Crazy good .... Its almost like you have a heart. Unmatchable Christian. You make no apologiy in your drifts. They only make the journey stronger.. Thanks.
Geez, this is so soulful, beautiful yet ethereal. I’m definitely going to purchase this arrangement. Hope I can do it justice. Thank you for all you do to inspire my piano playing.
Christian Fuchs. I'm up for the challenge, Christian. Have to admit, this was not one of my favs until now, and you've shed a new light on how this can sound, so big thank you from over 'ere. I reckon that be a good'un as we used to say in owd Suff'k.
Greeting from Portland, Oregon. Thank you for sharing your knowledge, Christian. Much appreciated! I just bought four of your arrangements and can't wait to get started. Thanks again.
I have been working hard on this. I have a question about the opening chords. You go from an A5 to a D7 that involves a jump with the hand. I have worked out a different way, with more economy of motion, and I would like your thoughts on it. It's easy for a teacher, I know, to say, "Whatever sounds good to you is what sounds good to you," but I would like to hear any feedback on why you do or don't like this approach. It has some (but not all) rootless voicings, and can therefore make some shapes do double duty, plus I toss in a sharped half-diminished chord at the end, why not: C-E-G-B: Am9 C-E-F#-A: D9 D-F#-G-B: Gmaj7 C-E-G-B: CmaJ C-E-F#-A: F#m7#5 B-D#-F#-A: B7 B-D-E-G: Em7 B-D-F-G#: E#min7#5 Is it considered bad form to have one shape be a rootless chord and a rooted chord shortly afterward? The C-E-G-B for example.
Hey Dan, it is impossible to answer such detailed questions on a channel of several thousands. You cannot imagine how much time just the comments plus email traffic consume. I am very sorry and hope to have your understanding!
I agree. Maybe we have a couple versions of Les Feuilles Mortes in our ear, that are also free of any jazzy sounds. Well, from now on everybody will associate Germany with this song.
Hi Christian, I enjoy your arrangement of autumn leaves. It’s so relaxing. Thank you. Looking at your sheet music, Am7 in bar 74 is written as ABD#. Is this a mistake?
jonny mercer ? I thought it was by Joseph Kosma [music] and Jacques Prevert [lyrics -careful how you spell that surname ] and was originally called ''Les Feuilles Mortes '' [''Dead Leaves ''-so glad that was changed to ''Autumn'' ] . But who cares ? this is the best arrangement I have ever heard : simple but hauntingly beautiful . I cannot resist inserting a couple of ascending scales on the first page -to signify the leaves falling [old habits die hard ] but otherwise playing it exactly as written. Definitely a masterpiece . Perhaps you will do ''Autumn in New York '' someday ? I like the Al Haig version but slower than he plays it . Thankyou for this lovely rendition .
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Crazy good .... Its almost like you have a heart. Unmatchable Christian. You make no apologiy in your drifts. They only make the journey stronger.. Thanks.
Haha! Excellent!
Very lovely feel for a classic jazz standard, I can imagine Evans playing like this when he was alone.
Yes, and I love Evans versions, well, I like all his songs...
You make it look so easy
God bless you mr fuchs for all of your amazing free of cost tutorials...thanks and godspeed
Excellent as usual Christian. The type of thing I could listen to and play about with all day. Think you could too.
Geez, this is so soulful, beautiful yet ethereal. I’m definitely going to purchase this arrangement. Hope I can do it justice. Thank you for all you do to inspire my piano playing.
Thanks Dancer! Yes, do it justice. Justice must prevail!
This is one of the most beautiful interpretations of this song ever, thank you for that!
You play it so beautifully that I almost forget it is a tutorial. :)
Wunderschönes Lied und traumhaft gefühlvoll gespielt. Danke Christian. Ich möchte das auch können. 💕😇
So peaceful.
Fabulous so soulful ,love the way the melody hangs in the air playing with your expectation .
Simon Cogan I agree, wonderful. Let's listen again, then sweep up!
And can you both feel how the song is subtly playing with the expectation, that you learn it? ;-)
Christian Fuchs. I'm up for the challenge, Christian. Have to admit, this was not one of my favs until now, and you've shed a new light on how this can sound, so big thank you from over 'ere. I reckon that be a good'un as we used to say in owd Suff'k.
Greeting from Portland, Oregon.
Thank you for sharing your knowledge, Christian. Much appreciated!
I just bought four of your arrangements and can't wait to get started.
Thanks again.
