Esta maestra a mi entender es una de las profesoras que mejores clase magistrales imparte,otros genios violinisticos no logran emitir con tanta claridad tecnica el mensaje y a veces solo son descripcionesw de su propia subjetividad basada en su enorme talento y otras tocasn ellos los pasajes esperando que el alumno pueda copiarlo.Esta Maestra es realmente increible en su enseñanza
AGAIN with the misguided meme that Mozart is an "opera composer" and everything else he ever wrote should be seen only through that operatic lens! Rubbish! 22 operas, yes - but 23 string quartets, 27 piano concerti, 41 symphonies, etc., etc. His catalogue has 626 pieces in it, only 22 of which are operas - that's only 3.5%. Will someone PLEASE acknowledge that thinking about operatic characters and changes of scene, etc. are NOTHING BUT A METAPHORE for "vary your tone, articulation and attitude to make your playing more interesting". Mozart was an "opera composer" when and only when he was writing operas. When he was writing concerti, however, THEN he was an instrumental composer.
Esta maestra a mi entender es una de las profesoras que mejores clase magistrales imparte,otros genios violinisticos no logran emitir con tanta claridad tecnica el mensaje y a veces solo son descripcionesw de su propia subjetividad basada en su enorme talento y otras tocasn ellos los pasajes esperando que el alumno pueda copiarlo.Esta Maestra es realmente increible en su enseñanza
Thank you for your comment, please feel free to discover Madame Fried's other masterclasses on our website: www.salineacademy.com/
Best lesson in the world
I agree it could have had more character, but she is a fabulous violinist all the same.
AGAIN with the misguided meme that Mozart is an "opera composer" and everything else he ever wrote should be seen only through that operatic lens! Rubbish! 22 operas, yes - but 23 string quartets, 27 piano concerti, 41 symphonies, etc., etc. His catalogue has 626 pieces in it, only 22 of which are operas - that's only 3.5%. Will someone PLEASE acknowledge that thinking about operatic characters and changes of scene, etc. are NOTHING BUT A METAPHORE for "vary your tone, articulation and attitude to make your playing more interesting". Mozart was an "opera composer" when and only when he was writing operas. When he was writing concerti, however, THEN he was an instrumental composer.
❤
Marvelous!!! I´ve just begun to play violin and I learned a lot with Miss Fried. Thank you for posting. She is a wonderful teacher.
She was great. She does need to bring out more of Mozarts charm in the piece.