you forget 1st of all this aria was in the end of the concert 2nd he is 52 at this time so give me one opera singer with 40 in nowadays that have this strong voice ...
Assolutamente no, la migliore versione di questa romanza cantata da Pavarotti l'ho io dove vocalizza in un modo incredibile la prima parte di quest'aria, se vuoi te la mando. Ciao!
Wow. This has been my favourite aria since I started discovering Verdi at the age of 16. I did not expect Maestro Pavarotti seriously tackling "Di quella pira", but hearing this, how could I not? He was an outstanding tenor of our time, and again, I am glad his wonderful music is kept alive here.
No importa quien fue el mejor lo que interesa es que frente a la orquesta, el público la prensa , la tv , los críticos en fin frente a todos , lo hizo muy bien y no le tembló el pulso, solo los que cantamos sabemos lo que es pararse en contra de todo , bravo tenor no importa si eres el mejor de la historia ya es bastante difícil hacer carrera imagínate hacer lo que has echo 👏👏👏👏👏👏👏
Tengo la suerte de tener oídos cuadrados .no se nada de notas .ni B mi c ni J.creo que por eso lo disfruto mas.me parece sublime .único me estremece cuerpo y alma.
Extraordinario. Extraordinario LUCIANO PAVAROTTI. El do sobreagudo 15 segundos y en público. No se salta las notas que escribió Verdi. Maravilloso, único e irrepetible.
Transposed down again, huh? I generally don't like Pav in the 80's and later that much, but I absolutely adore the sound of his voice in the 60's and 70's. In those days he was absolutely brilliant!
@muchogustavo1 yes, outstanding performance by filippeschi ! never heard that!!! my favourite stills luciano because the sound of his voice. he also sang nice high c's in the 70's when he was at his best like fille do regiment in 1972, che gelida manina 6 seconds high c in 1972. but i don't think he was the best hitting high c's, he was amazing as Nemorino, Ernani, his Calaf was not bad, and i think he was a nice Duca di Mantova too. thanks for your opinions. Bonisolli, Filippeschi, all genious!
@ellicantropos lo dije por el ejemplo que le dijo al muchacho de franco, mussolini, etc. en cuanto a los tenores mencionados salvo turker y fleta escucho a los demas
Que yo sepa Luciano comenzó su carrera en 1961... de manera inteligente comenzó cantando Operas, Conciertos, y arias, para tenor lírico ligero, y lírico, como la Fille...con los años de cantante que no fueron pocos, fue modificando su repertorio, comenzó a cantar como tenor lírico spinto, el mismo afirmo "muchos tenores terminaremos cantando Puccini, me dio gusto saber que hasta el final su si bemol fue brillante, y algunas veces nos sorprendió con el Do agudo.
Pavarotti fu un tenore adatto al repertorio romantico,tipico Pucciniano.Purtroppo non eccelse in quello eroico-drammatico,qui il confronto infatti coi vari Volpi,Corelli e soprattutto Del Monaco è impietoso.Detto ciò solo dopo un continuo ascolto ci si rende realmente conto di come non si possa decretare un più grande in senso assoluto tra i tenori ma semplicemente il più indicato
D’accordissimo nel merito, ma mi permetto di dire, al netto del range di ogni tenore, c’è qualcuno che è stato veramente fenomenale oltre la ‘categoria’. Faccio tre nomi: Kraus come lirico, Del Monaco come drammatico e Corelli come lirico spinto, con quest’ultimo che reputo il più grande tenore mai esistito
Il miglior tenore lirico di sempre è stato Beniamino Gigli, non a caso la giuria delle Asturie nel 2007 lo ha proclamato il miglior tenore della storia davanti a Caruso, Kraus era un lirico leggero.
Porque se limitan a ser críticos con un cantante, sea o no adecuado para determinado repertorio?. Por que no piensan en que hay gente que no son tan "doctos" como ustedes, si no que solo amamos el timbre de voz de un determinado cantante, y lo que vulgarmente se diria como su version de esta u otras canciones?. Es tan sencillo como "vivir, y dejar vivir".
Imagínate tener 52 años y un riesgo de cáncer además de un diafragma no tan joven como antes, y exigirte a cantar ésta obra de arte como estaba originalmente escrita, sin fallar.
No tenor in history did this with a high D. It is either performed in high B (as here), or high C. Pavarotti's easy high C only lasted until pretty much 1980 or so, and there are a number of TH-cam recordings from him in the 70's with the high C. The best (th-cam.com/video/pNYGv7zxhT4/w-d-xo.html&spfreload=10), is from GermanOperaSinger, who combined the only video of an early Luciano live opera performance of this aria, with its thrilling actual sound, by dubbing it perfectly from a different source, so that you can see him singing the aria and the final ringing high C .
