Сколько же радости от возиожности услышать любимый голос Дмитрия! СИЛА , ЛЮБОВЬ, ПОТРЯСАЮЩАЯ АРТИСТИЧНОСТЬ, УМЕНИЕ ПЕРЕДАТЬ ВСЕ НЮАНСЫ ИСПОЛНЯЕМОЙ ПАРТИИ И ДИВНАЯ СПОСОБНОСТЬ ЗАСТАВИТЬ НАС ВЕРИТЬ ЕМУ... ТАК ТЕБЯ НЕ ХВАТАЕТ, НО МЫ ПОМНИМ, ВОСХИЩАЕМСЯ И БЛАГОДАРИМ ТЕБЯ, родной наш
Помимо просто восхитительных голосов и ансамблевого мастерства впечатляют мизансцены. Станиславский аплодирует стоя! Верим!!! Это уже не спектакль - это фильм-опера, и они - актёры! Нет, они и есть - персонажи!!! Это ИХ драма! Всё настоящее, всё взаправду!
i dont mean to be so offtopic but does any of you know a way to log back into an instagram account..? I somehow lost my password. I would appreciate any tricks you can offer me
@@grouchomarx5609 It's hard for me to expect that he had SEEN a better performance since the traditional operatic performance of the old times wasn't blasted with brilliant acting, maybe he had HEARD a better performance through!
Невозможно даже сравнивать эту постановку в ROH с тем, что было показанов La Skala в июле 2019. Небо и земля. Пропасть. Браво, брависсимо Д. Хворостовский, Хосе Кура, Вилларое!!!! Наслаждаюсь настоящим шедевром.
D. Hvorostovsky sajnos már az égieknek énekel, de sokszor hallgatom szomorúan, Jose Curat volt szerencsém személyesen is hallgatni pár évvel ezelőtt. Örülök, hogy itt rátaláltam két ilyen kiválóságra.
Дмитрий красавец! Какое великолепное исполнение! На нем любой наряд красиво смотрится. Да, ... вышел ростом и лицом! Спасибо матери с отцом... В. С. Высоцкий. Ах, какая утрата, какая боль! Мы помним и любим тебя Дмитрий. Царство Небесное тебе.
I just love this production by Elijah Moshinsky, at the Royal Opera in London. I attended a performance with exactly this cast in 2002, and another in 2009 with Hvorostovsky (again), with Roberto Alagna and Sondra Radvanovsky. Both were superb casts. I hope I to get to see this production again some day, and hopefully with Dmitri as De Luna AGAIN please!!!
Bámulatos! Két jóképű fiú küzdelme. Biztos, hogy senki nem unatkozott ilyen pazar előadáson. Hvorosztovszkij azért mégis jobb, sármosabb!❤👏❤👏👌 Amazing! Fight between two handsome boys! Surely no one was bored at such a lavish performance. Hvorostovsky, yet only better and more charming!Amazing! Fight between two handsome boys! Surely no one was bored at such a lavish performance. Hvorostovsky, yet only better and more charming!
I’ve never seen such physical staging! Very thrilling, I’m into it. Impressed with how well they managed, while darting back and forth and fighting! Must have been so winded afterwards.
@@rogerpropes7129 far from being past his prime, this was performed during his golden years! He does seem to have trouble catching his breath in that run I will give you that. There could have been any number of reasons for this including conditions in the auditorium that evening or maybe over exerting in the fight! Anyway, I have the dvd of this so I watched it this evening. Afterwards I decided to look at the extra section. I learned a few things there. This was the first time Dmitri sang this role. The swords they were swinging around weigh a couple of kilos! Cura explained how hard it was for a singer to do these scenes where they fight and sing at the same time. He said that for the physical exertion you breathe at the top of your lungs and for singing you breathe from the bottom of your lungs and that it was difficult to coordinate it oftentimes. That actually perfectly describes Dmitri’s two quick breaths because, unusually for him, he didn’t draw in huge lungful of air, as he usually did . But, whatever happened, there was no need to pass any unpleasant comment (which seems to be your trademark). If you don’t like something, just scroll on by. I always think if you can’t say something nice, don’t say anything at all. It was a moment‘s blip in the whole opera where he was outstanding...and the audience agreed. Finally, as you are no doubt aware, Dmitri lost his fight with brain cancer in 2017 and is no longer with us. What you might not be aware of is he has a young family and the two youngest children come onto these videos from time to time and I don’t think it‘s a nice thing for them to read rude, personal comments about him. There are a couple of other guys who just come on with negative impolite comments too and I direct this at all of you, and wherever and on whomever you write such comments....just think, would you like your family to read what you wrote about you? If the answer is no, don’t write it.