Greeting from Brunei Darusalam, thank you very much for sharing
A beautifull interpretation with a great arrangement
Yeah , nice to have to some classic jazz.yeah
Just beautiful
What a great tutorial yet again😃Thank you so very much 😘😘😘.
What a beautiful arrangement!
Another phenomenal lesson and beautiful arrangement. Cheers from USA
amazing. Danke Danke Danke
Trop trop jolie 🍃🍃🥀🥀🥀🎹🎶🎶🎶
Super...thank you so much
So much feeling and emotion in your playing. Are you reading from a sheet or have you memorized it?
Great job, Master!
Now go and serve me-practice, unworthy vermin!
Thanks
Thanks Boss ,slow, nice and easy piece.
Thank you!
Great, thanks.
Ah man , I love it 😻
Thanks a lot
I want to learn this 😎
Merciiii
❤
Thank u
Beyond The sea
I have been working hard on this. I have a question about the opening chords. You go from an A5 to a D7 that involves a jump with the hand. I have worked out a different way, with more economy of motion, and I would like your thoughts on it. It's easy for a teacher, I know, to say, "Whatever sounds good to you is what sounds good to you," but I would like to hear any feedback on why you do or don't like this approach. It has some (but not all) rootless voicings, and can therefore make some shapes do double duty, plus I toss in a sharped half-diminished chord at the end, why not:
C-E-G-B: Am9
C-E-F#-A: D9
D-F#-G-B: Gmaj7
C-E-G-B: CmaJ
C-E-F#-A: F#m7#5
B-D#-F#-A: B7
B-D-E-G: Em7
B-D-F-G#: E#min7#5
Is it considered bad form to have one shape be a rootless chord and a rooted chord shortly afterward? The C-E-G-B for example.
Hey Dan, it is impossible to answer such detailed questions on a channel of several thousands. You cannot imagine how much time just the comments plus email traffic consume. I am very sorry and hope to have your understanding!
Beautiful. Very French. I don't know why. Its just very French.
I agree. Maybe we have a couple versions of Les Feuilles Mortes in our ear, that are also free of any jazzy sounds. Well, from now on everybody will associate Germany with this song.
HUZZAH!
can you please share the sheet music with me, I really love it
Its linked in the text box;-)
can you please share the sheet music with me,please I love your teaching and I couldn't afford the sheet music
Beautiful! Just wondering how you record your piano because it sounds absolutely stunning. If you use a DAW, what sound do you go for?
It’s the Pianoteq plugin piano.
@@ChristianFuchsBlues Thanks! I don't have that, would you recommend it? Which preset is this?
Hi Christian, I enjoy your arrangement of autumn leaves. It’s so relaxing. Thank you. Looking at your sheet music, Am7 in bar 74 is written as ABD#. Is this a mistake?
Id love to have time to see the chords as you play them. Its hard to pause them just at the right time
jonny mercer ? I thought it was by Joseph Kosma [music] and Jacques Prevert [lyrics -careful how you spell that surname ] and was originally called ''Les Feuilles Mortes '' [''Dead Leaves ''-so glad that was changed to ''Autumn'' ] . But who cares ? this is the best arrangement I have ever heard : simple but hauntingly beautiful . I cannot resist inserting a couple of ascending scales on the first page -to signify the leaves falling [old habits die hard ] but otherwise playing it exactly as written. Definitely a masterpiece . Perhaps you will do ''Autumn in New York '' someday ? I like the Al Haig version but slower than he plays it . Thankyou for this lovely rendition .
Thanks Sizzling! At the moment I should probably do Summer In The City…
@@ChristianFuchsBlues Definitely !
Wery,wery piceful and nice,hawe You notes to this?
.
Yes, just follow my link in the video box. Its under "New" right at the top. christianssheetmusic.com/
Is it for free, I couldn't find it, can you please e-mail me, please I love your video thanks for teaching
jacques prevert poete francais la classe en jazz
What’s the song you play in your intro
The song I teach in the tutorial. ;-)
@@ChristianFuchsBlues omg thank you for this wonderful tutorial!!! Learning the song now☺️☺️
Where is the sheet music
christianssheetmusic.com/
What's the song at the start ?
Its part of the song.
@@ChristianFuchsBlues I love this tutorial it's so cool ur replying to comments !
Wow. Just fabulous. Slow version useless😉
You could still do your email during the slow version. :-)
Have you Misty? Coudn´t find.
nope.
he does now -look for it again and you will find the tutorial and the sheet music .
SHEET MUSIC AND MIDI FILE available, see the link.
dankeschon! das ist beautiful