I know exactly what you mean. I "know" & to a lage extent I "understand" all the words Rick is using, but it still sounds like a foreign language to me! At one point I'm sure he was just shouting out random numbers and letters. Despite my ignorance of the language Rick is using, I can't help but stare at the screen - it sounds amazing!
Rick, the fact that you’re giving this for free to the world out there is crazy.. I know musicians who could keep their student unaware of this for years, just to guarantee themselves a consistent income. I guess I’ll go over this as long as I memorise it all👏👏👏👏👏👏
I take a lot of inspiration from Wes Montgomery, I started late and so did he, Wes started playing guitar when he was 20 and went on to be one of the best.
Super Beginner?? Good News !! I don’t always get everything that Rick teaches and I have to go back and re study/learn the Beato content as it is exactly what I need to know!!! Do not give up !! Continue learning!! It worth it!!!
Rick ; your truly amazing man . I'm from Indpls, Ind. When I was young 11-15 years old. My older brother was really into Wes. Dad told us that he listened to Wes at the small clubs downtown Indy . Remember listening to albums ; A Day in the Life / Down here on the ground . / Really blown away by Road Song . - incredible song . WES - was head of the curve on smooth jazz sound ! He died in 1968 at 43 years old. He's one of the most innovative guitar players ; Playing with his double jointed thumb ( no pick ) He just had a lot of raw talent . Didn't even get to technical about the guitar . Didn't read or write music . He was an incredible innovator !! God bless your soul Wes . You & your brothers we're incredible ... 🙋♂️🎶🏆
Rick- Man alive.. I just have to tell you that my Bro. Tom and I bought the first two Riverside LP's "Trio" and "Incredible Jazz Guitar" new in the early 60's.. and we never stopped buying and listening and trying to play like him. You do the same things we did.. the "knocked out" facial expressions, shaking our heads, and finally being mentally whipped, we just shut down the old Magnavox Hi-Fi unit and passed out. No guitarist has ever grooved us like Wes... you did so well in capturing his chords and sharing with us all. You're a bad Mama Jamma... and yes, folks can learn the chords a bit, but trying to PLAY like Wes...Ha ha ha ha.. that Bluesy touch and the rhythm, feel and Soul.... we always say how bloody lucky we were to be born at a time when we could witness his magic. He's sorely missed. If you haven't scored Adrian Ingram's softcover, "Wes Montgomery" don't stop until you have a copy... we say, "No one's cut him yet!" ...blessings from Texas. Jim and Tom.
I'm not trying to sound mean but since you signed it with both your names... Were you composing that comment sitting in front of the screen together or how does that work?
I have that live record it is such a great album. I am a rock guitar play because i suck, but Wes is my favorite guitar player musical, melodic soloing really makes me happy.
Great video for musicians who already know theory. Wes Montgomery's music sounds so deceptively simple and relaxed, one of my favorite guitarists, period. Great video, thanks for your efforts, sir!
As a lover of Wes Montgomery its great to hear an intelligent and thoughtful approach to understanding what Wes does with his chord solos..! very interesting... I am a Jazz lover and I find it odd that other people put Jazz down.. they just don't get what is going on... Thanks for your incites!
Fantastic! Im just mesmerised everytime i listen to Wes! Hee hee! it was great to see a master musician like yourself be utterly amazed and full of of admiration for Wes' playing too! Brilliant! This music just transcends time!
Just wanted to add my thanks. For years I've admired Wes and looked at transcriptions etc. listened alot, but I wouldn't have been ready for this video (and your others) until putting in some work of my own. That being said, you lay it all out so well, the theory, the voicings, and with the obvious appreciation of Wes's brilliance. Keep up the good work!
Trick for learning chord shapes: Play the diminished chord on the three high strings (e.g. frets 1-2-1-2 on strings 4-3-2-1, using fingers 1-3-2-4). Now make any of the four notes ½ step higher -- move on fret higher in pitch on one string. You usually have to move your fingers around a bit. The note you raised a half-step is the 7th of the half-diminished chord you are now playing. Do that on all four strings to get all four half-diminished (minor-7-flat-5) inversions. To the the four that Rick is talking about, in that order, you would first sharp the note on string 2, then string 3, then string 1, then string 4. When you move a diminished chord three frets, it is still the same diminished chord, but the 1, ♭3, ♭5 and 𝄫7 switch strings. So with the half-diminished, you move it up three frets, almost -- the ♭7 (your sharped note) moves two frets to become the tonic and the ♭5 moves 4 frets to become the ♭7. You have also just learned four inversions for a 9th chord -- in every inversion, the note you raised a half-step is the 9th. To understand this, think of the diminished chord as a dominant 7♭9 chord without the tonic. To get four inversions of dominant 7 chords, instead of sharping a note, flatten it. That flatted note is the tonic of the dominant chord.
