3:00 you can made boost-like button with [Recall Custom hold 1] in [Reg.Custom Shoot Set] in shooting mode, turn off all other options, only check drive mode hi+ and af on. now u can use it with single shooting
@@JasonVong I can't believe that 4K recording is still subsampled or line skipped and not 8K oversampled like in the Nikon Z8 (8.3K oversampled 4K60p) or in the R5 (4K Fine oversampled from 8K up to 30p). The only oversampled 4K mode in the a1 II is the cropped APS-C mode. A flagship should be able to record full-width 8K oversampled 4K60p or at the very least 30p! Some Nikon Z8 Firmware updates brought more new features than this new Sony a1 ii. I‘m underwhelmed.
a7rv is a beat i have it. but really need a1ii for birds and sports. i do ok with sports with a7rv but the focusing doesnt keep up in bursts most of the time
I have the A1 and love it. use it just about every single day for outdoor style magazine shoots, etc. I'll wait for the A1iii then, since this one is better but not enough yet. :)
Hi Jason, great video as always. FYI on the current A1, I use Recall Custom Hold 1 (and 2,3) for the "Oh Hell" moments to switch to 30FPS from any current mode/speed with the option to change ISO, Aperture, Shutter speed, Focus mode as well, all with the one button. I use the AF-ON but I am sure you could use the C5 on the A1 II.
How is the AI autofocus compared to the A9iii? I'm using the a9iii for ice hockey, but interested in more megapixels as I crop quite a bit. In need of a second body for my work shooting tournaments, and wondering if a second a9iii or an a1ii is the way to go. Thanks!
Hi, @Jason, I have question about sony a1 mii, it says you can take photos while recording video, Does recording raw file? What is speed of photo taking, like 30 frame/s, or slower?
Nice review and I’ve watched a few by now! Happy with my A9Iii and A7R5 but would like to see in camera multiple exposure have had to by a Nikon to get this and would like see the in camera stacking which brands like OM systems have
One thing I do not understand is why Sony does not add an auto level in their Alpha cameras? As a real estate photographer, I would gladly take a bit of a crop to not have to level every single shot on site.
Hi Jason, a great balanced video. Like nearly all TH-camr's who got early access you've not let this cloud your subtle but clear advice. A thought to Sony; I am an A1 owner who suffers from GAS, can afford to upgrade and would normally would but this is my thought process. Trade in my A1 for a new one, likely cost $4.5K, or keep my A1 and buy the Nikon Z8 and potentially migrate to N-Raw, ProRes Raw (10 or 12-bit, 8K 60 fps and great photos with the ability to capture events when not present. Add to that the continuous Firmware updates that keep the camera competitive. Sony, users should not even be thinking as I am after this release but I am. So, my decision is as follows, I will either buy the Z8 or wait for Nikon's next release knowing it will compete but be more cost effective with better video features and clever photo functionality. To Nikon, it's the Z8, not the Z9, its to big so don't cripple the Z8 otherwise my likely migration won't happen.
I can't believe that 4K recording is still subsampled or line skipped and not 8K oversampled like in the Nikon Z8 (8.3K oversampled 4K60p) or in the R5 (4K Fine oversampled from 8K up to 30p). The only oversampled 4K mode in the a1 II is the cropped APS-C mode. A flagship should be able to record full-width 8K oversampled 4K60p or at the very least 30p! Some Nikon Z8 Firmware updates brought more new features than this new Sony a1 ii. I‘m underwhelmed.
joooo Mr Vong I have a question, is it somehow possible to use the a7cii with an automatic macro rail even though it doesn't have a wired shutter port ... I could throw the thing against the wall. I can't find anything about it on the internet ... except this the camera doesn't support that...❤
Ok so I have a A7iii. I'm thinking about upgrading for better portraits and street photography. Do you think I should wait for the next one or is there a better one out now for that purpose? Im looking for one i can have for about 5 years and still keep up with whatever comes out in that time.