th-cam.com/video/yhsOOUj6r38/w-d-xo.html this one has Sondra Radvanosky, Marcelo Álvarez and Dmitri Hvorostovsky but the ROH's one is still pretty good
Бог мой! Здесь, в этой постановке Trovatore. теряешь голову сразу от графа де Луна))). Немного непонятно, что может объединять светскую Леонору с брутальным мачо Манрико? Манрико хорош - почти цыган, загорается с полувзляда, экспрессивен, ярок. . . но Брависсимо, Дмитрий!!!
Verdi had the uncanny ability to understand the common man's heart, and so he had the librettist to write such that the Conte is forgiven and not fatally assaulted, as if fate stopped Manrico, as any good man would forgive the dependent, but here it gets an extra spin in that it is fate that connects the two brothers and the master plot of Azucena's revenge at the end
Also, in La Traviata, I believe that the true response of "Un di felice" from Alfredo is actually responded through the aria "Ah forse lui...Sempre Libera" because it is to themselves that people answer honestly. And in reality as we see in Act II Violetta's unsure answer to herself tips to Alfredo's pursuation of "...Amor che palpito del universo intero..."
Not exactly "forgiven". In the scene with Azucena, he explains that a strange force seemed to stop him, and he heard a voice say, "non ferir". (Don't strike.) The implication at the end of the opera, after Azucena has confirmed that Manrico is di Luna's brother, is that this was a heavenly guardian sent to stop him from fratricide. Savvy theatrical effect by Verdi, who was not only a great humanist, but also a shrewd man of the theatre.
Da la impresión de que usan micrófonos muy cerca por qué se escucha la respiración intrusiva y el seseo.....cuando es una toma a distancia no se captan esos sonidos, se escucha es el timbre enriquecido por la acústica del teatro.
No. In this opera, the villain wins, both this time and at the end of the opera. But Azucena's revenge is that he has to live with the knowledge that he killed his brother. Regarding this fight, you see that Manrico pauses when he has the blade to di Luna. This gives di Luna the chance to strike and leave him for dead. In the next act, he explains to Azucena that a heavenly force stopped him from killing di Luna.
SuperDarchangel I suspect it has to do with how physical the staging is. It's remarkable, really remarkable, that they got through this trio as well as they did.
to be honest i don't think the rit. midway through the trio helped any of them either there are ways to have very physical staging of material this demanding but This Ain't It Chief
ezayi they both sound pretty terrible in my opinion. Hvorostovsky sounds like he'a gasping for air and his voice has no ring its not fit for Verdi baritone roles in my opinion. Sounds very forced. He is a terrific actor, though, but there are so many better recordings of this
jacob lahr If one want to hear perfect singing and a perfect recording one should listen to a CD - and not watch a life performance... The guys do an outstanding job here with singing WHILE fighting - instead just standing there like boring singers do. This scene can just be admired!
dalangie While this scene is certainly very exciting, I take issue with your use of the word "boring". Verdi's music is NEVER boring. Opera is primarily a vocal art for vocal athletes. The drama is intended to be carried by the voices, by singers who are technically skilled enough to squeeze all the nuance and meaning out of the score. Pavarotti and Sutherland stood still as they sang, concentrated all effort into vocal perfection flying out into the audience. Hundreds of thousands will assure you that they were NEVER boring!
He was the greatest and his hair was the most beautiful addition to his character! He was so different from the rest of the singers! And the rest sounded great with him!!