Thanks for taking a lot of the mystery out of what Wes was doing. Even though I was familiar with those voicings, the way he makes them sound, well, it sort of sounds like something else. I really appreciate the level of the video, the organization of the material and the absolute clarity with which you presented it. Count me as a fan.
Rock-LOVED your Metheny lessons and now Wes.... so glad I found your videos. Mind blowing. Can't wait for the single note line lesson. I've seen several Wes videos and have been awed by how soulful, jazzy and bluesy his playing is and he rarely used his pinky on the single note lines. Keep up the great work!
@Rick Beato - really enjoyed this presentation, good basic ideas, very good application of the ideas which is so important. One thing that is so distinctive of Wes's chord solo work is that his melodies he outlines with his chords are so melodic. It makes his work so powerful.
It's really amazing. I can listen to you for hours and I do. You explain music, chords and notes like a cook explain ingredients. You and Joe Satriani explain music theory at the highest level that people like me can understand. You're videos are here forever, for the next generation to listen and learn. I don't play much anymore, repetitive injury that Joe talks about, I practiced wrong. Great job. Thank you.
Thanks for sharing such great musical knowledge!!!! Astounded by your boy... so gifted with ears of an Elephant and sings the names of the notes of the most complex chord layers without a squint... Wow!!! More of him please.
Thank you so much for sharing your in depth knowledge of his playing with everybody! Wes was a true gift to humanity and your lessons are a gift to all of us musicians who want to cary on his legacy and take influence from his genius!
Sweet! Very encouraging stuff! Working with a world-class pianist forced me to discover this stuff to stop me getting in his way during tunes and solos.
Thanks man, that was an awesome lesson. The last 15 years I spend with the first 10 mins of an Emily Remler tutorial, who brought me into jazz chords and rhythm. She was talking a lot about Wes, too. You showed a lot here. Great work! Let´s see how far I go. Still I got some decades left to kill and nothing better to do, because there is nothing better to do.
this is an excellent ,articulate and intelligent view into Wes Montgomery chords and harmony - a player who exclusively used his ears rather than music theory , Well done!
Another way to achieve these voicing on 4 strings( any set) is to move like this: the Bottom two notes move to the two highest strings while the higher two notes invert and move to the bottom two strings. This happens 4 times and then repeats up and down the neck. Works with any 4 different notes. Descending its just backwards the highest two notes move to the lowest two strings intact and the two lowest notes invert and move to top two strings. So the highest note in the set becomes the next bass note while ascending and the lowest note becomes the top note while descending. Perhaps that is obvious but its a handy way to find your way. Thanks for your channel amigo!
Thank you Rick! I love these Min6/9 voicings. :) I wanted to point out to those who may be confused as I was but at about 4 minutes in on the 1st inversion you pointed out, that was an F in the bottom. Cheers.
Hey Rick, big Wes fan here and I studied with Ted Greene for 4 years. Thanks for turning me on to Fried Pies! Wes plays his Bb9 chord with the root Bb played with his thumb not Bb9/D and the 2nd chord is F13/Eb voiced (Eb-A-D-F). Also the turn around is Am7b6 (A-G-C-F) to D7#9 to Gm11 (G-F-Bb-C) finishing with Bb/C. You are amazing Sir.
great..play like Wes haha..everytime you say :amazing..I realize how extraordinaire Wes his playing style his..let alone his masterfull musicianship..and contribution to Jazz as a whole..thx for your indepth explanation..great to know..thx Rick
You've done a great job on this video in opening people's eyes to the chord solo techniques of Wes in a straight forward way. The thing I like the most about this video I your enthusiasm about Wes! Wes is King! Is so great to see someone else who Is as enthusiastic as me when it come to Wes. Thanks for a great video and the joy you have in it. I never do this but because of your love for Wes I want to share me playing road song as a featured guest with a great high school jazz band. Feel free to look it up under my name. As I said I never do this but am feeling moved to share it with you after watching your video. You're being instrumental in helping so many people unlock a key to understanding Wes Better and for that you should be proud. Bravo Rick! Wes is King!!
