OMG, such depth, such authentic beauty and connexion with the music... Honestly, Stanislav Bunin is so incredibly underrated and so unfairly overlooked, it's truly heartbreaking...
Stunning performance - filled with all of the beauty and drama that makes for an outstanding Chopin 3rd Sonata. What a pity that it seems that no pianist since has played it at this level, even the dozens and dozens at the Chopin Competition since as well. Perhaps it is the fact that there is real intensity hear and not just an attempt to play with perfect polish at all times. If you think about it, if Yundi Li is the most well-known and considered finest Chopin Competition winner since Bunin - and if you really think about it, not a famous AND great Chopin player since 1975 with Zimerman. Similar things can be said for other competitions - though oddly the best prize winner to come out of the Tchaikovsky since 1978 was a 2nd place winner Lugansky. Yet, back to Bunin, what happened? Few pianists have ever played the Chopin 3rd Sonata so well (with very heavy competition) - yet why only in Japan did anyone pay attention to him?
classicalalways that's what I am wondering how did we miss this genius pianist?? I can't believe I've never heard of him. I have seen some of the latest and greatest pianist and nothing compares to Bunin IMO.
what bs are you talking about... 1978 Tchaikovsky competition? Pletnev won... in 1990 Berezovsky.. not that long ago Trifonov.. Matsuev... they are mainstays of the piano world.. and not for nothing. About this chap here... inspired playing.. perhaps yes... but it's a misconception to think of inspired playing with lots of mistakes as having an edge over playing that is technically more brilliant and assured because mistakes supposedly show "character". that's just bs. It's what it it.. inspired playing full of mistakes.. and it becomes a waiting game... when will he screw up some more? It's fine.. not that good. About Lugansky.. ALL his recordings have the same high level playing....without any of the discernable qualities that some of the aforementioned first prize winners do have.
Играл лучше, и это был Гениальный пианист Алексей Султанов! Послушайте. Вечная ему Память! Очень рано покинул этот мир, к сожалению...Да, и кстати, раз уж тут вспомнили Мацуева..., то и победителем конкурса Чайковского по-настоящему должен был быть совсем не он, а Алексей Султанов. Это был самый скандальный конкурс Чайковского. Сохранились записи, как Алексей играл тогда, Мацуев даже близко не стоял...
@@Thijs-Kuiken Pletnev is also often riddled with mistakes, but he is always absolutely inspired and artistic. Just like Horowitz. I'd pay money to hear artistic inspiriations - I don't care about a few slipped notes here and there. I'd sooner hear Pletnev, Volodos or Bunin in concert than Lugansky. If you are different, that's fine. Just don't call other people's preference bs. I could also say your performance can be fully satisfied by an AI.
Breathtaking. Bunin is one of the greatest - the greatest? - Chopin player there has been. A remarkable pianist and another remarkable performance. Thanks for sharing.
sorry to be off topic but does anyone know a method to log back into an Instagram account? I somehow lost my account password. I would appreciate any tips you can offer me.
@Manuel Justice thanks so much for your reply. I found the site thru google and Im waiting for the hacking stuff atm. Looks like it's gonna take a while so I will reply here later with my results.
I don’t KNOW if this is as great as I think it is, but I found it bloomin’ marvellous. Have never before enjoyed this sonata as much as in this rendering. Mr Bunin is (was?) a great musician. Thank you for the upload.
How does someone like this simply vanish from the world stage? I guess performing wasn't the life for him. (He plays Chopin exquisitely though... what a shame.)
he has diabetic and he is sick (since 30~40 ish age) . Thats part of reasons why he doesn't appear in public anymore. also he married a japanese girl and has a son. he enjoys living in Japan. but he finds performing in public hard enough as he get anxious/stressed too much etc. I was a big fan of Bunin since in 1989 (he played in Korea) but really its a shame he doesn't even make any more decent recordings. His Chopin competition live performance (DG) is the best so far I can tell.