@@saturns_eyesThat’s not a guarantee. Mastering technique and what makes a great photo (to you) is invaluable compared to more MP or AI assists. This is especially true if you’re posting to digital platforms.
Aswsone video! Enjoy your updates. How is the iso noise on the A1 while recording video in s-log3 cine? The original A1 had dual iso at 800 and 4000. Is it just tha same?
Let’s keep it simple - I bought my first Sony camera (the A1) July 2023 (just paid it off 😏) - as I switched from Nikon to Sony (after wasting $$$ on the “game changer” Filmmaker’s Kit they still doesn’t have Apple’s FCPX support 🤬) 1.) The A1 overheats on every video shoot. 2.) The firmware upgrades are corrupting the functionality if not BRICKING cameras 3.) Sony doesn’t care and is selling you upgrade camera… which will still overheat (because it doesn’t have the FX3 fan) and will soon be obsolete with the next camera released. Other than that - I got what I paid for in the Sony ecosystem - with two FX3s and the family of GM lenses!
so the a1's will be removed from the shelves, the a1 ii takes its place and the a1 become worth even more when used. will become desirable like the meta quest 3 over the 3s :)
Are the photos and video of a higher quality than the original A1 otherwise I couldn’t care less what screen I’m looking through or AI or gimmicks.Only picture or photo quality. Ideal for the ever increasing amount of TH-camrs and influencers.
I’m not ready for a big boy camera but I also don’t want to be one of those people who just buy a camera knowing nothing about it. So I’m here haha. Learning just in case
Since the release of Sony FX3 and follow-up by Sony A9 III, I was expecting that the Sony A1 Mark II will get A9's features with FX3's body and will label this camera as GOAT. What shame.
I LOOOVE my original A1. Definitely not worth upgrading. Skipping a generation and will go for mark III whenever that comes out ,2027,2028+ for a bigger leap in technology. If you own neither today and have the money sure I would go for the mark II
Only since Sony had notably restrained α1-having a lowly monitor and lacking precapture-is this lazy rendition of α1 II compelling. Reusing the image sensor was wise, but reusing the processor was not. Wildlife photographer Duade Paton asked 40 fps of Sony, which replied merely that the _processor_ cannot determine focus 120 times while producing 40 raw files per second. Perhaps of course, then, a composited image still tasks the user to export the files and make it out of camera. And, more detrimentally for more users, full-frame raw stills at 30 fps, exclusively the "compressed" format, are necessarily full resolution, 50 MP. All resolution options-large/L as 50 MP, medium/M as 21 MP, and small/S as 12 MP, exclusively the "lossless compressed" formats-are capped to 20 fps. Further, those "lossless compressed" raw sizes are a foolish set of options. The breadth of use cases obviously warrants, for instance, XL as 50 MP, L as 36 MP, M as 24 MP, S as 18 MP, and XS as 12 MP. Admittedly, my wishlist instead asked too much in some ways: an inbuilt flash transmitter open to third parties, an OLED monitor ultrabright for direct sunlight, and an electronic ND filter. Reasonable, though, were waveform and vectorscope displays in movie mode, ProPhoto RGB color space in photo mode, and exposure tools via raw histogram instead of via JPEG histogram. Meanwhile, I viewed CFexpress 4.0 and USB-C at 20 Gps, doubling write and transfer speeds, as essential for Sony's 50 MP flagship till nearly 2028.
