am no professional and I can't really keep my nails in order while woodworking. But there is also something else: any spruce guitar takes some time to open up, and those early recordings are really not a good representation. Then again, this is a prototype. Just a proof of concept with which I still have to do some further development. Thanks again for the comments!

  • @setyabudi8414
    @setyabudi8414 2 หลายเดือนก่อน +1

    goodluck. Indonesian Jawa people say Telaten mesti panen.

  • @EnterTheDeep
    @EnterTheDeep 9 หลายเดือนก่อน +5

    What are the specific design aspects or components of this instrument that define it as a "modern" classical guitar, as opposed to traditional classic?

    • @chriscrevelsguitars
      @chriscrevelsguitars  9 หลายเดือนก่อน +6

      For me, a Modern build mostly includes ergonomic innovations such as the radiused fingerboard and the armrest. Of course, there are some aspects in sound as well, but sound preferences are very subjective. Some people absolutely want the traditional sound but with a more ergonomic playing.

    • @EnterTheDeep
      @EnterTheDeep 9 หลายเดือนก่อน +3

      Thanks for the reply, and keep up the brilliant work!

    • @lush462
      @lush462 7 หลายเดือนก่อน

      ​@@chriscrevelsguitarswhat radius is comfortable for classic guitar? You use the classic nut width as well?

    • @chriscrevelsguitars
      @chriscrevelsguitars  7 หลายเดือนก่อน +1

      @@lush462 I went with 10" radius with this one. It's nice but maybe a little too much, probably would go for 12" the next. Really depends on the player though. Nut width is 50mm on this one

  • @gustribulo
    @gustribulo 4 หลายเดือนก่อน +1

    Muy bueno . No curvaste el fondo ni la tapa ??

    • @chriscrevelsguitars
      @chriscrevelsguitars  4 หลายเดือนก่อน

      Gracias! La tapa és curvada a 2mm y el fondo un poquito más

    • @victorn5302
      @victorn5302 3 หลายเดือนก่อน

      iba a hacer la misma pregunta

  • @rabbani8613
    @rabbani8613 3 หลายเดือนก่อน

    Hello sir, what the different for produce classical or accoustic guitar even it frim the samewood

    • @chriscrevelsguitars
      @chriscrevelsguitars  3 หลายเดือนก่อน

      Hello! There are many differences in terms of design, but I would say the main difference (the most important one) is the thickness and stiffness of the top, the design of the braces and the shape and design of the bridge. The main concern is that steel strings on the acoustic have much higher tension, thus the guitar's top must be adjusted to that, being more stiff

    • @rabbani8613
      @rabbani8613 3 หลายเดือนก่อน

      @@chriscrevelsguitars Thanks you so much

  • @dieterbauer8492
    @dieterbauer8492 9 หลายเดือนก่อน

    Bei diesen weiten Abständen der Jahresringe kann ich mir nicht vorstellen, dass das eine engelmann-Decke ist.. ?

    • @chriscrevelsguitars
      @chriscrevelsguitars  9 หลายเดือนก่อน

      For this experimental guitar, I took a soundboard that had good sounding properties but aesthetically was not the highest grade, because I wouldn't be using it for clients instruments

    • @dieterbauer8492
      @dieterbauer8492 8 หลายเดือนก่อน

      ok, now I unterstand@@chriscrevelsguitars

  • @Txomo
    @Txomo 3 หลายเดือนก่อน

    Not easy to work with that "khaya" if it's the same than Acajou or Samanguila.

    • @chriscrevelsguitars
      @chriscrevelsguitars  3 หลายเดือนก่อน +1

      Khaya is not easy to carve of plane. It's grain is interlocked and there is no "right" direction to work. It does finish very well and once you have a nice surface it becomes very beautiful

    • @Txomo
      @Txomo 3 หลายเดือนก่อน

      @@chriscrevelsguitars I'm trying to make my first guitar and the neck, back and rims are from this wood. It's been hard thinning back and rims with hand tools.

    • @chriscrevelsguitars
      @chriscrevelsguitars  3 หลายเดือนก่อน +1

      @@Txomo the upside is that you are going to end up with a beautiful instrument. Certainly thinning the back and sides, especially sides, will be the most delicate. You may want to try a scraper, or even sanding instead of a plane. The back is also annoying, but it can be left a bit thicker, as this is not the denser wood. You definitely want the sides not too thick so you don't have problems when bending

    • @chriscrevelsguitars
      @chriscrevelsguitars  3 หลายเดือนก่อน +1

      @@Txomo for the neck, I recommend a Shinto rasp, followed by sanding. If you are good with your knives, that is also a good way

    • @Txomo
      @Txomo 3 หลายเดือนก่อน

      @@chriscrevelsguitars thanks for the advice. I'd be happy if it ends being half the beauty than yours is.