It's interesting to compare his performance of this Sonata to those of his father and grandfather. My own preference is for his grandfather's recording: he has the most beautiful tone of the three, and his is the only one who does the exposition repeat of the first movement. But Bunin is certainly impressive.
Please check out Igor Zhukov, who studied with Neuhaus. th-cam.com/video/LMeqaxs5UwI/w-d-xo.html I find Bunin a bit harsh at times and I don't really connect with his style of playing, it's a bit too excessive and calculated. I prefer that the music simply flows out of the pianist's soul, not his brain or fingers. Technique isn't enough.
Namumyohorengekyo What a miraculous happy unison of the sprit of music, pianist highest skills, his physical body flow, which is truly rare and special young age only possible. No doubt his Chopin is beyond any comparison because those unique unison of his music making of power beauty and emotion. He was the special cultural phenomenon of the dramatic change of the post Soviet era. He was truly genuine inheritor of Russian Piano Romanticism of Soviet elites however with the collapse of Soviet Union such breeding institutions also collapsed. His migration to Japan and exposure to commercialism and sensationalism might destroyed his best condition as Piano soloist.
Fabulous pianist. Apalling sound, neatness in playing and a wide range of colours. All together with an uncommon sensitivity. The result is an stunning mix of delicacy and majestic piano rendition you won't find in anywhere else. The best interpretation I've heard of this Sonata, that of Glenn Gould included. A shocking discovery. Why on earth did this artist cast aside or "vanish" from the world? Seems there's a bit of a mistery 'round him... 🙄😳😳🙏Still the question mark arises : is he mannered? for his critics say he is... 🙄😳🎵🎶
Maravilhoso, sonata preferida, a primeira vez que ouvi foi com a grande pianista brasileira Guiomar Novaes, estou ouvindo sempre tambem com outros pianistas, e maravilhosa e eleva o espirito humano.
What is Bunin doing now? I hardly hear about him. I know he married a Japanese woman and lived in Japan for a while. But he hardly did concerts outside Japan m if I understand correctly. Really too bad that he disappeared into obscurity.
@Mookie Spindlehurst To teach and perform in Japan does not mean to vanish : he went away or dissappear from our Western world, but not from that other. He may have become a Zen man, fed up with our Civilization.. Who knows? One can still getting his recordings through the Japanese Amazon market.. You still finding them in Amazon, so, we're lucky!! 😂😂🙏
@Mookie Spindlehurst You right. But we have to understand that if you marry a Japanese and you're in love with, you may happen to love her world too... and then you may decide to settle down there, then start working there and, all of a sudden, you are making a life there.. your friends are there, your house, your work... in some months you have a new life and your home is out of the blue (to say so), there. If you earn well enough, would you then, miss Russia or your stressing Western world? Perhaps not. For me, this what has surely happened. In any case, I prefer to think it was so, just a love story with a happy ending. 😳😘After all, he has recorded quite enough repertory, and probably keeps going on with that production. For what have seen, it in't a problem at all, for pianists to live here or there. About his live performances, the idea I've gotten is that he keeps on with, now and then showing up, somewhere, 'round there. And again, some pianists don't like studio recordings as others don't like stage appearances. Think it's possible he thinks he earns well enough with his classes and then his royalties, many did the same... Tatiana Shebanova, Sokolov, Gould, Lupu... even Weissenberg kept volontarily retired during ten years and said he didn't repent at all about it. Think what are named master classes of this piano wonders or celebrities, are very well paid, so where's the need of producing themselves on stage again, and then having to re enter into the chains of contracts and stressing tours a bit everywhere? He surely has found some gratifying harmony with the world and with himself the way he does it nowadays. What if he is a man who loves being home with his dearest after his classes and recordings? Can't tell, but it's what I tend to think. He can always reappear in our Western world for a single concert per year or three in a year and then stop again. These brilliant artists have also gotten a freedom degree that we can't even imagine... If he reappears in Europe or the States now, he will be payed triple than they paid him before. Just because his apparent "vanishing" has created a demand non existent before, who knows. But it doesn't seem to me he is someone in permanent search of fame and money. Many of these artists are not that kind. And tend to think too, that what his wife may think, surely matters a lot to him, he wouldn't have settled down there if not, would he had? Is he the Celibidache or Gulda or Vasary kind? Why not? there are many who decide to live under the Orient stars: aren't those cultures fascinating? I know they are. 🙄✨🌟🌟🤔😔🙏
Nonsense. There are many extraordinary interpreters of Chopin including his father and grandfather, not to mention Cortot, Rubenstein, Novaes, Horszowski and many others.