Сколько же радости от возиожности услышать любимый голос Дмитрия! СИЛА , ЛЮБОВЬ, ПОТРЯСАЮЩАЯ АРТИСТИЧНОСТЬ, УМЕНИЕ ПЕРЕДАТЬ ВСЕ НЮАНСЫ ИСПОЛНЯЕМОЙ ПАРТИИ И ДИВНАЯ СПОСОБНОСТЬ ЗАСТАВИТЬ НАС ВЕРИТЬ ЕМУ... ТАК ТЕБЯ НЕ ХВАТАЕТ, НО МЫ ПОМНИМ, ВОСХИЩАЕМСЯ И БЛАГОДАРИМ ТЕБЯ, родной наш
Очень согласен. Я фанат Дмитрия. Его голос совершенный.
просто потрясающе! обожаю эту сцену, какой контраст голосов, какие исполнители, как красиво звучит! а Верди можно слушать бесконечно
Помимо просто восхитительных голосов и ансамблевого мастерства впечатляют мизансцены. Станиславский аплодирует стоя! Верим!!! Это уже не спектакль - это фильм-опера, и они - актёры! Нет, они и есть - персонажи!!! Это ИХ драма! Всё настоящее, всё взаправду!
❤❤❤❤❤❤❤❤❤❤
De Rosario (Argentina) el Tenor José Cura, junto al Maravilloso Dima!!!! No te olvidaremos nunca Gran Dima!!!
This has to be the coolest sword fight performed in an Ópera House
Magnífico trío!!! Dmitri grandioso, inolvidable
Voces maravillosas
Какие красивые внешне актёры, не говоря уже о прекрасных голосах! Bravi a tutti!
D. A. Hvorostovsky will live in our hearts forever !!!
R. I. P.
i dont mean to be so offtopic but does any of you know a way to log back into an instagram account..?
I somehow lost my password. I would appreciate any tricks you can offer me
@Josiah Decker Instablaster =)
What a great performance, oh Dima we miss you
What a great loss! Rest in peace, Dmitri! :( We LOVE you. FOREVER.
Лучшая постановка Трубадура! Лучший состав и декорации!
I truly believe that even Verdi couldn't imagine this scene better performed
I think it was better performed here personally: th-cam.com/video/yhsOOUj6r38/w-d-xo.html
Note: This video is 2nd best though.
He didn't need to imagine that though, since he sure had seen a mile better performances during his life.
@@grouchomarx5609 It's hard for me to expect that he had SEEN a better performance since the traditional operatic performance of the old times wasn't blasted with brilliant acting, maybe he had HEARD a better performance through!
The scene may be great but the singing is terrible
@@grouchomarx5609может и так. Но как хочется, что бы он увидел Хворостовского. Эта постановка его бы не разочаровала
Kingdom of Heaven to great Dimitri!!May his soul rest in peace.Amin!!!
❤Επάνω και πέρα ❤από ολα!!!!!!!
Great fight scene! ⚔️
Я.прекланяюсь.перед.твоим.талантом.браво!!!
Невозможно даже сравнивать эту постановку в ROH с тем, что было показанов La Skala в июле 2019. Небо и земля. Пропасть.
Браво, брависсимо Д. Хворостовский, Хосе Кура, Вилларое!!!! Наслаждаюсь настоящим шедевром.
The acting is amazing: Dima so handsome and Cura is a great swordsman
Mr. Dmitri is a Great baritone💖as Il Conte di Luna🌜. Lovely Veronica Villarroel💝 ( soprano ) is a wonderful Leonora.
Fabuleuse interpretation , à garder comme souvenir éternel
БРАВО,ХВОРОСТОВСКИЙ! ПОМНИМ,ГРУСТИМ,СКОРБИМ..
D. Hvorostovsky sajnos már az égieknek énekel, de sokszor hallgatom szomorúan, Jose Curat volt szerencsém személyesen is hallgatni pár évvel ezelőtt. Örülök, hogy itt rátaláltam két ilyen kiválóságra.
Dmitri ,Cura, Villarroel. Magnificos.
Bello,bravo,talentuoso...nn ci sono abbastanza aggettivi.
Dimitri, quanto ci manchi....
Dima, forever with us !
