Act I 1:01 p3 Overture 7:11 p10 Scene I 7:52 p11 Chorus “Gods chosen people shall not pay” 11:04 p17 Chorus “Haste to the shore, the storm is nigh” 12:58 p26 Scene II 16:32 p32 Scene III 21:45 p43 Scene IV 24:33 p51 Scene V 25:09 p52 Mark “I will do for the love I bore him” 27:17 p55 Avis “Fleeting is a maiden’s favour” 31:47 p61 Scene VI 31:59 p61 Avis: “Ha! Ha! Ha! The rat's in sight!” 33:01 p65 Scene VII 33:49 p65 Thirza “I will do for the love I bore him” 35:11 p68 Thirza “Love, O thou shaft of gold” 37:03 p71 Scene VIII 39:31 p75 Scene IX 43:37 p82 Chorus “Oh Lord, our God, avenge thy name” 44:59 p85 Pascoe: “Mid wild rocks dwelling” 47:46 p89 Scene X 53:05 p101 Scene XI Act II 58:14 p128 Prelude “On the cliffs of Cornwall” (bars 1-6 missing, starts at RM1) 1:05:48 p137 Scene I 1:09:26 p147 Scene II 1:12:39 p151 Mark:”The Ballad of the bones” 1:18:46 p158 Scene III 1:37:12 p191 Scene IV Act III 1:38:08 1:39:03 p193 Scene I 1:51:10 p234 Scene II Page numbers refer to vocal score: imslp.org/wiki/Special:ReverseLookup/162125
Are you the person who has contributed so many transcriptions to the Open score Lieder project? Thank you so much for your work. I am taking a deep dive into the works of female composers and I keep running into your name.
Cast Mark, a young fisherman: tenor Neal Cooper Lawrence, the lighthouse keeper: baritone Michael Mayes Avis his daughter: soprano Sky Ingram Pascoe, The local preacher : baritone Louis Otey Thirza, his wife: mezzo soprano Katharine Goeldner Tallan: tenor Dennis Petersen Jack: mezzo soprano Kendra Broom Harvey: baritone Peter Van Derick One Man: Daniel Hoy Children: Cecelia Coleman, Emily Roca, Gavin Roca
@@meowmezzo This isn't my post. I, like you, appreciate knowing who the performers are. I can't look up the conductor right now, but I haven't seen a Bard performance that Leon Botstein didn't conduct.
It says a great deal for this opera and for Smyth that Gustav Mahler considered premiering it at the Imperial theatre in Vienna. Unfortunately, it is a very mixed bag. It is more Germanic than English: in fact, the finale has distinct overtones of the closing scene of Wagner's Götterdämmerung Act II. In addition, Smith's setting of the English language is natural and easy to listen to, unlike so many English composers, e.g. Holst's The Mystical Trumpeter or most of Benjamin Britten's vocal music, to name but two composers. Smyth's biggest weaknesses are her lack of melodic and harmonic variety. I was, however, most interested to see and listen to an often talked about, rarely performed opera.
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Act I
1:01 p3 Overture
7:11 p10 Scene I
7:52 p11 Chorus “Gods chosen people shall not pay”
11:04 p17 Chorus “Haste to the shore, the storm is nigh”
12:58 p26 Scene II
16:32 p32 Scene III
21:45 p43 Scene IV
24:33 p51 Scene V
25:09 p52 Mark “I will do for the love I bore him”
27:17 p55 Avis “Fleeting is a maiden’s favour”
31:47 p61 Scene VI
31:59 p61 Avis: “Ha! Ha! Ha! The rat's in sight!”
33:01 p65 Scene VII
33:49 p65 Thirza “I will do for the love I bore him”
35:11 p68 Thirza “Love, O thou shaft of gold”
37:03 p71 Scene VIII
39:31 p75 Scene IX
43:37 p82 Chorus “Oh Lord, our God, avenge thy name”
44:59 p85 Pascoe: “Mid wild rocks dwelling”
47:46 p89 Scene X
53:05 p101 Scene XI
Act II
58:14 p128 Prelude “On the cliffs of Cornwall” (bars 1-6 missing, starts at RM1)
1:05:48 p137 Scene I
1:09:26 p147 Scene II
1:12:39 p151 Mark:”The Ballad of the bones”
1:18:46 p158 Scene III
1:37:12 p191 Scene IV
Act III
1:38:08
1:39:03 p193 Scene I
1:51:10 p234 Scene II
Page numbers refer to vocal score: imslp.org/wiki/Special:ReverseLookup/162125
Wow thank you so very much!!!
Are you the person who has contributed so many transcriptions to the Open score Lieder project? Thank you so much for your work. I am taking a deep dive into the works of female composers and I keep running into your name.
This is the best rendition of the overture on TH-cam.
Cast
Mark, a young fisherman: tenor Neal Cooper
Lawrence, the lighthouse keeper: baritone Michael Mayes
Avis his daughter: soprano Sky Ingram
Pascoe, The local preacher : baritone Louis Otey
Thirza, his wife: mezzo soprano Katharine Goeldner
Tallan: tenor Dennis Petersen
Jack: mezzo soprano Kendra Broom
Harvey: baritone Peter Van Derick
One Man: Daniel Hoy
Children: Cecelia Coleman, Emily Roca, Gavin Roca
thank you for crediting the performers
Thank you for this! Who is conducting?
@@meowmezzo This isn't my post. I, like you, appreciate knowing who the performers are. I can't look up the conductor right now, but I haven't seen a Bard performance that Leon Botstein didn't conduct.
It says a great deal for this opera and for Smyth that Gustav Mahler considered premiering it at the Imperial theatre in Vienna. Unfortunately, it is a very mixed bag. It is more Germanic than English: in fact, the finale has distinct overtones of the closing scene of Wagner's Götterdämmerung Act II. In addition, Smith's setting of the English language is natural and easy to listen to, unlike so many English composers, e.g. Holst's The Mystical Trumpeter or most of Benjamin Britten's vocal music, to name but two composers. Smyth's biggest weaknesses are her lack of melodic and harmonic variety. I was, however, most interested to see and listen to an often talked about, rarely performed opera.
55:50
Wonderful work and not German in any way
Unfortunately due to the low dynamic level of the video and the very frequent and loud adverts (every 5 minutes) this is basically unlistenable.
There are still people who don't know that they can download (for free) an Adblock for that purpose ?