+edwindepianist completely agree with Edwin. ..I personally remember his faschinschwank aus Wien. ...if you are a pianist wouldn't you mind to have a little look at my Chopin 3d sonata...?
Quite aggressive in the beginning of the first movement, precipitous throughout, and not necessarily a lovely tone. A brilliant player of course, and some lovely moments, but a little too Schumannesque (badly) for my tastes. I can see why his performing career did not take off internationally beyond the requisite 2 years of prize-winning contracts.
Way too much "rubato". This is NOT rubato. He is playing faster, slower, then faster again. Good technique but this is not true Chopin. In places, it almost sounded like Rachmaninoff. Also, his cadence's are rather because he makes massive ritards into them making it seem like the end of the movement. In the scherzo, he has great finger work but in the trio section, again he has far too much rhythmic freedom.
Too edgy. Too upsy downsy. Too much bashing. Too many Russian pyrotechnic dotted notes where the score simply didn't say so. Great technique for its own sake. Not in the service of the music. Momentary lapses of concentration causing wrong notes. I think pianists with this level of promise who have gone astray should go on sabbaticals, shut themselves away and listen to Dinu Lipatti, the pianist's pianist, to learn how flawless technique can pass almost completely unnoticed in the service of the music. Nadia Boulanger would have straightened this fellow out real quick, and Heinrich Neuhaus would have been right there saying, "with a little guidance, my grandson could be quite a fine pianist indeed" Yes, really, he has some beautiful sotto voce, and just when you're starting to enjoy him, he starts bashing again. "This performance shows why he won the Chopin competition the year before"? I have no idea where our host got that notion from. He must have turned in some way better performances than this unless the 1985 line-up was a weak one. But there again, I'm just an armchair critic who couldn't even get close to this effort, but nonetheless has a pair of ears that don't want to be conned.
Well I'm a pianist who can play this piece well enough to present it to the public more than few times, to a couple of good reviews, and I agree with you. I can well see why his career stalled and then fizzled.
ヤッパリブーニンさんのChopinが、一番聴きやすくて、Chopin独特の音色と言うのかがあって…雰囲気がとても素敵です。もっとどんどんと日本で演奏して下さいネ🎉
So deliting so sensible, no words can describe the transcendent level, and the beauty that he leads us through his music.
OMG, such depth, such authentic beauty and connexion with the music... Honestly, Stanislav Bunin is so incredibly underrated and so unfairly overlooked, it's truly heartbreaking...
結局、何処へ行っても最後は此処へ戻って来てしまう。彼の音色が聴きたくて戻って来てしまう。
美しいChopinをありがとう‼Bunin…✴‼
音が魔法のように指先から流れ出し、キラキラと舞っていく感じ・・本当にブーニンのショパンはドラマティックで情熱的で切ない・・体全体で音楽を表現するパフォーマンスも素敵！
ショパンを誰よりも新鮮で、かつ美しく情熱的に弾いてくれるピアニストでしょう。素敵な演奏で何度も聴いてしまいます😊
Stunning performance - filled with all of the beauty and drama that makes for an outstanding Chopin 3rd Sonata. What a pity that it seems that no pianist since has played it at this level, even the dozens and dozens at the Chopin Competition since as well. Perhaps it is the fact that there is real intensity hear and not just an attempt to play with perfect polish at all times. If you think about it, if Yundi Li is the most well-known and considered finest Chopin Competition winner since Bunin - and if you really think about it, not a famous AND great Chopin player since 1975 with Zimerman. Similar things can be said for other competitions - though oddly the best prize winner to come out of the Tchaikovsky since 1978 was a 2nd place winner Lugansky. Yet, back to Bunin, what happened? Few pianists have ever played the Chopin 3rd Sonata so well (with very heavy competition) - yet why only in Japan did anyone pay attention to him?
classicalalways that's what I am wondering how did we miss this genius pianist?? I can't believe I've never heard of him. I have seen some of the latest and greatest pianist and nothing compares to Bunin IMO.