I’m with you, Boss Guitar is my favorite Wes Montgomery record. Jimmy Cobb is the difference from his first organ trio record. The feel on “ For Heaven Sake” is phenomenal. Thank you for breaking down “Fried Pies”. Keep up the great work. Much appreciated.
I've had a Wes Montgomery Signature Licks book for a few years. I bought it way before I was ready for it, but I've been practicing my chords, arpeggios, scales and learning about theory. And after seeing this, I think I might be ready to tackle Cariba. Thanks.
Thanks for all your insight Rick. I've worked a lot of this out too..but its great to get another persons thinking on the subject. Awesome! Wes was a truly amazing individual.
He seems like the most knowledgeable of YT music expounders. I had an 'Arbiter' copy of that guitar. It sounded great, though it's over 40 years ago and I can't remember who I sold/gave it to. Wish I still had it [and a hundredth of Rick's skill and understanding].
What a great channel! I love Carriba and Fried Pies and appreciate the lesson. I’m surprised what a convincing tone you get from the solid body Gibson.
...a sincere appreciation...your guiding light in my tunnel - have long looked/listened at the art form of Wes and especially Bumpin on Sunset (a chord some 2 minutes and 9 seconds in) and interpretations in Eleanore Rigby and embrace them while soaking...have often felt his phrasing and repeated chords remind me of songs/sonnets in shakespeare... thank you
Two years late to the game here and everyone has already said everything that I would like to say... especially the last comment about the generosity of knowledge. But the one thing that I do know is that videos like this are making me really want a TV Yellow LPSDC really bad... ;) Anyway, thanks for all that you do, Rick!
Rick I Love that you are trying to teach music from the standpoint of knowing the instrument 1st. I wish you more success than the music busyness. It's a shame what has become of it.
Best video i've seen about Wes' solo concepts. Love the breakdown sir. Educational indeed! Beginners like me can understand. Thank God i've found this video.
Thank you for this. I noticed just using these groups of inversions over regular 2-5-1 opens up a lot of doors for me. But playing around with that flat 5 or tritone sub makes me chuckle every time. A channel for musicians.
❤️ I am a verified respectful shorter term subscriber and I JUST saw this, your video about Mister Montgomery when I was digging deep going from Ritenour to Wes..you are my good music place Mister Beato...Thankyou so much for this great video content you create. PS I just asked my keyboard player and he said Wes used the thumb because his wife thought he was too loud and that Wes didnt read music..hmmm
Thank you thank you thank you!! I've been trying to figure out this system for chord voicings forever. I just stumbled upon this video by chance and I'm so grateful you made it! I'll be practicing this a lot now!
In college we'd sit around, listening to Wes....transcribing his solos, I remember a more advanced player writing out "I've grown accustomed to her face"...the ONLY thing you failed to mention about Wes....(and I know how subjective this is) is how "familiar" what he plays sounds....as if you've been hearing it in your head since childhood...Thanks SO MUCH for these videos, Rick....I've subscribed, I've told others, I've left comments....I hope I've done everything to express my gratitude, dude
Watching your videos is not only about getting to know the topic in the title, but also (and for me especially) about getting to know your view on the musicians you address in the video, how they used it, how it relates to other topics and several other aspects that relate to music in a "cross sectional" approach. I think you should write a book about how you see music, music theory, how the main jazz composers and performers used it and stuff. Definitely, I'd buy it. Anyway, thanks for the videos. Judging by the hour you post them, it's very likely that you work on them during the night (unless you live in Japan!). That's not easy.
That's what I thought. And I mean it about the book. Like... why would Wes or Metheny use this or that chord? What relates to this? Who did they get this influence from? Where did they study (if they did) and what is the curriculum people teach there? Their life stories, etc... . For instance, Metheny uses those augmented triads in his soloing a lot, but I'm sure he's not the first to do it. Maybe it's a silly idea, but I'm also a researcher (not in music!) and this kind of question always intrigues me: the source of ideas. There's nothing new in this world, but some people manage to be outstanding using old tools and your view of how they do it seems to be interesting. I hope you do think about it and, if you go through with it, good luck!
Rick Beato any recommendations on a book that could show all these chords and inversions? or should I spell 'em out myself?! p.s. it can be the beato book as a suggestion!
Jamey Aebersold, Ted Greene( Chord Chemistry) , Mickey Baker ( Jazz Guitar ...vol 1 and 2), Howard Roberts and Rick Beato ! An undisputed line of light bearers! I am grateful and loyal ..........with Love from Nigeria!