While the upgrade may not be substantial, the Sony a1 and a1 II remain the most powerful contenders in the realm of 135 full-frame mirrorless cameras when it comes to high resolution and high-speed photography. Capable of capturing two sets of 30 50-megapixel raw images per second, along with dual high-speed card support for rapid bursts, these cameras place immense demands on autofocus systems, image processors, and CMOS performance, making them unrivaled in the market. In comparison, the equally high-resolution Canon R5 II may boast the ability to shoot 30 Raw frames per second on paper, but it features only one fast card slot and one slower slot, lagging behind the processing speed of the previous generation a1. With the upgrade to 4.0 fast cards in the a1 II, its speed surpasses even that of Canon. Of course, this becomes an exception if your work doesn't necessitate dual card backups. As for the Nikon Z9, capable of shooting only 20 Raw frames, there currently isn't a competitor in the market that can match the high-speed, high-resolution photography capabilities of the original a1, let alone its improved second generation. Regarding the issue of not internally recording Raw, generally speaking, recording in Raw captures far more data than H.265 Log, yet different models will inevitably experience some degree of dynamic range loss when recording in Raw. For instance, the Z6 III's Raw dynamic range is not even as good as N-Log, with S-Log3 proving to be more stable and mature in comparison. Truth be told, unless shooting for cinema purposes, S-Log3 is more than sufficient for most documentary, wedding, and everyday filming needs. Currently, S-Log3 stands as the best-balanced solution in terms of storage capacity, dynamic range, and color science. In terms of initial impressions on the second generation, as of November 19th, Sony's a1 continues to lead similar products, standing out as the second high-resolution, high-speed, and lightweight 135 full-frame mirrorless camera in the market. While the upgrade in the second generation may be limited, it further solidifies Sony's current resource advantage. Prior to the use of the new generation double-layer CMOS in the a1 III, the a1 II, as a high-tech representative of Sony's camera manufacturing prowess over the past two to three years, has widened the gap with its competitors. However, it must be emphasized that this gap is not insurmountable. To truly outpace competitors and leave Canon and Nikon in the dust, a completely new generation of CMOS and image processors is still needed. Nevertheless, for Sony, already equipped with technologies like double-layer CMOS, curved CMOS, and global shutter CMOS, this might just be a matter of time. The prospect of leaving Canon and Nikon behind in outer space might just be a matter of the next decade.
Sony is now where Canon was in 2017. Canon is now the one innovating and putting out fully complete cameras. Sony is using the Apple model of innovation and marketing. Sucks to see.
A nightmare for most of the A1 users (non paid by Sony). A lot of malfunctions admitted by SONY. Are you ready to send your body more than 3 times to repair because sensor, error systems and more?
Great cam, but I’ll stick with A7RV. I mainly use my iPhone 16 Pro Max for vlogging, so RV is a perfect companion for me. However, if you’re considering any professional work then the A ii is a no brainer!
@@puckhead1221 I had the og a1, and my advice is sell it and move to other brands. For that kind of money you should expect better after-sales services. Or be cheaper if that's how little Sony offers.
Saving up for the a1 III from now
For the cheap price of 7500
this guy is the funniest in the photo space
Dang, really great point about the III iteration being where their cameras come in to their own, A7RIII fits this pattern as well.
definitely not the type of video i expected to see intervals in lol, but always happy to see him get love
This video cleared up all my doubts about the A1 Mark II. What a job well done, congratulations!
18:46
A7R3 : thanks for appreciate
😂he forgot about us A7R III users
A7r3 still kickin ss
Congrats on 500k!!
Thank you!!
amazing intro I love it 🤩
duuuude.. How cool you got to shoot the Intervals concert. One of my fave progressive metal bands.
@TaylorJackson hooked it up!
3:00 you can made boost-like button with [Recall Custom hold 1] in [Reg.Custom Shoot Set] in shooting mode, turn off all other options, only check drive mode hi+ and af on. now u can use it with single shooting
I do that with my AEL button on my current a1.
I got my A1 2 years ago for 2400 brand new from a Bestbuy return auction, I was tempted to sell it and try and buy the A1 II, so glad i didn't.
That’s a killer deal!
@@JasonVong yeah, and I have no clue what im doing with it, lol it was 100% an impulse buy.
@@AnthonyTaylorThat is a steal! I've never heard of a Best Buy auction.