Some pianists simply step away from the limelight.
His Polonaise Fantaisie is absolutely marvellous as well.
what bs are you talking about... 1978 Tchaikovsky competition? Pletnev won... in 1990 Berezovsky.. not that long ago Trifonov.. Matsuev... they are mainstays of the piano world.. and not for nothing.
About this chap here... inspired playing.. perhaps yes... but it's a misconception to think of inspired playing with lots of mistakes as having an edge over playing that is technically more brilliant and assured because mistakes supposedly show "character". that's just bs. It's what it it.. inspired playing full of mistakes.. and it becomes a waiting game... when will he screw up some more? It's fine.. not that good.
About Lugansky.. ALL his recordings have the same high level playing....without any of the discernable qualities that some of the aforementioned first prize winners do have.
Играл лучше, и это был Гениальный пианист Алексей Султанов! Послушайте. Вечная ему Память! Очень рано покинул этот мир, к сожалению...Да, и кстати, раз уж тут вспомнили Мацуева..., то и победителем конкурса Чайковского по-настоящему должен был быть совсем не он, а Алексей Султанов. Это был самый скандальный конкурс Чайковского. Сохранились записи, как Алексей играл тогда, Мацуев даже близко не стоял...
@@Thijs-Kuiken Pletnev is also often riddled with mistakes, but he is always absolutely inspired and artistic. Just like Horowitz. I'd pay money to hear artistic inspiriations - I don't care about a few slipped notes here and there. I'd sooner hear Pletnev, Volodos or Bunin in concert than Lugansky.
If you are different, that's fine. Just don't call other people's preference bs. I could also say your performance can be fully satisfied by an AI.
誰よりもかっこいいー！！
やはり亡命前の方が、音楽が雑念のない憧れに満ちている。
ベルリンの壁崩壊前の東独に行った音楽家が、コンサートで、長州が閉鎖社会の中で夢と希望を音楽に求めていて、「聴きたい!」という熱い情熱が聴衆から伝わってくるのに感動したという話を想い出した。
亡命後は、西側社会も決して理想社会ではないことに目覚めて、夢が覚めてしまったんじゃないのかな？
改めて、音楽に最も必要なものは何なのか、考えさせられました。
音楽に限ったことではないですが、人はまだ見ぬものが多いほど、想像力と憧れが膨らむ余地が多くなり、それが表現の原動力になるというのは真実だと思います。
ソビエトの演奏家達があれほど辛い環境下にありながら、あれほど素晴らしい演奏を残した事を考えるたび、同じく、音楽に欠かせない必要なものって何だろう、と考えてしまいます。感受性の強い人が、憧れていたものを現実に見る時、その憧れが大きければ大きいほど、失望は大きいです・・・。
流れる様に弾く方が多そうな第三楽章もさすがブーニンさん！ご自身の音楽性をしっかりと持ち合わせていらっしゃる！素晴らしいです。
まだお若い頃ですねえ😁みずみずしい演奏に惚れてしまう
この数年後に来日した際にお会いしました
I hope one day I can go to his concert and listen in person 👂
I love u dear Stanislav Bunin my teacher ♥️
The grreatest pianist who ever lived. Sadly, he no longer concertizes.
Such asound/ touch like no one else
This is truly unbelievable performance! Breathtaking rubato, beautiful and powerful sound and he still menages to keep form very clear..