R.I.P... Dmitri Hvorostovsky.
❤️ ❤️ Dmitri forever ❤️❤️
Дмитрий красавец! Какое великолепное исполнение! На нем любой наряд красиво смотрится. Да, ... вышел ростом и лицом! Спасибо матери с отцом... В. С. Высоцкий. Ах, какая утрата, какая боль! Мы помним и любим тебя Дмитрий. Царство Небесное тебе.
Wonderful baritone.
um lindo espetáculo
Димочка,ЛЮБИМЫЙ.Браво!
Wow! Very impressive! Singing and fighting. I am sure very difficult. DH is the best!
Rest in Peace Hvorostovsky..
I just love this production by Elijah Moshinsky, at the Royal Opera in London.
I attended a performance with exactly this cast in 2002, and another in 2009 with Hvorostovsky (again), with Roberto Alagna and Sondra Radvanovsky.
Both were superb casts.
I hope I to get to see this production again some day, and hopefully with Dmitri as De Luna AGAIN please!!!
Bámulatos! Két jóképű fiú küzdelme. Biztos, hogy senki nem unatkozott ilyen pazar előadáson.
Hvorosztovszkij azért mégis jobb, sármosabb!❤👏❤👏👌
Amazing! Fight between two handsome boys! Surely no one was bored at such a lavish performance. Hvorostovsky, yet only better and more charming!Amazing! Fight between two handsome boys! Surely no one was bored at such a lavish performance. Hvorostovsky, yet only better and more charming!
R.I.P dear Maestro
Una suerte poder ver y escuchar esta belleza de representación con tanto talento junto.
DIMA para siempre❤❤❤❤👏👏👏👏👏
One of the beste scenes of modern opera.
Yh, and this one: th-cam.com/video/yhsOOUj6r38/w-d-xo.html
Ahahahahahaha
Live forever!
Dmitri BRAVISSIMO
Esplendido trio de voces. Magnifica Aria..¡¡¡
RECORDANDO DOS GRANDES VOCES
I’ve never seen such physical staging! Very thrilling, I’m into it. Impressed with how well they managed, while darting back and forth and fighting! Must have been so winded afterwards.
DH was past his prime anyway, he breathes twice during the central run
@@rogerpropes7129 far from being past his prime, this was performed during his golden years! He does seem to have trouble catching his breath in that run I will give you that. There could have been any number of reasons for this including conditions in the auditorium that evening or maybe over exerting in the fight! Anyway, I have the dvd of this so I watched it this evening. Afterwards I decided to look at the extra section. I learned a few things there. This was the first time Dmitri sang this role. The swords they were swinging around weigh a couple of kilos! Cura explained how hard it was for a singer to do these scenes where they fight and sing at the same time. He said that for the physical exertion you breathe at the top of your lungs and for singing you breathe from the bottom of your lungs and that it was difficult to coordinate it oftentimes. That actually perfectly describes Dmitri’s two quick breaths because, unusually for him, he didn’t draw in huge lungful of air, as he usually did . But, whatever happened, there was no need to pass any unpleasant comment (which seems to be your trademark). If you don’t like something, just scroll on by. I always think if you can’t say something nice, don’t say anything at all. It was a moment‘s blip in the whole opera where he was outstanding...and the audience agreed. Finally, as you are no doubt aware, Dmitri lost his fight with brain cancer in 2017 and is no longer with us. What you might not be aware of is he has a young family and the two youngest children come onto these videos from time to time and I don’t think it‘s a nice thing for them to read rude, personal comments about him. There are a couple of other guys who just come on with negative impolite comments too and I direct this at all of you, and wherever and on whomever you write such comments....just think, would you like your family to read what you wrote about you? If the answer is no, don’t write it.
@@lesleywilbourne7823 very well said💞
what a loss.May he Rest in Peace :(
My 2 favorite male opera singers!
th-cam.com/video/yhsOOUj6r38/w-d-xo.html this one has Sondra Radvanosky, Marcelo Álvarez and Dmitri Hvorostovsky but the ROH's one is still pretty good
@@pugh.joseph Thank you!