2:19 LMAO "Cunt Shit Speed Boost Settings" 😭
14.3ms full sensor readout means the A1 sensor could do 8k60 oversampled from 8.6k.
Yep, they just don't want you to 😅
I am Ali Jones from TOGO in west Africa ,so your videos are pleasing me so much .
BEST INTRO 10/10 LOVE IT
I really don't know why Sony took away the GOLD lettering on the A1. That was really so cool.
The only channel i can get real info in a funny way and dont get exausted after 5min
Appreciate it!!
Best review of the a1 ii!!!!
Haha thank you!
@@JasonVong I can't believe that 4K recording is still subsampled or line skipped and not 8K oversampled like in the Nikon Z8 (8.3K oversampled 4K60p) or in the R5 (4K Fine oversampled from 8K up to 30p).
The only oversampled 4K mode in the a1 II is the cropped APS-C mode. A flagship should be able to record full-width 8K oversampled 4K60p or at the very least 30p! Some Nikon Z8 Firmware updates brought more new features than this new Sony a1 ii. I‘m underwhelmed.
@@JasonVongYes definitely the best review I have seen yet. Fun but more importantly.. very informative. Well done.
Yes, mainly waiting for the screen and AI as I do not have the original A1.
Thank Jason for this DETAILED video.
I am still sticking with my 7ARV . Half the price
Same same, had the A1II on pre order but cancelled after I watched Geralds video.
@@RichardLarssen Nice Instagram Richard
a7rv is a beat i have it. but really need a1ii for birds and sports. i do ok with sports with a7rv but the focusing doesnt keep up in bursts most of the time
@@MRBuDWiZe Yeah that Pre Capture and global shutter makes it tempting to buy.
Why don't you guys just dobn't buy OM-1 mark II? damn.. it has everything..
Intervals is so good lol
Vong can do no wrong!! 😊
I have the A1 and love it. use it just about every single day for outdoor style magazine shoots, etc. I'll wait for the A1iii then, since this one is better but not enough yet. :)
Waiting for a7v ❤😚
thanks for this vid. I’ve decided to wait for the magic mark III😂
Hi Jason, great video as always. FYI on the current A1, I use Recall Custom Hold 1 (and 2,3) for the "Oh Hell" moments to switch to 30FPS from any current mode/speed with the option to change ISO, Aperture, Shutter speed, Focus mode as well, all with the one button. I use the AF-ON but I am sure you could use the C5 on the A1 II.
I liked your low light Focus comparison
thank you for your review sony lover
Great video as always!!! Thank you
Olympus have been doing pre capture for several years!!!!
11:06 That little note for the phone mount 😂
How is the AI autofocus compared to the A9iii? I'm using the a9iii for ice hockey, but interested in more megapixels as I crop quite a bit. In need of a second body for my work shooting tournaments, and wondering if a second a9iii or an a1ii is the way to go. Thanks!
Do you know what the crop factor is on Dynamic active? Would be good to know how it Stacks up against the Zv-E1 stabe
dont care about the camera just came to watch u guys😂
Banging out content while in Japan!
Always
What new feature does it have? 02:23 is what you're looking for.
When does the a1 III come out? 😅
Hi, @Jason, I have question about sony a1 mii, it says you can take photos while recording video,
Does recording raw file? What is speed of photo taking, like 30 frame/s, or slower?
I love when you say mega pickles
Nice review and I’ve watched a few by now! Happy with my A9Iii and A7R5 but would like to see in camera multiple exposure have had to by a Nikon to get this and would like see the in camera stacking which brands like OM systems have
One thing I do not understand is why Sony does not add an auto level in their Alpha cameras? As a real estate photographer, I would gladly take a bit of a crop to not have to level every single shot on site.
I'll even settle for having the Histogram and Level gauge at the same time...