Bravo Bravo 👏
Great Pianist 👍
잘들었습니다
덕분입니다
감사합니다
고맙습니다
이 순간만큼은 세상사 모든 풍파에서 자유롭습니다
すごすぎて感動❤️😭
Chopin to najpiękniejsza spuścizna dla ludzkości.
He really had something special that moves me, when he was young. I hear strong yearning and passion.
De toute évidence un immense pianiste. Toutes les Sonates de Chopin sont difficilement accessibles !
His Bach recordings are equally worth acquiring to his Chopin. I find myself wishing he had recorded more.
Breathtaking. Bunin is one of the greatest - the greatest? - Chopin player there has been. A remarkable pianist and another remarkable performance. Thanks for sharing.
80 년대 최고의 쇼팽 스페셜리스트.
I love this play. His performance is powerful and dramatic.(my personal think) Thanks for sharing this video
sorry to be off topic but does anyone know a method to log back into an Instagram account?
I somehow lost my account password. I would appreciate any tips you can offer me.
@Casey Jeremy Instablaster =)
@Manuel Justice thanks so much for your reply. I found the site thru google and Im waiting for the hacking stuff atm.
Looks like it's gonna take a while so I will reply here later with my results.
@Manuel Justice it did the trick and I actually got access to my account again. I am so happy!
Thank you so much you really help me out !
@Casey Jeremy Happy to help xD
How beautiful, fantastic musician 🌟🌟🌟
Omg hes a legend
Beautiful❗👍
Enchanting lyrical sections... I don't know how he does it but it's just so different from others, in a good way of course.
I don’t KNOW if this is as great as I think it is, but I found it bloomin’ marvellous. Have never before enjoyed this sonata as much as in this rendering. Mr Bunin is (was?) a great musician. Thank you for the upload.
How does someone like this simply vanish from the world stage? I guess performing wasn't the life for him. (He plays Chopin exquisitely though... what a shame.)
he has diabetic and he is sick (since 30~40 ish age) . Thats part of reasons why he doesn't appear in public anymore. also he married a japanese girl and has a son. he enjoys living in Japan. but he finds performing in public hard enough as he get anxious/stressed too much etc. I was a big fan of Bunin since in 1989 (he played in Korea) but really its a shame he doesn't even make any more decent recordings. His Chopin competition live performance (DG) is the best so far I can tell.
Another pianist I love a lot.
@Eugenie Song, where do you get that information? Such a pity that someone with Bunin's skills is no longer active.
Amazing!
He is really really marvelous pianist.
It's interesting to compare his performance of this Sonata to those of his father and grandfather. My own preference is for his grandfather's recording: he has the most beautiful tone of the three, and his is the only one who does the exposition repeat of the first movement. But Bunin is certainly impressive.
Please check out Igor Zhukov, who studied with Neuhaus. th-cam.com/video/LMeqaxs5UwI/w-d-xo.html I find Bunin a bit harsh at times and I don't really connect with his style of playing, it's a bit too excessive and calculated. I prefer that the music simply flows out of the pianist's soul, not his brain or fingers. Technique isn't enough.
少しSchumann的なテイストに感じた…と仰る方の分析が物凄く興味深く感じました。『或る音楽への愛情を強く感じる瞬間』の初めての作曲家がSchumannだったBuninのSchumann観を先に聞いていたので三楽章の『美への憧れ』的な感じがそのように伝わったとしたら面白いなあと思いました🎵
He's the best.
Such clarity
truly outstanding!!!
Stanislav Bunin is one of the greatest Pianists. HIs IV movement was dangerously fast. Inspired I recorded Finale on my channel.
Handsome Pianist !
Namumyohorengekyo
What a miraculous happy unison of the sprit of music, pianist highest skills, his physical body flow, which is truly rare and special young age only possible.
No doubt his Chopin is beyond any comparison because those unique unison of his music making of power beauty and emotion.
He was the special cultural phenomenon of the dramatic change of the post Soviet era.