Sorry I'm a year late replying, but I agree completely! Rick is phenomenal. If you dig Chord Chemistry, check out the V-System on the Ted Greene website. It was an effort he made to systematize/organize his chord vocabulary. It makes it Chord Chemistry even more useful.
I really enjoy listening to you whole I'm working on just about anything. I always learn something! Thanks! And I'm goint to order your book for my son!!!
I most hardly agree with Irish Muso! Rick is just an amazing well of information. I'm so glad I found him. Rick, where were you when I was a 12yrs old and lifting that needle off the record for the millionth time. I'm just teasing. I'm sure you were there with me. None the less, Thanks Again for all you do.
One of the best lessons! A great example of how to use simple concepts to infinite possibilites...I will be ear marking this to go back to ..although I do believe this would be too difficult for beginners
the best way to discover or learn, IMO, the closely voiced four adjacent string seventh chords (drop 2), and others, is to start with a fully diminished 7th chord (who's inversions share the same fingerings a minor third apart). all other seventh chords are easily derived from it by mostly moving one string up or down one fret, occasionally two.
I feel like that this is his best album not just because of him but also because of the saxophist with his amazing solos also. Also, the song set have so much flavor!
I’m a super beginner and have almost no idea what Rick is talking about but I just keep listening cuz I know it’s amazing...
Great intuition, because that was accuratelt said. And you'll get to understand at his speed in a couple hard working years.
I know exactly what you mean.
I "know" & to a lage extent I "understand" all the words Rick is using, but it still sounds like a foreign language to me! At one point I'm sure he was just shouting out random numbers and letters.
Despite my ignorance of the language Rick is using, I can't help but stare at the screen - it sounds amazing!
well this is not cowboy music or 3 chord Rock lol
Yeah! That's the spirit!
same
Is there anyone more knowledgeable and generous with that knowledge than this man?
Ted Greene was pretty awesome.
Mickey
my teacher WILLIAM G LEAVITT was the same type of guy, a walking generous encylopedia
equally as knowledgeable, yea jens larsen.
Yes. Me.
Rick, the fact that you’re giving this for free to the world out there is crazy.. I know musicians who could keep their student unaware of this for years, just to guarantee themselves a consistent income. I guess I’ll go over this as long as I memorise it all👏👏👏👏👏👏
I take a lot of inspiration from Wes Montgomery, I started late and so did he, Wes started playing guitar when he was 20 and went on to be one of the best.
Playing guitar is pretty easy. Having musical genius is a totally different story
I'm a metalhead but Wes and Django hold a special place in my heart. Love the channel and all the knowledge you're giving for free.
Super Beginner??
Good News !! I don’t always get everything that Rick teaches and I have to go back and re study/learn the Beato content as it is exactly what I need to know!!! Do not give up !! Continue learning!! It worth it!!!
Thankyou Rick. You are a great educator. It is so important to keep this great music alive in this time of great musical dumbing down.
Rick ; your truly amazing man .
I'm from Indpls, Ind.
When I was young 11-15 years old.
My older brother was really into Wes.
Dad told us that he listened to Wes
at the small clubs downtown Indy .
Remember listening to albums ; A Day in the Life / Down here on the ground . / Really blown away by Road Song . - incredible song . WES - was head of the curve on smooth jazz sound !
He died in 1968 at 43 years old.
He's one of the most innovative guitar players ; Playing with his double jointed thumb ( no pick )
He just had a lot of raw talent .
Didn't even get to technical about the guitar . Didn't read or write music .
He was an incredible innovator !!
God bless your soul Wes .
You & your brothers we're incredible ... 🙋♂️🎶🏆
Rick- Man alive.. I just have to tell you that my Bro. Tom and I bought the first two Riverside LP's "Trio" and "Incredible Jazz Guitar" new in the early 60's.. and we never stopped buying and listening and trying to play like him. You do the same things we did.. the "knocked out" facial expressions, shaking our heads, and finally being mentally whipped, we just shut down the old Magnavox Hi-Fi unit and passed out. No guitarist has ever grooved us like Wes... you did so well in capturing his chords and sharing with us all. You're a bad Mama Jamma... and yes, folks can learn the chords a bit, but trying to PLAY like Wes...Ha ha ha ha.. that Bluesy touch and the rhythm, feel and Soul.... we always say how bloody lucky we were to be born at a time when we could witness his magic. He's sorely missed. If you haven't scored Adrian Ingram's softcover, "Wes Montgomery" don't stop until you have a copy... we say, "No one's cut him yet!" ...blessings from Texas. Jim and Tom.
