I can flub my words just like anyone else. By the time I said that, I was just paying attention to the gobo arm and wasn't thinking about the rest of the build. I pinned your comment because you were right and I wanted anyone that saw your comment to realize my mistake so they get it right.
Your asides really make something "informative." The little tips that turn something from a "do this" to "why you do this" make all the difference. All those little pieces connect and make the whole thing work properly. Thanks for that!
That was definitely a camera person playing the role of sound person. 😁 Another thing that gets me is how he set up that spreader stand. Those bars that connect the center column outwards to the legs, as a general rule of thumb, should be level. When they're tilted up or down then the legs are not spread out to their maximum width. When it comes to stability, the wider the area the legs cover the more stable the stand. I get that it's a small space, but there was plenty of room for those legs to reach max spread.
eny allen, i;d love to see an episode where you talk how sound mixers and boom operators record sounds when working with IMAX camera, that is super noisy, i wonder its mainly a job in post, but they do have to record some location sound, i am baffled on how that process works.
You keep saying c-stand. This is not. Also, he didn’t set the light stand correctly for maximum stability
You're right. On both.
Thank you for the pin but you are still the sound guru and I an avid learner of your Jedi ways
I can flub my words just like anyone else. By the time I said that, I was just paying attention to the gobo arm and wasn't thinking about the rest of the build. I pinned your comment because you were right and I wanted anyone that saw your comment to realize my mistake so they get it right.
Your asides really make something "informative." The little tips that turn something from a "do this" to "why you do this" make all the difference. All those little pieces connect and make the whole thing work properly. Thanks for that!
I'm glad to hear it. Thank you for watching.
I always enjoy your reaction videos. I had to learn the hard way about the direction of the knuckle on a C-Stand 🤣
Yeah, not a fun thing to learn the hard way.
That was definitely a camera person playing the role of sound person. 😁
Another thing that gets me is how he set up that spreader stand. Those bars that connect the center column outwards to the legs, as a general rule of thumb, should be level. When they're tilted up or down then the legs are not spread out to their maximum width. When it comes to stability, the wider the area the legs cover the more stable the stand. I get that it's a small space, but there was plenty of room for those legs to reach max spread.
Agreed
Thanks for the video! Seeing a video, hearing your critique and logic is always extremely helpful!
Sure thing. Thanks for watching.
eny allen, i;d love to see an episode where you talk how sound mixers and boom operators record sounds when working with IMAX camera, that is super noisy, i wonder its mainly a job in post, but they do have to record some location sound, i am baffled on how that process works.
It's lavs, no booms. Easy.
@@SoundSpeeds ah ok, they use exclusively lavs? they have to do some izotope RX to clean up the noise from the camera i suppose, or they do ADR?
Learned a few useful tidbits from this one! Thanks. Here’s hoping one day your viral video will come.
I'm fine either way
Great advice. Thanks to all the info.
Sure thing. Thanks for watching.
Are there any chance thia response video is ai powered? Please forgive me if I come across rude. Not at all trying to annoy anyone. Cheers
Huh?
I have never seen a shock mount with set screws, what the hell kind of design is that lolzzz
I'm not sure.
could you recreate the video but better? "pro boom op shows how to set up a boom mic properly"
Is it on my list
Those expert tips make all the difference. Thank you.
Sure thing. Thanks for watching.