He was truly genuine inheritor of Russian Piano Romanticism of Soviet elites however with the collapse of Soviet Union such breeding institutions also collapsed.
His migration to Japan and exposure to commercialism and sensationalism might destroyed his best condition as Piano soloist.
ショパンは彼がだんとつだー❣️
He plays the first sixteenth notes like the lightning flash.
not that fast
Thats beautiful pkaying.
Pure magic
This performance shows why he won the chopin comp. one year before.
Los genios de su época. 🇮🇷♥️
Splendid ❤️❤️❤️❤️❤️
Fabulous pianist. Apalling sound, neatness in playing and a wide range of colours. All together with an uncommon sensitivity. The result is an stunning mix of delicacy and majestic piano rendition you won't find in anywhere else. The best interpretation I've heard of this Sonata, that of Glenn Gould included. A shocking discovery. Why on earth did this artist cast aside or "vanish" from the world? Seems there's a bit of a mistery 'round him... 🙄😳😳🙏Still the question mark arises : is he mannered? for his critics say he is... 🙄😳🎵🎶
What do you mean by mannered?
Awesome
Gran artista.
Maravilhoso, sonata preferida, a primeira vez que ouvi foi com a grande pianista brasileira
Guiomar Novaes, estou ouvindo sempre tambem com outros pianistas, e maravilhosa e eleva o espirito humano.
この画像は日本公演の時のかしらね!会場もそんな雰囲気の様ですネ。又Chopinのソナタの曲では、この曲が1番素敵で、感動します❤
ブーニン、ショパンコンクールの審査員にも呼ばれないのかな。
In the last movement he is sometimes dangerously fast.
first price of Chopin competition and Marguerite Long Jacques Thibaut
Oh my..
What is Bunin doing now? I hardly hear about him. I know he married a Japanese woman and lived in Japan for a while. But he hardly did concerts outside Japan m if I understand correctly. Really too bad that he disappeared into obscurity.
as i have read he is teaching in Japan now
Yes, and he has been performing in Japan as well.
@Mookie Spindlehurst To teach and perform in Japan does not mean to vanish : he went away or dissappear from our Western world, but not from that other. He may have become a Zen man, fed up with our Civilization.. Who knows? One can still getting his recordings through the Japanese Amazon market.. You still finding them in Amazon, so, we're lucky!! 😂😂🙏
@Mookie Spindlehurst You right. But we have to understand that if you marry a Japanese and you're in love with, you may happen to love her world too... and then you may decide to settle down there, then start working there and, all of a sudden, you are making a life there.. your friends are there, your house, your work... in some months you have a new life and your home is out of the blue (to say so), there. If you earn well enough, would you then, miss Russia or your stressing Western world? Perhaps not. For me, this what has surely happened. In any case, I prefer to think it was so, just a love story with a happy ending. 😳😘After all, he has recorded quite enough repertory, and probably keeps going on with that production. For what have seen, it in't a problem at all, for pianists to live here or there. About his live performances, the idea I've gotten is that he keeps on with, now and then showing up, somewhere, 'round there. And again, some pianists don't like studio recordings as others don't like stage appearances. Think it's possible he thinks he earns well enough with his classes and then his royalties, many did the same... Tatiana Shebanova, Sokolov, Gould, Lupu... even Weissenberg kept volontarily retired during ten years and said he didn't repent at all about it. Think what are named master classes of this piano wonders or celebrities, are very well paid, so where's the need of producing themselves on stage again, and then having to re enter into the chains of contracts and stressing tours a bit everywhere? He surely has found some gratifying harmony with the world and with himself the way he does it nowadays. What if he is a man who loves being home with his dearest after his classes and recordings? Can't tell, but it's what I tend to think. He can always reappear in our Western world for a single concert per year or three in a year and then stop again. These brilliant artists have also gotten a freedom degree that we can't even imagine... If he reappears in Europe or the States now, he will be payed triple than they paid him before. Just because his apparent "vanishing" has created a demand non existent before, who knows. But it doesn't seem to me he is someone in permanent search of fame and money. Many of these artists are not that kind. And tend to think too, that what his wife may think, surely matters a lot to him, he wouldn't have settled down there if not, would he had? Is he the Celibidache or Gulda or Vasary kind? Why not? there are many who decide to live under the Orient stars: aren't those cultures fascinating? I know they are. 🙄✨🌟🌟🤔😔🙏
@@rickartdefoix1298 p
この曲は辻井伸行さんのドキュメンタリーで知って以来いろんな方の演奏を聴いています。
ブレハッチさんの演奏で衝撃を受け、繊細な内田光子さんの演奏もとてもよかった。
ただ繊細なだけではなく、ドラマチックなところはドラマチックで、いろんなところにブレハッチさんがイチオシしと書きましたが、今は内田さんです。ブーニンさんとブレハッチさん弾き方が似ていますね。
❤❤❤❤❤
Here is a theurgy: Bunin dissolving into Chopin.