I'm not trying to sound mean but since you signed it with both your names... Were you composing that comment sitting in front of the screen together or how does that work?
hands down best youtube channel for musicians on youtube. everyone like his videos!
Bob Saturday
20 minutes of stupid talking
rrdwiki well its not a tutorial.
Rick . . . Wes played it out . . . You laid it out! Both incredible! Thank you, Wes & Rick! 🎸❤️
Wes was so incredible. I could never play like that in a million years of practice.
And neither can Rick Beato.
@AFaceintheCrowd01
I don’t think he claims too.
I have that live record it is such a great album. I am a rock guitar play because i suck, but Wes is my favorite guitar player musical, melodic soloing really makes me happy.
Great video for musicians who already know theory. Wes Montgomery's music sounds so deceptively simple and relaxed, one of my favorite guitarists, period.
Great video, thanks for your efforts, sir!
As a lover of Wes Montgomery its great to hear an intelligent and thoughtful approach to understanding what Wes does with his chord solos..! very interesting... I am a Jazz lover and I find it odd that other people put Jazz down.. they just don't get what is going on... Thanks for your incites!
1959 I was 10 and started loving jazz and had several Wes Montgomery albums and i still enjoy his music..
If you have to explain what jazz is to anyone they don't get it.-Louis Armstrong ( I think)
@@vextract4662..lol..Louie said, " if you have to ask what Jazz is, you ain't got it!"
Fantastic! Im just mesmerised everytime i listen to Wes!
Hee hee! it was great to see a master musician like yourself be utterly amazed and full of of admiration for Wes' playing too! Brilliant!
This music just transcends time!
Great stuff! I'm a Wes fan and student from back in the '60's and this breaks down my favorite part of his style! Thanks!
You are saving my jazz guitar playing man, thank you so much for your lessons. Favorite teacher on youtube.
Just wanted to add my thanks. For years I've admired Wes and looked at transcriptions etc. listened alot, but I wouldn't have been ready for this video (and your others) until putting in some work of my own. That being said, you lay it all out so well, the theory, the voicings, and with the obvious appreciation of Wes's brilliance. Keep up the good work!
Rick, you are doing a fabulous service to us musicians and fans by schooling like in the best music schools.
You not only show what he uses but also why and when he uses these particular voicings. Thanks much for this.
yes yes yes !!! More Jazz guitar Rick Thanks a lot!! :)
Yahtzee! More complex harmonies
Trick for learning chord shapes: Play the diminished chord on the three high strings (e.g. frets 1-2-1-2 on strings 4-3-2-1, using fingers 1-3-2-4). Now make any of the four notes ½ step higher -- move on fret higher in pitch on one string. You usually have to move your fingers around a bit. The note you raised a half-step is the 7th of the half-diminished chord you are now playing. Do that on all four strings to get all four half-diminished (minor-7-flat-5) inversions. To the the four that Rick is talking about, in that order, you would first sharp the note on string 2, then string 3, then string 1, then string 4.
When you move a diminished chord three frets, it is still the same diminished chord, but the 1, ♭3, ♭5 and 𝄫7 switch strings. So with the half-diminished, you move it up three frets, almost -- the ♭7 (your sharped note) moves two frets to become the tonic and the ♭5 moves 4 frets to become the ♭7.
You have also just learned four inversions for a 9th chord -- in every inversion, the note you raised a half-step is the 9th. To understand this, think of the diminished chord as a dominant 7♭9 chord without the tonic.
To get four inversions of dominant 7 chords, instead of sharping a note, flatten it. That flatted note is the tonic of the dominant chord.
This will take some experimenting; I can see it makes sense but my head has not quite grasped all of it yet. Thank you for sharing Mike!
Thx for this❤️
I have the feeling you know what you are talking about. But I really don’t.
the diminished 7th is very useful as a pivot chord for modulation
Ah a Barry Harris fan I see! :) good stuff, secrets of playing jazz right here
I'm working my way through your amazing catalog. Gold quality content like this stays valuable regardless if it is from today or a few years back.
You never cease to amaze with your all around knowledge of music.
Rick thank you now I can practice this because I understand the theory and structure of the inversion groupings.
4:09 he means to say "F" instead of "G." Turned into a calculus test for me for a second. Glad I figured it out, figured I'd share.