Hi Jason, a great balanced video. Like nearly all TH-camr's who got early access you've not let this cloud your subtle but clear advice. A thought to Sony; I am an A1 owner who suffers from GAS, can afford to upgrade and would normally would but this is my thought process. Trade in my A1 for a new one, likely cost $4.5K, or keep my A1 and buy the Nikon Z8 and potentially migrate to N-Raw, ProRes Raw (10 or 12-bit, 8K 60 fps and great photos with the ability to capture events when not present. Add to that the continuous Firmware updates that keep the camera competitive. Sony, users should not even be thinking as I am after this release but I am. So, my decision is as follows, I will either buy the Z8 or wait for Nikon's next release knowing it will compete but be more cost effective with better video features and clever photo functionality. To Nikon, it's the Z8, not the Z9, its to big so don't cripple the Z8 otherwise my likely migration won't happen.
I can't believe that 4K recording is still subsampled or line skipped and not 8K oversampled like in the Nikon Z8 (8.3K oversampled 4K60p) or in the R5 (4K Fine oversampled from 8K up to 30p).
The only oversampled 4K mode in the a1 II is the cropped APS-C mode. A flagship should be able to record full-width 8K oversampled 4K60p or at the very least 30p! Some Nikon Z8 Firmware updates brought more new features than this new Sony a1 ii. I‘m underwhelmed.
@jonasgillmann how much quality is lost ?
@@MRBuDWiZe Basically none, watch Gerald Undone's review of the original A1. The 4k quality is basically the same as the A7SIII.
Intro yells killer instinct 😂
Was there breathing compensation at 8k? That was missing on the original
Also curious to know this
No breathing comp in 8K 😢
@@JasonVongheartbreaking
@@JasonVong Ouch!
@JasonVong is there shutter angle enabled? Is there a crop on 4k? What other disqualifications happen at 8k? No dynamic stabilization I’m assuming?
joooo Mr Vong I have a question, is it somehow possible to use the a7cii with an automatic macro rail even though it doesn't have a wired shutter port ... I could throw the thing against the wall. I can't find anything about it on the internet ... except this the camera doesn't support that...❤
That bird photo was great, Jason!
Thank you 🥹🥹🥹
I officially made the decision to make the switch from canon to Sony 💯
No global shutter because it was interfere with the A9III sales anddddd the price for the A1II would be astronomical (more than it already is).
Ok so I have a A7iii. I'm thinking about upgrading for better portraits and street photography. Do you think I should wait for the next one or is there a better one out now for that purpose? Im looking for one i can have for about 5 years and still keep up with whatever comes out in that time.
your 7iii is fine for another 5 or even 10 years bro
@@khoradust I kinda feel like getting some more tech (megapixels especially) would take my photography to the next level.
@@saturns_eyesThat’s not a guarantee. Mastering technique and what makes a great photo (to you) is invaluable compared to more MP or AI assists. This is especially true if you’re posting to
digital platforms.
@@Amateurprotographer I appreciate the insight. So you also think I should stick with the a7iii?
@@saturns_eyes depends on your budget, but if you can afford it, a used A1 (
I’d still get the A9iii over this. Feels like people are paying for a software update
This camera is no upgrade!! #Next
my 6700 and a friends a7iv stopped overheating after lowering the screens btightness
I just wanna say thank you for teaching me “mega pickles.” I use it now😂
😏😏😏
A lot of these upgrades form Pre capture, the screen, AI AF, etc are already in RV
A7RV? That doesn’t have pre-capture 😢
Aswsone video! Enjoy your updates. How is the iso noise on the A1 while recording video in s-log3 cine? The original A1 had dual iso at 800 and 4000. Is it just tha same?
I see you've got the 90mm 2.8. Love that lens
One of my new favorite pocket primes 😎
Mega pickle shirt please 6:55 ❤
Does the a7RV have the Noise Reduction Composite Raw?
Let’s keep it simple - I bought my first Sony camera (the A1) July 2023 (just paid it off 😏) - as I switched from Nikon to Sony (after wasting $$$ on the “game changer” Filmmaker’s Kit they still doesn’t have Apple’s FCPX support 🤬)
1.) The A1 overheats on every video shoot.