Wow
ブーニンの奥さんは日本人なのだそうだけどブーニンの熱烈なファンだったのかな
ロシア語の通訳の方です。ドイツで出会われたとか、ベルリンの壁が壊れる前ですものね、今とは隔世の感があるでしょう。
世田谷の豪邸住まいって聞いたことある。
ブーニン 3楽章 とても大切 忘れるな
After listening to Stanislav Bunin's Chopin one feels all of the other pianists are either redundant or just caricatures.
Is he mannered, as his critics have said? 🙄😳
@@elisabetta5044 Have just asked mentioning what his critics say. Don't think that 's my opinion... 🤔🙄😳
Nonsense. There are many extraordinary interpreters of Chopin including his father and grandfather, not to mention Cortot, Rubenstein, Novaes, Horszowski and many others.
I think if he had debuted these days he would have been more successful in his career.
+bachadmirer I think totally the opposite...Have a look a the present-days-winners... :)
edwindepianist of course, he is...I just meant that with all that long-yundi-wangs he wouldn't have any success nowadays. ...
+edwindepianist completely agree with Edwin. ..I personally remember his faschinschwank aus Wien. ...if you are a pianist wouldn't you mind to have a little look at my Chopin 3d sonata...?
Where are you finding these Bunin videos?
powerfull
Очень жаль,что пианист носу не кажет в Россию,по крайней мере ,я слежу за афишей 25 лет.
Ему и там неплохо
@@alitalake4932 я думаю он не концертирует уже, а только преподаёт в Японии
@@alitalake4932 спасибо за информацию, видимо, в России его обидели чем- то, сын Нейгауза, , и вот Япония стала второй Родиной
@@alitalake4932 у нас Мацуев есть, его хватает
@@alexeyignatyev2088😂
15:04 hilarious his face after he played the wrong chord
19:26 those three notes always sounds wrong to me but that's correct in the book
22:18
How come his surname is 'Bunin', if he is Stanislav Neuhaus' son? 😐
Anyone knows? 🤔
He is a son of Stanislav Neuhaus, but he grew up with a stepfather. His surname comes from his mother's, 'Bunina'. He wrote that in his autobiography。
why the surname in bunin, if the father was neuhaus?
左の6連符がどうしても弾けん
15;24 wayyyyyyyy too fast
Bunin is the son of Stanislav Neuhaus and who is the mother ??
Lyudmila Bunina, a pianist, pupil of Heinrich Neuhaus.
rather crude. tremendous faciity
AB
コクは無いがキレが有る
Quite aggressive in the beginning of the first movement, precipitous throughout, and not necessarily a lovely tone. A brilliant player of course, and some lovely moments, but a little too Schumannesque (badly) for my tastes. I can see why his performing career did not take off internationally beyond the requisite 2 years of prize-winning contracts.
Yes. Besides, Bunin has been critised as being mannered. A very serious flaw in interpreting Chopin. Up to you to judge if this is so. 🙄😳🎵🎶
Way too much "rubato". This is NOT rubato. He is playing faster, slower, then faster again. Good technique but this is not true Chopin. In places, it almost sounded like Rachmaninoff. Also, his cadence's are rather because he makes massive ritards into them making it seem like the end of the movement. In the scherzo, he has great finger work but in the trio section, again he has far too much rhythmic freedom.