Thank for that breau.
stupid youtube got rid of annotations so people can fix mistakes like that anymore....
Ya thanks for saying that...
Thanks for taking a lot of the mystery out of what Wes was doing.
Even though I was familiar with those voicings, the way he makes them sound, well, it sort of sounds like something else.
I really appreciate the level of the video, the organization of the material and the absolute clarity with which you presented it.
Count me as a fan.
Thank you so much Rick! Such a joy, getting an insight into Wes the genius Montgomery! Simply heavenly beautiful!
Rock-LOVED your Metheny lessons and now Wes.... so glad I found your videos.
Mind blowing.
Can't wait for the single note line lesson. I've seen several Wes videos and have been awed by how soulful, jazzy and bluesy his playing is and he rarely used his pinky on the single note lines.
Keep up the great work!
@Rick Beato - really enjoyed this presentation, good basic ideas, very good application of the ideas which is so important. One thing that is so distinctive of Wes's chord solo work is that his melodies he outlines with his chords are so melodic. It makes his work so powerful.
It's really amazing. I can listen to you for hours and I do. You explain music, chords and notes like a cook explain ingredients. You and Joe Satriani explain music theory at the highest level that people like me can understand. You're videos are here forever, for the next generation to listen and learn. I don't play much anymore, repetitive injury that Joe talks about, I practiced wrong. Great job. Thank you.
Cariba!!! What a great tune, one of the first jazz tunes a learned and was a huge challenge at the time.
Congrats on 2M subscribers, God bless you buddy, you’re kicking ass!! I have a masters degree and I learn from you every day!!
Thanks for sharing such great musical knowledge!!!! Astounded by your boy... so gifted with ears of an Elephant and sings the names of the notes of the most complex chord layers without a squint... Wow!!! More of him please.
Thank you so much for sharing your in depth knowledge of his playing with everybody! Wes was a true gift to humanity and your lessons are a gift to all of us musicians who want to cary on his legacy and take influence from his genius!
Sweet! Very encouraging stuff! Working with a world-class pianist forced me to discover this stuff to stop me getting in his way during tunes and solos.
Rick, this video confirmed my respect for you. Thank you sir, you are a real guitarist
LOTS! Of lightbulb moments in this video. Thanks for taking the time Rick.
your love for wes s feel is contagious and a inspiration,,,,!!!!!!thank u so much!!!!!!!!
Thanks man, that was an awesome lesson. The last 15 years I spend with the first 10 mins of an Emily Remler tutorial, who brought me into jazz chords and rhythm. She was talking a lot about Wes, too. You showed a lot here. Great work! Let´s see how far I go. Still I got some decades left to kill and nothing better to do, because there is nothing better to do.
You got me where I live with this one Rick. Connected a couple essential dots for this old dog. Thank You 🙏🏼
Rick, thanks so much for this breakdown of Wes Montgomery's lush techniques.
Wes's ideas were very straightforward. but damn, he went to town with them. I think a lot of guitar players fear this territory. Very tuff.
How did I JUST find this in 2021?
THANKS RICK!
this is an excellent ,articulate and intelligent view into Wes Montgomery chords and harmony - a player who exclusively used his ears rather than music theory , Well done!
Thank you Rick, may God continue to bless you!
Another way to achieve these voicing on 4 strings( any set) is to move like this: the Bottom two notes move to the two highest strings while the higher two notes invert and move to the bottom two strings. This happens 4 times and then repeats up and down the neck. Works with any 4 different notes. Descending its just backwards the highest two notes move to the lowest two strings intact and the two lowest notes invert and move to top two strings. So the highest note in the set becomes the next bass note while ascending and the lowest note becomes the top note while descending. Perhaps that is obvious but its a handy way to find your way. Thanks for your channel amigo!
Thank you Rick! I love these Min6/9 voicings. :) I wanted to point out to those who may be confused as I was but at about 4 minutes in on the 1st inversion you pointed out, that was an F in the bottom. Cheers.
If proper used, internet is full of brilliant things. That's the exact example. Thank you!!!
Thanks Dimitry!
true, dmitry!
I always have loved how Wes played Chord solos. Everyone seems to focus on his octave playing but the chord stuff I always found unique and tasteful.
Unreal video! So much material to look at, great dissection of Wes' style.
Thanks Rick , another great lesson. Bringing magic within reach of all aspiring guitar players. Great stuff.