2.) The firmware upgrades are corrupting the functionality if not BRICKING cameras
3.) Sony doesn’t care and is selling you upgrade camera… which will still overheat (because it doesn’t have the FX3 fan) and will soon be obsolete with the next camera released.
Other than that - I got what I paid for in the Sony ecosystem - with two FX3s and the family of GM lenses!
so the a1's will be removed from the shelves, the a1 ii takes its place and the a1 become worth even more when used. will become desirable like the meta quest 3 over the 3s :)
Don't need it but really want this Pre-Capture.... how to convince the spouse.
Definitely Sony's Perfect Rolling Shutter camera. I wouldn't say minor upgrades but great updates to make it a perfect RS camera.
What’s the flash sync speed when using electronic shutter?
Are the photos and video of a higher quality than the original A1 otherwise I couldn’t care less what screen I’m looking through or AI or gimmicks.Only picture or photo quality. Ideal for the ever increasing amount of TH-camrs and influencers.
I’m not ready for a big boy camera but I also don’t want to be one of those people who just buy a camera knowing nothing about it. So I’m here haha. Learning just in case
how to use your smartphone tight to your camera? thanks
I like megapickles !
Where’s that electronic variable ND filter?
Do the A1 II and AC II share the same AI chip?
7:18 Still using sony phone😮❤
Can we get another Travel gone Wong video
Since the release of Sony FX3 and follow-up by Sony A9 III, I was expecting that the Sony A1 Mark II will get A9's features with FX3's body and will label this camera as GOAT. What shame.
I wonder about the price Sony doesn’t mention it
What you use to mount your phone on that 70 200
Falcam QR
Why no global shutter?
Time for give away❤
The Sony A1 II will retail at €7,500 / £6,300 and is expected to hit shelves in late November 2024. yeahh...
The pricing is already on b & h.
@fromia1 my point it is that the price is frikimg 8 k eur
I would prefer a9m3 or R1...
17:23 wtf
I LOOOVE my original A1. Definitely not worth upgrading. Skipping a generation and will go for mark III whenever that comes out ,2027,2028+ for a bigger leap in technology. If you own neither today and have the money sure I would go for the mark II
Your left sideburn is longer then your right one 😂. Barber vision
I expected at least 6k raw via HDMI to the Atomos Ninja!😢
Everyone and their mom dropping A1 II videos lol
Who else is here for jokes? 😁
Sony is dropping the ball big time and wonder why their sales are declining
Only since Sony had notably restrained α1-having a lowly monitor and lacking precapture-is this lazy rendition of α1 II compelling. Reusing the image sensor was wise, but reusing the processor was not. Wildlife photographer Duade Paton asked 40 fps of Sony, which replied merely that the _processor_ cannot determine focus 120 times while producing 40 raw files per second. Perhaps of course, then, a composited image still tasks the user to export the files and make it out of camera.
And, more detrimentally for more users, full-frame raw stills at 30 fps, exclusively the "compressed" format, are necessarily full resolution, 50 MP. All resolution options-large/L as 50 MP, medium/M as 21 MP, and small/S as 12 MP, exclusively the "lossless compressed" formats-are capped to 20 fps. Further, those "lossless compressed" raw sizes are a foolish set of options. The breadth of use cases obviously warrants, for instance, XL as 50 MP, L as 36 MP, M as 24 MP, S as 18 MP, and XS as 12 MP.
Admittedly, my wishlist instead asked too much in some ways: an inbuilt flash transmitter open to third parties, an OLED monitor ultrabright for direct sunlight, and an electronic ND filter. Reasonable, though, were waveform and vectorscope displays in movie mode, ProPhoto RGB color space in photo mode, and exposure tools via raw histogram instead of via JPEG histogram. Meanwhile, I viewed CFexpress 4.0 and USB-C at 20 Gps, doubling write and transfer speeds, as essential for Sony's 50 MP flagship till nearly 2028.
