Mam, after watching your videos, i have become your fan. I have learnt classical music, for years, under various tutors, but never it was explained so detailed and easily by anyone. Meri gayaki aur detailed ho gayi hain. Thanks much. :-)
Nyasa swaras important , S P and M are nyasa, but starts with S ,it shall go by touching D and also both with S . R is not under nysa but it shall appear with Important certain proportion, M is jaan and Badi/Raja swara under purbanga baadi from 12 pm to 12 pm which lies with S R G M. This utaranga and purbangs badi may vary for M and P swaras under expansion of sastra. Hence M appers with repetions of important as Baadi /Nyasa swara . Pancham with R and M appear with beauty. D important must be given for swara important for Raag Durga. Alap with hand clapping must be followed to make Alap . Matra must be duly added in Alap . Taan with matra of Palta must be chosed to make bandish beatify srmrs srmpmrs srmrs srmpdpmrs srmpdpmrs etc must easily understand with Taal and hand clapping with rising swaras. But your advice with Manda Saptak is most suitable to me as new learner,. Taal Mala and Swara Malika too must be taken to practice palata with Taal as I learnt from you teaching. But I could not understand the AAKAR
Mam i am also a regular follower of your sangeet videos. plz also discuss bada khyal also explain its style of singing with matras counting... and "thanx a lot" for your support.
Mam namskar, you are really doing a great job. Please also teach about ragas like darbari, lalit, khamaj, sur malhar, aheer bhairav etc. With regards. Bharat Bhushan Sharma.
BHARAT BHUSHAN Ahir bhairav me re aur Ni komal rehta hai aur sabhi swar seedha seedha lagta Hai .I think so aur raag lalit me dono madhyam ek saath lagte hain isliye thoda 12swaron ko ek ke baad ek lagate jaaiye isse raag lalit kaa bhi thoda sa abhyaas hoga
Because of u'r lectures I could recognize my own voice, otherwise I used to copy songs thanks alot. Great great great respect for u .
Dr.sarita pathak ji aapko lakho karoro naman,charan sparsh
Mam, after watching your videos, i have become your fan. I have learnt classical music, for years, under various tutors, but never it was explained so detailed and easily by anyone. Meri gayaki aur detailed ho gayi hain. Thanks much. :-)
Sameera Apte
👍
thanks for the appreciation
@@saritapathakyajurvedi6289 \\\as dsßß as daaa\\aa\\
Madam, your videoes are most informative as I ever listened. 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
Thank you Gurumaa for an educative lesson.👍🙏💖
I am regular follower of your videos on Raagas. You are explaining theory part as well. it is a good addition madam.
thanks for the appreciation
sarita
Sarita Yajurvedi ji you a are very very good teacher..
Cleared may rag.. like bhupali durga..
Very nice explanation!!
Saadar Charan sparsh hm aapke bahut bahut aabhaari hain .
Wonderful experience.. I want to learn more
Ma'am detailed explanation 👌
Very good explanation
wonderful to hear you , especially how you talk about each note in the context of a particular rag.
Thanku guru Matt 🙏
Thanks Madam🙏🙏🙏
Nyasa swaras important , S P and M are nyasa, but starts with S ,it shall go by touching D and also both with S . R is not under nysa but it shall appear with Important certain proportion, M is jaan and Badi/Raja swara under purbanga baadi from 12 pm to 12 pm which lies with S R G M. This utaranga and purbangs badi may vary for M and P swaras under expansion of sastra. Hence M appers with repetions of important as Baadi /Nyasa swara . Pancham with R and M appear with beauty. D important must be given for swara important for Raag Durga. Alap with hand clapping must be followed to make Alap . Matra must be duly added in Alap .
Taan with matra of Palta must be chosed to make bandish beatify srmrs srmpmrs srmrs srmpdpmrs srmpdpmrs etc must easily understand with Taal and hand clapping with rising swaras.
But your advice with Manda Saptak is most suitable to me as new learner,. Taal Mala and Swara Malika too must be taken to practice palata with Taal as I learnt from you teaching.
But I could not understand the AAKAR
Very very nice teaching
Very nice
Best Teacher.... 💯
On the occasion of guru purnima accept my good wishes. I have learned a lot from through u'r lessons.
Very nice Mam👏👏🙏
mam u r great.
Nice, detailed discussion. Madam In durga rag is it wrong if we set taanpura pa ....sa or it must be ma....sa (28:56),. bcz pa is not varjya,.
Mam i am also a regular follower of your sangeet videos. plz also discuss bada khyal also explain its style of singing with matras counting... and "thanx a lot" for your support.
ok
sarita
Aroh Avroh 7:50
Mam namskar, you are really doing a great job. Please also teach about ragas like darbari, lalit, khamaj, sur malhar, aheer bhairav etc. With regards.
Bharat Bhushan Sharma.
BHARAT BHUSHAN
👍
BHARAT BHUSHAN Ahir bhairav me re aur Ni komal rehta hai aur sabhi swar seedha seedha lagta Hai .I think so aur raag lalit me dono madhyam ek saath lagte hain isliye thoda 12swaron ko ek ke baad ek lagate jaaiye isse raag lalit kaa bhi thoda sa abhyaas hoga
Maam ap raag durga ka bandish "darshan dio mata"... iss bandish ko sunaiyee ye
Where can i get ready made Palate/Alankar for each rag?
please discuss Todi vilambit khayal
ok
sarita
Sarita ji Rag Durga ka vadi swar Dh hai kya aap Ma manti hain ?
kkb
Aroh Avroh 7:44