Hey Rick, big Wes fan here and I studied with Ted Greene for 4 years. Thanks for turning me on to Fried Pies! Wes plays his Bb9 chord with the root Bb played with his thumb not Bb9/D and the 2nd chord is F13/Eb voiced (Eb-A-D-F). Also the turn around is Am7b6 (A-G-C-F) to D7#9 to Gm11 (G-F-Bb-C) finishing with Bb/C. You are amazing Sir.
great..play like Wes haha..everytime you say :amazing..I realize how extraordinaire Wes his playing style his..let alone his masterfull musicianship..and contribution to Jazz as a whole..thx for your indepth explanation..great to know..thx Rick
Some of the greatest strikes of piano chords on a guitar rip Legend
You've done a great job on this video in opening people's eyes to the chord solo techniques of Wes in a straight forward way. The thing I like the most about this video I your enthusiasm about Wes! Wes is King! Is so great to see someone else who Is as enthusiastic as me when it come to Wes. Thanks for a great video and the joy you have in it. I never do this but because of your love for Wes I want to share me playing road song as a featured guest with a great high school jazz band. Feel free to look it up under my name. As I said I never do this but am feeling moved to share it with you after watching your video. You're being instrumental in helping so many people unlock a key to understanding Wes Better and for that you should be proud. Bravo Rick! Wes is King!!
I love that part of the solo too, especially the way Wes and Winton lock in telepathically.
I’m with you, Boss Guitar is my favorite Wes Montgomery record. Jimmy Cobb is the difference from his first organ trio record. The feel on “ For Heaven Sake” is phenomenal. Thank you for breaking down “Fried Pies”. Keep up the great work. Much appreciated.
oh man!! so good! I felt like I was there in that room with him, listening to Wes...great time
thank you a lot Beato for this free spetacular lesson
god bless you sir Rick for sharing your gift! sending love from the Philippines!
I've had a Wes Montgomery Signature Licks book for a few years. I bought it way before I was ready for it, but I've been practicing my chords, arpeggios, scales and learning about theory. And after seeing this, I think I might be ready to tackle Cariba. Thanks.
This channel is a big treasure of knowledge! Thank you!
Thanks for all your insight Rick. I've worked a lot of this out too..but its great to get another persons thinking on the subject. Awesome! Wes was a truly amazing individual.
Love your way of doing these videos, just throwing so much good material in a simple and effective way its really super instructive thanks !
He seems like the most knowledgeable of YT music expounders. I had an 'Arbiter' copy of that guitar. It sounded great, though it's over 40 years ago and I can't remember who I sold/gave it to. Wish I still had it [and a hundredth of Rick's skill and understanding].
Thank you so much for taking the time to do these videos - I really enjoy watching and I always learn something.
What a great channel! I love Carriba and Fried Pies and appreciate the lesson. I’m surprised what a convincing tone you get from the solid body Gibson.
Rick, thanks for taking time to provide insights into Wes' playing.
...a sincere appreciation...your guiding light in my tunnel - have long looked/listened at the art form of Wes and especially Bumpin on Sunset (a chord some 2 minutes and 9 seconds in) and interpretations in Eleanore Rigby and embrace them while soaking...have often felt his phrasing and repeated chords remind me of songs/sonnets in shakespeare... thank you
Two years late to the game here and everyone has already said everything that I would like to say... especially the last comment about the generosity of knowledge. But the one thing that I do know is that videos like this are making me really want a TV Yellow LPSDC really bad... ;) Anyway, thanks for all that you do, Rick!
Thanks Chris and welcome!
Rick I Love that you are trying to teach music from the standpoint of knowing the instrument 1st. I wish you more success than the music busyness. It's a shame what has become of it.
Great! Thanks. Wes is my all time hero.
That Jr sounds so sweet . Makes me want one. Thanks for the lesson.
Best video i've seen about Wes' solo concepts. Love the breakdown sir. Educational indeed! Beginners like me can understand. Thank God i've found this video.
Thank you for this. I noticed just using these groups of inversions over regular 2-5-1 opens up a lot of doors for me. But playing around with that flat 5 or tritone sub makes me chuckle every time. A channel for musicians.
Thanks a lot to share your experience and your precious knowledge Rick
❤️ I am a verified respectful shorter term subscriber and I JUST saw this, your video about Mister Montgomery when I was digging deep going from Ritenour to Wes..you are my good music place Mister Beato...Thankyou so much for this great video content you create. PS I just asked my keyboard player and he said Wes used the thumb because his wife thought he was too loud and that Wes didnt read music..hmmm
Thank you thank you thank you!! I've been trying to figure out this system for chord voicings forever. I just stumbled upon this video by chance and I'm so grateful you made it! I'll be practicing this a lot now!