While the upgrade may not be substantial, the Sony a1 and a1 II remain the most powerful contenders in the realm of 135 full-frame mirrorless cameras when it comes to high resolution and high-speed photography. Capable of capturing two sets of 30 50-megapixel raw images per second, along with dual high-speed card support for rapid bursts, these cameras place immense demands on autofocus systems, image processors, and CMOS performance, making them unrivaled in the market. In comparison, the equally high-resolution Canon R5 II may boast the ability to shoot 30 Raw frames per second on paper, but it features only one fast card slot and one slower slot, lagging behind the processing speed of the previous generation a1. With the upgrade to 4.0 fast cards in the a1 II, its speed surpasses even that of Canon. Of course, this becomes an exception if your work doesn't necessitate dual card backups. As for the Nikon Z9, capable of shooting only 20 Raw frames, there currently isn't a competitor in the market that can match the high-speed, high-resolution photography capabilities of the original a1, let alone its improved second generation.
Regarding the issue of not internally recording Raw, generally speaking, recording in Raw captures far more data than H.265 Log, yet different models will inevitably experience some degree of dynamic range loss when recording in Raw. For instance, the Z6 III's Raw dynamic range is not even as good as N-Log, with S-Log3 proving to be more stable and mature in comparison. Truth be told, unless shooting for cinema purposes, S-Log3 is more than sufficient for most documentary, wedding, and everyday filming needs. Currently, S-Log3 stands as the best-balanced solution in terms of storage capacity, dynamic range, and color science.
In terms of initial impressions on the second generation, as of November 19th, Sony's a1 continues to lead similar products, standing out as the second high-resolution, high-speed, and lightweight 135 full-frame mirrorless camera in the market. While the upgrade in the second generation may be limited, it further solidifies Sony's current resource advantage. Prior to the use of the new generation double-layer CMOS in the a1 III, the a1 II, as a high-tech representative of Sony's camera manufacturing prowess over the past two to three years, has widened the gap with its competitors. However, it must be emphasized that this gap is not insurmountable. To truly outpace competitors and leave Canon and Nikon in the dust, a completely new generation of CMOS and image processors is still needed. Nevertheless, for Sony, already equipped with technologies like double-layer CMOS, curved CMOS, and global shutter CMOS, this might just be a matter of time.
The prospect of leaving Canon and Nikon behind in outer space might just be a matter of the next decade.
Sony is now where Canon was in 2017. Canon is now the one innovating and putting out fully complete cameras. Sony is using the Apple model of innovation and marketing. Sucks to see.
I’ll stick with my iPhone log
bit of a dead release using the same sensor
A nightmare for most of the A1 users (non paid by Sony). A lot of malfunctions admitted by SONY. Are you ready to send your body more than 3 times to repair because sensor, error systems and more?
A1 ii going Canon / Nikon Grip xD
Great cam, but I’ll stick with A7RV. I mainly use my iPhone 16 Pro Max for vlogging, so RV is a perfect companion for me. However, if you’re considering any professional work then the A ii is a no brainer!
No major upgrades. Waste of money.
Yeah other than the actual usable screen🤦♂️
Unless you never has the original A1.
I'd much rather have the new one.
Better IBIS, smarter AF and precapture
@@puckhead1221
Those are tweeks lol. Aint no way worth the price tag.
@@puckhead1221 I had the og a1, and my advice is sell it and move to other brands.
For that kind of money you should expect better after-sales services. Or be cheaper if that's how little Sony offers.
Imagine what Sony is going to do with the a7V
Thank for Final Fantasy xD
well that looks videohive intro lol
I'll wait until they hit the used market in 5 years,, way too much $$$ for this item.. My a9 and a6700 are doing fine for me currently/
I read the title as "A MIIINORRR"..im sorry