Se nota que ud no canta señor , si supiera algo de canto sabría perfectamente que un tenor tiene una época en donde su voz es brillante y joven , como en esta ocasión que Pavarotti estaba alrededor de 40 años . A todos los Tenores les afecta la voz y todos nos afecta la edad o ud es una excepción ???
I'm a tenor, and really good at hearing vocal troubles. No crack here...what you're hearing is just aspirated sixteenth notes with "passionate emphasis."
Even the high Cs are interpolated. Verdi didn't write them. Gutsy to do this in a concert setting anyways...not easy even being a half step down. The tessitura of this piece is pretty killer, particularly with the declamatory phrasing. Bravo Luciano!
Y parece que usted no conoce el cuidado de la voz, ni la calidad, el gran maestro Alfredo Kraus, llegaba al "do alto" con excelente calidad a los 72 años.
Dn. Mauricio,claro que es verdad lo que dice. Kraus en sus años cumbre, llegaba al Mi bemol 5. Es decir, para él dar el Do y Do#, sostenido, le era tan fácil como natural. Un saludo.
Pavarotti getting a bit out of his comfort zone, should have let that aria to spintos and dramatic tenors like Corelli or Del Monaco. He doesn't have the power.
pathetic peformance..too fast, no feel, weak vibratos&legatos… bonisolli, corelli, bergonzi, björling, di stefano, del mario...even lauri volpi and gigli---they all show how di quella should have sung
Not Di Stefano and Volpi, they are not a spinto! Stefano little ruin his voice, Volpi seems good, but they are both not for dramatic! And that poor mosquito is dying here! A paper legend!!!
I am so thankful that Pavarotti was recorded so many times so we can still enjoy listening to him.
greatest lyric tenor
Joshua Han Yes but in the old age, like in This record he is a spinto or something like that
Joshua Han If you listen his voice in 1964 after in 1980 you gonna see, Much more heavy Voice and difficult in the high notes
Laura Opper But still the best
you forget 1st of all this aria was in the end of the concert 2nd he is 52 at this time so give me one opera singer with 40 in nowadays that have this strong voice ...
LUCIANO PAVAROTTI? GRANDE. IMMENSO. UNICO. 😘❤
Unpopular Opinion: this was the best Di Quella Pira of Pavarotti's career.
Assolutamente no, la migliore versione di questa romanza cantata da Pavarotti l'ho io dove vocalizza in un modo incredibile la prima parte di quest'aria, se vuoi te la mando. Ciao!
no where near. Its transposed down.
Very good. But he soon dropped it from his concert program.
Wow.
This has been my favourite aria since I started discovering Verdi at the age of 16. I did not expect Maestro Pavarotti seriously tackling "Di quella pira", but hearing this, how could I not? He was an outstanding tenor of our time, and again, I am glad his wonderful music is kept alive here.
Its a cabaletta
Maestro we miss you.
His voice in one every Millenium. Hope we are all like this.
My delicious tenor pumpkin!!
Oh those brilliant high B's! Just ringing!
Era la voce di un angelo!
No importa quien fue el mejor lo que interesa es que frente a la orquesta, el público la prensa , la tv , los críticos en fin frente a todos , lo hizo muy bien y no le tembló el pulso, solo los que cantamos sabemos lo que es pararse en contra de todo , bravo tenor no importa si eres el mejor de la historia ya es bastante difícil hacer carrera imagínate hacer lo que has echo 👏👏👏👏👏👏👏
Superb!!!!!
Pavarotti,l'assoluto!
brillante!!!!!!!!!1111
52 years woooooawww
The greatest of them all
Tengo la suerte de tener oídos cuadrados .no se nada de notas .ni B mi c ni J.creo que por eso lo disfruto mas.me parece sublime .único me estremece cuerpo y alma.
That B was easy for him! No problem at 52!
Corelli-Bonissoli...
51 here 👍🏻
@@guidogreco341 Bonisolli was a beast. I love Bonisolli.
I didn’t realise he was over 50 in this. Makes it even more unbelievable. And he looked good, much younger than 50 if you ask me! I miss him so much🥺
@@flav2689 He was a giant among tenors 😍
excelente, siempre el mejor Luciano
Excelente
Extraordinario. Extraordinario LUCIANO PAVAROTTI. El do sobreagudo 15 segundos y en público. No se salta las notas que escribió Verdi. Maravilloso, único e irrepetible.
La Pira e' abbassata di tono. Non e' un Do ma e' un Si.
bravoooooo
Molto bene !
Bravissimo!!!