In college we'd sit around, listening to Wes....transcribing his solos, I remember a more advanced player writing out "I've grown accustomed to her face"...the ONLY thing you failed to mention about Wes....(and I know how subjective this is) is how "familiar" what he plays sounds....as if you've been hearing it in your head since childhood...Thanks SO MUCH for these videos, Rick....I've subscribed, I've told others, I've left comments....I hope I've done everything to express my gratitude, dude
What a terrific breakdown. Thanks!
I discovered Wes when I bought Boss Guitar back in the 90's...the man is/was a genius. Just saying.
Watching your videos is not only about getting to know the topic in the title, but also (and for me especially) about getting to know your view on the musicians you address in the video, how they used it, how it relates to other topics and several other aspects that relate to music in a "cross sectional" approach. I think you should write a book about how you see music, music theory, how the main jazz composers and performers used it and stuff. Definitely, I'd buy it. Anyway, thanks for the videos. Judging by the hour you post them, it's very likely that you work on them during the night (unless you live in Japan!). That's not easy.
I will think about the book :) I do work on my videos late at night becasue that's the only time I have time. Haha!
That's what I thought. And I mean it about the book. Like... why would Wes or Metheny use this or that chord? What relates to this? Who did they get this influence from? Where did they study (if they did) and what is the curriculum people teach there? Their life stories, etc... . For instance, Metheny uses those augmented triads in his soloing a lot, but I'm sure he's not the first to do it. Maybe it's a silly idea, but I'm also a researcher (not in music!) and this kind of question always intrigues me: the source of ideas. There's nothing new in this world, but some people manage to be outstanding using old tools and your view of how they do it seems to be interesting. I hope you do think about it and, if you go through with it, good luck!
Rick Beato any recommendations on a book that could show all these chords and inversions? or should I spell 'em out myself?! p.s. it can be the beato book as a suggestion!
This was absolutely GREAT! Thank you for sharing this.- I'm a Huge Wes Montgomery fan, and this helped to understand is style a lot.
great video & info. wes was such a great artist. you've turned me on to a great album that i'll have to get my hands on. thanx.
Your stuff is fantastic Rick. Home run everytime
Jamey Aebersold, Ted Greene( Chord Chemistry) , Mickey Baker ( Jazz Guitar ...vol 1 and 2), Howard Roberts and Rick Beato ! An undisputed line of light bearers! I am grateful and loyal ..........with Love from Nigeria!
Sorry I'm a year late replying, but I agree completely! Rick is phenomenal.
If you dig Chord Chemistry, check out the V-System on the Ted Greene website. It was an effort he made to systematize/organize his chord vocabulary. It makes it Chord Chemistry even more useful.
@@philp521 Thanks for the Ted Green tip. I'm a tad tardy too!
I really enjoy listening to you whole I'm working on just about anything. I always learn something! Thanks! And I'm goint to order your book for my son!!!
This has been very helpful. I'm learning West Coast Blues and D-Natural Blues
Fantastic analysis Rick, thanks! Hope to see more on Wes in the future.
Cheers,
MB
Amazing lesson! Great insights into the technique of a genius guitarist.
I most hardly agree with Irish Muso! Rick is just an amazing well of information. I'm so glad I found him. Rick, where were you when I was a 12yrs old and lifting that needle off the record for the millionth time. I'm just teasing. I'm sure you were there with me. None the less, Thanks Again for all you do.
One of the best lessons! A great example of how to use simple concepts to infinite possibilites...I will be ear marking this to go back to ..although I do believe this would be too difficult for beginners
Thank you. Just great. Will keep me busy for weeks.
Rick, thanks for sharing your knowledge. I've only recently comemxto appreciate jazz guitar. Can't wait to apply this knowledge.
the best way to discover or learn, IMO, the closely voiced four adjacent string seventh chords (drop 2), and others, is to start with a fully diminished 7th chord (who's inversions share the same fingerings a minor third apart). all other seventh chords are easily derived from it by mostly moving one string up or down one fret, occasionally two.
Rick Beato, I appreciate your good work..!
I feel like that this is his best album not just because of him but also because of the saxophist with his amazing solos also. Also, the song set have so much flavor!
beautiful straight to the point lesson Rick!
You sir, are a gentleman and scholar.