@@sarahc3977 np :)
Magnifico duo
Отличное качество видео !!!!!!!!!!!!!!
What action- love this. Verdi music on steroids!
Бог мой! Здесь, в этой постановке Trovatore. теряешь голову сразу от графа де Луна))). Немного непонятно, что может объединять светскую Леонору с брутальным мачо Манрико? Манрико хорош - почти цыган, загорается с полувзляда, экспрессивен, ярок. . . но Брависсимо, Дмитрий!!!
La Veronica Villaroel ¡¡¡ de Chile que lindo verla ahí
R. I. P in peace dear Maestro
В
Покажите, пожалуйста, всю оперу Дж Верди " Трубадур" с Дмитрием Хворостовским, но только, чтоб певцы двигались на сцене
Well that was freakin' intense
Magnificent Dima! I adore him forever! 🌸❤
Благодарю !!!!!!!!!!!!!!!
UNA MAGNIFICA E INOLVIDABLE PAREJA
Latinoamérica en escena!!! Saludos desde PERÚ.
darn! That was impressive!
Verdi had the uncanny ability to understand the common man's heart, and so he had the librettist to write such that the Conte is forgiven and not fatally assaulted, as if fate stopped Manrico, as any good man would forgive the dependent, but here it gets an extra spin in that it is fate that connects the two brothers and the master plot of Azucena's revenge at the end
Agreed! Verdi's characters are undeniably human, and that is why I love his operas.
Also, in La Traviata, I believe that the true response of "Un di felice" from Alfredo is actually responded through the aria "Ah forse lui...Sempre Libera" because it is to themselves that people answer honestly. And in reality as we see in Act II Violetta's unsure answer to herself tips to Alfredo's pursuation of "...Amor che palpito del universo intero..."
Not exactly "forgiven". In the scene with Azucena, he explains that a strange force seemed to stop him, and he heard a voice say, "non ferir". (Don't strike.) The implication at the end of the opera, after Azucena has confirmed that Manrico is di Luna's brother, is that this was a heavenly guardian sent to stop him from fratricide. Savvy theatrical effect by Verdi, who was not only a great humanist, but also a shrewd man of the theatre.
Theo Hofmans He was , is and will stay the best bariton in mankind's history. Tremendous singer.
Für dich vielleicht.
Very good acting also!!!!!!!1111
Любимый.дмитрий.хворостовский.ты.самый.любимый.ты.самый.хороший.ты.открыл.мир.мечты
.добавить.ты.проссти.но.я.полюбила.тебя.и.поняла.тебя.посмертно.и.сейчас.ты.со.мною.навсегда.
LA PIU BELLA INTERPRETAZIONE DELLA BATTLE SCENE DEL TROVATORE....GRANDE VIRILITA'
Ne è convinto???
Io ne sono convinta ❤️💓
Indubbiamente, peccato che il cantato sia pessimo
Tace la notte. 🌕
Almost all the scenes are at night. Il Trovatore💝, Verdi💖 's magnificent four part opus.💫
That's opera? That's an action movie, only 1000 better :D Wonderful Dmitri!!
And in this one too 👍 th-cam.com/video/yhsOOUj6r38/w-d-xo.html
Duking it out while singing-
Not bad, not bad at all!!!
Buonanotte Dimitri..x me sei vivo..
Cura sings into Hvorovstovsky's microphone at 7:12 and He(RIP) is inaudible afterward. It is a shame that he had to use it while others were not.
Cura, che coatto! Dima, sempre e per sempre.
Клас.
Ó Istenem ! Micsoda páros !!!!
RIP
@ezayi yeah, I like Cura for epic scenes only. Othelo, Turandot, anywhere where he can save the day!
Da la impresión de que usan micrófonos muy cerca por qué se escucha la respiración intrusiva y el seseo.....cuando es una toma a distancia no se captan esos sonidos, se escucha es el timbre enriquecido por la acústica del teatro.
Creo que al tratarse de una filmación se ha empleado un sistema de sonido similar al que se utiliza en el cine.
직접 볼 수 있었으면 더 좋았을 훌륭한 공연… 실제 상황같은 저 연기… 한번도 만나지 못했지만 드미트리가 그립네요.