Meglio Corelli Bonisolli Filippeschi Merli Nikolov del Monaco Giacomini Vichers Atlantov..
This must be the most video I have ever seen. I started with Benjamin Gigli in La Danza and I with a nitwit?
Estoy tratando de entender tus mensajes 💯💋
Played a half step down, which is easy for many tenors yet, it takes work to pull it off.
Well, what did you expect? He was 52 at the time, and still delivered an incredible performance.
Bravo bravo
Siempre maravilloso y con ese impetu que contagia alegría de vivir disfrutaba al máximo cantando y eso se nota
Fantastico
1:46
Transposed down again, huh? I generally don't like Pav in the 80's and later that much, but I absolutely adore the sound of his voice in the 60's and 70's. In those days he was absolutely brilliant!
@muchogustavo1 yes, outstanding performance by filippeschi ! never heard that!!! my favourite stills luciano because the sound of his voice. he also sang nice high c's in the 70's when he was at his best like fille do regiment in 1972, che gelida manina 6 seconds high c in 1972. but i don't think he was the best hitting high c's, he was amazing as Nemorino, Ernani, his Calaf was not bad, and i think he was a nice Duca di Mantova too. thanks for your opinions. Bonisolli, Filippeschi, all genious!
El més gran per sempre !!!!
@ellicantropos lo dije por el ejemplo que le dijo al muchacho de franco, mussolini, etc. en cuanto a los tenores mencionados salvo turker y fleta escucho a los demas
Good performance, of course not his role, great lyric tenor not dramatic, the best Manrico ever has been Corelli
çok güzellll
ahhahahahahah omg this is a concert. he needed his voice for 16 more interpretations, he's not chuck norris
Que yo sepa Luciano comenzó su carrera en 1961... de manera inteligente comenzó cantando
Operas, Conciertos, y arias, para tenor lírico ligero, y lírico, como la Fille...con los años de cantante que no fueron pocos, fue modificando su repertorio, comenzó a cantar como tenor lírico spinto, el mismo afirmo "muchos tenores terminaremos cantando Puccini, me dio gusto saber que hasta el final su si bemol fue brillante, y algunas veces nos sorprendió con el Do agudo.
I can sing like this!!!!
Thats what I think when I sing drunk at karaoke =3
@muchogustavo1 yeah maybe you're right, i don't like bonisolli's voice, but for this he was the best. good luck and greetings
A few years before, he made Cs.
Está medio tono al original pero es maravillosa la voz del gran pavarroti
Pavarotti fu un tenore adatto al repertorio romantico,tipico Pucciniano.Purtroppo non eccelse in quello eroico-drammatico,qui il confronto infatti coi vari Volpi,Corelli e soprattutto Del Monaco è impietoso.Detto ciò solo dopo un continuo ascolto ci si rende realmente conto di come non si possa decretare un più grande in senso assoluto tra i tenori ma semplicemente il più indicato
sono d accordo cn te..come anche della callas si potrebbe direla stessa cosa..cmq 2 fenomeni che di sicuro nn vedremo mai più.
Sempre sostenuto anch'io. Pavarotti grande pucciniano, mediocre verdiano.
D’accordissimo nel merito, ma mi permetto di dire, al netto del range di ogni tenore, c’è qualcuno che è stato veramente fenomenale oltre la ‘categoria’. Faccio tre nomi: Kraus come lirico, Del Monaco come drammatico e Corelli come lirico spinto, con quest’ultimo che reputo il più grande tenore mai esistito
Il miglior tenore lirico di sempre è stato Beniamino Gigli, non a caso la giuria delle Asturie nel 2007 lo ha proclamato il miglior tenore della storia davanti a Caruso, Kraus era un lirico leggero.
Porque se limitan a ser críticos con un cantante, sea o no adecuado para determinado repertorio?. Por que no piensan en que hay gente que no son tan "doctos" como ustedes, si no que solo amamos el timbre de voz de un determinado cantante, y lo que vulgarmente se diria como su version de esta u otras canciones?. Es tan sencillo como "vivir, y dejar vivir".
Do you know who is the conductor?? So cute
Emerson Buckley
Thanks!!!
若い時でも高いＣは出していなかったんだね。キングオブハイＣとは名ばかり。
Qui la sua carriera era già in fase calante....
HAHAHAHAHAHAHAHAHAHAHAHA
@@princegolaud6771 mi faccia capire la sua risata.....
:)
YEAAAAAH
パヴァロッティがハイＣを出していた時って若い時だけだったんだね。これでハイＣの王様とは笑わせる。
Obra maestra.
