Hey another person from Maine!! Nice to meet you. I am glad you like the videos. I have been thinking about the possibility of getting a building and having classes and things like that... it won't be until spring, but I am thinking about it.
My gosh the amount of glazes and combos you use is crazy and the fact that you member them is amazing!! I have a pretty big kiln so it takes a while to fill my kiln so I can’t remember most of what I have once I load the kiln. I make an index card for each pot. Beautiful pots, as always and thank you so much for sharing with us.
Hi, I find your videos informative, concise, and approachable. Thank you. Do you nearly always use your studio white under the floating glazes? I like your results and haven't tried using a base glaze. thanks, Jessica, Pacifica California
I have a few glazes that I don't use a base of studio white with, but for the most part I usually use a base glaze first. Otherwise the time taken brushing on many layers and the cost of buying that much commercial glaze is a lot. I talk about it more in this video: th-cam.com/video/Zsjv0kuo9gQ/w-d-xo.html Thanks for watching!!
@@seahorseceramics Thanks! I was going by google and it said it was boo-guhn-vi-lee-uh. I think as soon as that glaze came out every potter was struggling to figure out the pronunciation, lol.
Hey, Sarah! Loving what you are calling, JUNE PURPLE?...Do I have that right? By Spectrum? I can seem to find itin Google search. Love that LAVENDER refire! Beauty! Thanks for sharing!
@@MeandmyfireflyEZCreations Yes, when I re-fire a piece I add another layer of glaze. Stroke and coat glazes are nice for this because they stick fairly well. Ideally if I was doing a load of just re-fire, I would go with a cooler temperature for the firing. But because I never have enough pieces to do a full load of re-fires, I will settle for putting something that was originally in the hottest part of the kiln in the coolest. I would say 8 out of 10 re-fires don't really work, so it's usually better to just let the piece go rather than waste the electricity. If I have a gap though, I'll throw something in and give it another try.
Greetings from way up in Limestone, Maine! I've been loving your business advice and pottery making videos. ❤
Hey another person from Maine!! Nice to meet you. I am glad you like the videos. I have been thinking about the possibility of getting a building and having classes and things like that... it won't be until spring, but I am thinking about it.
My gosh the amount of glazes and combos you use is crazy and the fact that you member them is amazing!! I have a pretty big kiln so it takes a while to fill my kiln so I can’t remember most of what I have once I load the kiln. I make an index card for each pot. Beautiful pots, as always and thank you so much for sharing with us.
Thank you so much for watching! Index cards sounds like a great idea!
@@threelittlepotters It works for me. Although it’s hard to keep them organized once I’ve fired the pots. Lol
1:40 the combo of papaya, tiger's eye and sunrise looks great
Oh good! So glad you like it!
Lovely glaze combinations!! Do you find all these glazes and glaze combinations to be durable - are they OK to put through the dishwasher repeatedly?
Yes, I haven't had any trouble with any of the glaze combos in this opening. I wash mine in the dishwasher.
Hi, I find your videos informative, concise, and approachable. Thank you. Do you nearly always use your studio white under the floating glazes? I like your results and haven't tried using a base glaze. thanks, Jessica, Pacifica California
I have a few glazes that I don't use a base of studio white with, but for the most part I usually use a base glaze first. Otherwise the time taken brushing on many layers and the cost of buying that much commercial glaze is a lot. I talk about it more in this video: th-cam.com/video/Zsjv0kuo9gQ/w-d-xo.html Thanks for watching!!
@@threelittlepotters btw, the word bouganvillea is latin (a plant) and is pronounced "bow-gan-ve-ya-" fwiw.
@@seahorseceramics Thanks! I was going by google and it said it was boo-guhn-vi-lee-uh. I think as soon as that glaze came out every potter was struggling to figure out the pronunciation, lol.
Hey, Sarah! Loving what you are calling, JUNE PURPLE?...Do I have that right? By Spectrum? I can seem to find itin Google search. Love that LAVENDER refire! Beauty! Thanks for sharing!
It's a mixed glaze, you can find the recipe here: glazy.org/recipes/10677 I add .2grams of cobalt to mine.
@@threelittlepotters Ohhhhh! Well, it's beautiful!
Lots of nice results. When you do a refire. Do you add extra glaze and then what are the temperature/cone for doing a refire.
Thanks
@@MeandmyfireflyEZCreations Yes, when I re-fire a piece I add another layer of glaze. Stroke and coat glazes are nice for this because they stick fairly well. Ideally if I was doing a load of just re-fire, I would go with a cooler temperature for the firing. But because I never have enough pieces to do a full load of re-fires, I will settle for putting something that was originally in the hottest part of the kiln in the coolest. I would say 8 out of 10 re-fires don't really work, so it's usually better to just let the piece go rather than waste the electricity. If I have a gap though, I'll throw something in and give it another try.