Too edgy. Too upsy downsy. Too much bashing. Too many Russian pyrotechnic dotted notes where the score simply didn't say so. Great technique for its own sake. Not in the service of the music. Momentary lapses of concentration causing wrong notes. I think pianists with this level of promise who have gone astray should go on sabbaticals, shut themselves away and listen to Dinu Lipatti, the pianist's pianist, to learn how flawless technique can pass almost completely unnoticed in the service of the music. Nadia Boulanger would have straightened this fellow out real quick, and Heinrich Neuhaus would have been right there saying, "with a little guidance, my grandson could be quite a fine pianist indeed" Yes, really, he has some beautiful sotto voce, and just when you're starting to enjoy him, he starts bashing again.
"This performance shows why he won the Chopin competition the year before"? I have no idea where our host got that notion from. He must have turned in some way better performances than this unless the 1985 line-up was a weak one.
But there again, I'm just an armchair critic who couldn't even get close to this effort, but nonetheless has a pair of ears that don't want to be conned.
David Footerman interesting, where did you get that quote from neuhaus?
Well I'm a pianist who can play this piece well enough to present it to the public more than few times, to a couple of good reviews, and I agree with you. I can well see why his career stalled and then fizzled.
His critics have insisted in saying he is mannered. What do you think? 🙄😳
Dont agree
@@danielche2349 It's not a quote. It was just me speculating on what Neuhaus might have said!
ショパンはこんな風に弾かないよ。解釈が違う。
すみませんド素人です。演奏の｢解釈」とはどんなものなのでしょうか。
楽譜には作曲者のこういうふうに弾いてくれというメッセージがあるのだと聞きました。だとするとこういうふうに楽譜はいっているが自分はこう思うというのが「解釈｣？そうするとあんまり作曲者の意図と逸脱しない「解釈」がいい
｢解釈｣なのですか。一つの曲でもピアニストによって弾き方も音も全然違いますがそしたら｢個性」というのはその｢解釈」の違いですか。
ショパンはどんな風に弾くのか
聞いたことがあるのかな？
恐らくあなたよりもショパンを学んだであろう審査員が
認めた人です
@@salamandra6758
例えば歌舞伎や能が伝統芸能であるように、クラシックの中でも特にMozartやBeethoven、Chopinは「このように弾けば作曲家特有の美が表せますよ」という「演奏様式」があるのです。それは確かに外れてはならないものだし、外した所で決して良い結果にはなりません。ならないからこそ、人から人へ、大切に伝承によって守られています。
物凄く簡単な例を挙げますと「Mozartはこの音形は音間を切って弾く、ベタベタ繋げない、とかそういう事です。」それはMozartが実際にそう弾いていたからで、Mozartの演奏を聞いたBeethovenが「音を切り過ぎる」と語った逸話が残っています。で、Beethovenは自作の曲を自分のスタイルで弾くと同時に、弟子にはちゃんと教育上重要な作曲家のレパートリーは教える訳です。クラシックでは殆どの作曲家が当時の名演奏家でもあるので、BeethovenもChopinも弟子がいて、その弟子、そのまた弟子、という風に繋がり、今も主流派の先生達がいます。
教育史上重要なのはリストで、彼は師のツェルニーを通じてBeethovenの孫弟子に当たりますし、周辺には同時代の作曲家が何人もいて良く知った仲だし、凄まじいヴィルトゥオーゾだったので優秀な弟子が集まり、そこから20世紀の主流派へと繋がっています。ブ―ニンの家系のネイガウス派もバリバリ健在で、だから血族のブ―ニンが世隠れしていても余裕で持つ訳なんですね。
@@noramiyako5618 様
素人にはあんまりよく分からないけれど丁寧なご説明ありがとうございました。