Incredible! Thank you so much for sharing this! Dan Milnor referenced you in his last video and your videos are amazing! I’m so grateful to have found you through him!
I must have missed it! Man, I remember reaching out to Daniel for advice when I was just branching out from newspaper photography. He's such a kind and giving dude. Thanks for your kind words!
@@AaronHardinPhoto that’s awesome! I told him he has to bring us teaching on sequencing.. because it’s so critical. He has not yet, but I’m watching your video on it and am so glad you did! I’ve been photographing since I was 11 and I have so much in my archive I really want to turn into something. But the teaching that you are doing will help me do make that attainable. God bless you! Haha.
@@ordinary.american.beauty You are why I put this stuff out there. There are some many practitioners that just need a little help to pull together their work. A lot of the sequencing stuff is like hidden knowledge. So I'm glad to share what I can!
Loved this idea and execution, Aaron! I did something similar with a non-profit organization in Edmonton, Alberta, Canada with our Chinatown and hosted a photo exhibition in their vacant office space and it was great. Sure it lacked the track lighting and even floors but I loved it. Traditional galleries have their place but if it's not accessible by the folks who might connect deepest with the work, then what's the point?
Totally agree. What's exciting to me is finding non-traditional spaces that can be shaped into something new and interesting. Let's hope for many more!
Great stuff! I've of late been finding galleries and museums a complicated space to engage with (emotionally) given their intrinsic elitism. Been loving these kinds of exhibits in my city (Cambridge, MA) which has made an effort towards this. Also love coffee shops who open up their walls for local artists.
Incredible! Thank you so much for sharing this! Dan Milnor referenced you in his last video and your videos are amazing! I’m so grateful to have found you through him!
I must have missed it! Man, I remember reaching out to Daniel for advice when I was just branching out from newspaper photography. He's such a kind and giving dude. Thanks for your kind words!
@@AaronHardinPhoto that’s awesome! I told him he has to bring us teaching on sequencing.. because it’s so critical. He has not yet, but I’m watching your video on it and am so glad you did! I’ve been photographing since I was 11 and I have so much in my archive I really want to turn into something. But the teaching that you are doing will help me do make that attainable. God bless you! Haha.
@@ordinary.american.beauty You are why I put this stuff out there. There are some many practitioners that just need a little help to pull together their work. A lot of the sequencing stuff is like hidden knowledge. So I'm glad to share what I can!
Loved this idea and execution, Aaron! I did something similar with a non-profit organization in Edmonton, Alberta, Canada with our Chinatown and hosted a photo exhibition in their vacant office space and it was great. Sure it lacked the track lighting and even floors but I loved it. Traditional galleries have their place but if it's not accessible by the folks who might connect deepest with the work, then what's the point?
Totally agree. What's exciting to me is finding non-traditional spaces that can be shaped into something new and interesting. Let's hope for many more!
Great stuff! I've of late been finding galleries and museums a complicated space to engage with (emotionally) given their intrinsic elitism. Been loving these kinds of exhibits in my city (Cambridge, MA) which has made an effort towards this. Also love coffee shops who open up their walls for local artists.
Mass. seems like a good place to cultivate new gallery ideas. I have several friends up that way that are making great work.