Pensaba que el agudo final de esta aria debía ser un Do y escucho un Si
Cada uno la canta cómo quiere?
sim , esta a liberdade do intérprete.
Esta escrito un Si, y la tradición es q se termine en DO. Igual hay q ver la edad y la técnica del cantante
Imagínate tener 52 años y un riesgo de cáncer además de un diafragma no tan joven como antes, y exigirte a cantar ésta obra de arte como estaba originalmente escrita, sin fallar.
high c or high b?
+Elias agustin Bulacio High b :D...i think he never did it in C...two high c one after another are tough.
No tenor in history did this with a high D. It is either performed in high B (as here), or high C. Pavarotti's easy high C only lasted until pretty much 1980 or so, and there are a number of TH-cam recordings from him in the 70's with the high C. The best (th-cam.com/video/pNYGv7zxhT4/w-d-xo.html&spfreload=10), is from GermanOperaSinger, who combined the only video of an early Luciano live opera performance of this aria, with its thrilling actual sound, by dubbing it perfectly from a different source, so that you can see him singing the aria and the final ringing high C .
Oh seriously?And what you think about ah mes amis???
No hay ningún do agudo escrito acá
@@redgrapeskins what about the high c of Turandot? In 1997
Se nota que ud no canta señor , si supiera algo de canto sabría perfectamente que un tenor tiene una época en donde su voz es brillante y joven , como en esta ocasión que Pavarotti estaba alrededor de 40 años . A todos los Tenores les afecta la voz y todos nos afecta la edad o ud es una excepción ???
En esta presentación pavarotti tenía 52 años. En esta edad los tenores de voz grande pierden su brillo.
@@lourdeschipanaramos9009 no es que lo haya perdido eh
Crack at minute 0:55 ahaha We love you L. Pavarotti the best lirico
I don't hear a crack! Listened 20 times. Bad recording??
Lies
I'm a tenor, and really good at hearing vocal troubles. No crack here...what you're hearing is just aspirated sixteenth notes with "passionate emphasis."
Pavarotti non adatto per quest'opera , Franco Corelli era il massimo
Non solo Corelli ricordiamo Tucker Nikolov Merli Filippeschi del Monaco Bonisolli Atlantov Vichers Giacomini..
Yes Corelli is the best but I like Luciano as well
Un tono sotto.
No high c did I hear...
maine bound hear high B
it's performed a half step down
But is a High B, hard af anyway
Even the high Cs are interpolated. Verdi didn't write them. Gutsy to do this in a concert setting anyways...not easy even being a half step down. The tessitura of this piece is pretty killer, particularly with the declamatory phrasing. Bravo Luciano!
L unico tenore che pur non essendo spinto o drammatico, perché lui era lirico, non sembra fuori luogo anzi la canta benissimo
Parliamone. Io la Pira voglio sentirla cantare come la Canta Corelli.
@@toivonencresto Difficile. Hanno caratteristiche vocali diverse
impietoso.
Manrico è materiale x Corelli Del Monaco Nikolov Bonisolli Martinelli..
@@e.g.8454 anche filippeschi
ha voluto saltare il fosso e vi è caduto in pieno. Quanti sforzi di voce.
Beniamino Gigli che reputo il più grande tenore degli anni 20 30 40 come Manrico era 10 volte migliore.
Y parece que usted no conoce el cuidado de la voz, ni la calidad, el gran maestro Alfredo Kraus, llegaba al "do alto" con excelente calidad a los 72 años.
Dn. Mauricio,claro que es verdad lo que dice. Kraus en sus años cumbre, llegaba al Mi bemol 5. Es decir, para él dar el Do y Do#, sostenido, le era tan fácil como natural. Un saludo.
Pavarotti es lírico ps soquete
Pavarotti getting a bit out of his comfort zone, should have let that aria to spintos and dramatic tenors like Corelli or Del Monaco.
He doesn't have the power.
Oh yeah, ask a 52 y/o to be equal to his idol.
@@johnkrammer3673 well here is a 60 year old lyric tenor sending it as if he was a 35 yo Del Monaco
th-cam.com/video/PLf0BkGdYKs/w-d-xo.html
@@abcdefgh-db1to not the same song but thanks
pathetic peformance..too fast, no feel, weak vibratos&legatos…
bonisolli, corelli, bergonzi, björling, di stefano, del mario...even lauri volpi and gigli---they all show how di quella should have sung
Not Di Stefano and Volpi, they are not a spinto! Stefano little ruin his voice, Volpi seems good, but they are both not for dramatic! And that poor mosquito is dying here! A paper legend!!!
@@Monnarchmonnarchy lauri volpi is lirico spinto vero
Lauri Volpi tenore lirico, no spinto.