Beautiful performance! 👏 Does anyone know where the full version of this opera can be found, please?
5:26
@tmtstudio1983 He is Conte di Luna AND real Onegin:-)) the best.
They certainly didn't sing like Bastianini and Bonisolli, but I am sure Verdi would LOVE this best.
What about terrible lost in the operatic World 12th floor such a bass baritone
Impossibile che e il morto
i.m not realy a fan of cura, but that was not so bad:))
Hvorostovsky: "I'm the best dog!" Cura: "No! I'm the best dog"
L'unico commento sensato.. grazie
2002
Yes but Manrico is unable to slay the Count for a reason- he is his brother.
Bastianini-Del Monaco-Gencer! Questi 3 fanno rivoltare Verdi nella tomba.
Isn't Di luna supposed to lose?
Si, pero Dmitri es mas lindo que J.C. y aqui lo dejamos ganar,OK?
No. In this opera, the villain wins, both this time and at the end of the opera. But Azucena's revenge is that he has to live with the knowledge that he killed his brother.
Regarding this fight, you see that Manrico pauses when he has the blade to di Luna. This gives di Luna the chance to strike and leave him for dead. In the next act, he explains to Azucena that a heavenly force stopped him from killing di Luna.
Pazzesco
Besser kann es nicht gesungen und dargestellt werden
Cura imbarazzante
Dmitri seems to lose his voice between this scene...he´s pushing too much...
SuperDarchangel I suspect it has to do with how physical the staging is. It's remarkable, really remarkable, that they got through this trio as well as they did.
to be honest i don't think the rit. midway through the trio helped any of them either
there are ways to have very physical staging of material this demanding but This Ain't It Chief
@@Mousy677 I think this one is the best personally: th-cam.com/video/yhsOOUj6r38/w-d-xo.html
Non mi piacciono nessuno dei tre...nemmeno la scena del duello...non ci siamo.
A me invece duello piace. Al meno provano uccidersi. Non solamente cantare colla spada in mano.
Non capisci un bel niente...
È una scena tremenda dal punto di vista del cantato. Questa è opera, non siamo al cinema
Cura fu sempre un brutto scherzo. Che vergonga di cantante
Vergogna sei tu. In tutto il mondo si venera a Cura.
Lei a ragione, da non credere che abbia fato carriera ....
They are good... except Cura... my God, he sounds HORRIBLE!
ezayi they both sound pretty terrible in my opinion. Hvorostovsky sounds like he'a gasping for air and his voice has no ring its not fit for Verdi baritone roles in my opinion. Sounds very forced. He is a terrific actor, though, but there are so many better recordings of this
jacob lahr If one want to hear perfect singing and a perfect recording one should listen to a CD - and not watch a life performance... The guys do an outstanding job here with singing WHILE fighting - instead just standing there like boring singers do. This scene can just be admired!
dalangie While this scene is certainly very exciting, I take issue with your use of the word "boring". Verdi's music is NEVER boring. Opera is primarily a vocal art for vocal athletes. The drama is intended to be carried by the voices, by singers who are technically skilled enough to squeeze all the nuance and meaning out of the score. Pavarotti and Sutherland stood still as they sang, concentrated all effort into vocal perfection flying out into the audience. Hundreds of thousands will assure you that they were NEVER boring!
They all are doom! Barking dogs.
Listen to this one instead then: th-cam.com/video/yhsOOUj6r38/w-d-xo.html
pessimi tutti...
pfff,no te conformai ni con el as de bastos,wn.
Simone FENOTTI 01 a partire da te
Vero! Me$da! Commercial ugly parody!
@@Monnarchmonnarchy. Dimitri meraviglioso, il trovatore,....magnifico. Verdi,
Hvorostowsky needs an haircut. Elsewhere he's perfect!
William Battaglini.
William Battaglini
il taglio di capelli di J. Cura è invece ok?.
He was the greatest and his hair was the most beautiful addition to his character! He was so different from the rest of the singers! And the rest sounded great with him!!
William Battaglini What about Cura’s hair?
Oh sure that's it, every male needs to look like they work at a gas station.