The movements from the outside gate are perfect. When moving to the inside gate omit going from under the arm. And use a jut sau or gan sau over the arm to enter the inside gate. Reason I say this is for two reasons if your painting the yin yang diagram with your hands your lower jut sau or gan da is going to paint the opposite side of your vin yang diagram and your rear hand will become the new jut or gan sau on the opposite side. That's point 1. The other reason is when you open the opponent up from the reverse under the arm your fan sau of the opposite side is one less tempo so you essentially give the opponent a advantage. That's number 2. The reason this is important is because the movement over the top is an advantage while the movement under the bottom is a disadvantage. Also there is a reason we learn the under the arm in complex trapping. When you pak da under the arm to the near side of the face the correct counter is a pak from the opposite side which you would bill sau from your far side and make the same pattern. But when you scoop the arm with your outside pak you have made the far side diagram and your next movement would be back to the inside of the same arm. Leaving the opponent a free arm to complete the outside diagram. Just thought I'd throw that out there because the flexible range is a chess game of following the diagram to decrease the advantage of your opponent. When you start from the outside gate with lap da, pak da, switch sides bill sau, lap da, pak da. You complete the diagram. When you replace bil sau with jut sau you transfer sides with lap sau and your tiger hand. Then you have hidden blow and riding blow below and above the arm. You can also use the jut sau forearm to push into your opponent colasps his structure at the elbow and drive him around. And you can gan sau and press or punch to the middle gate or parry the arm down and jut sau to the middle gate and drive the opponent around there also. You can also use your forward da or tiger hand on the side of the face or neck at the upper gate to drive the opponent around also. And you can pull your opponent around with gan and strike push at the lower gate. All within the same system of movements. This is the grinding techniques of flexible range. These same 6 gates have a sequence for point strikes following the yin yang patter and without following the structures to complete the diagram and learning the grinding techniques people get way off the mark. Anyway looks like fun and this guy is amazing all the time. Just thought I'd throw in some theory to make people think.
kungfu is a great movie, but it's not real. I recommend shifu, directed by Xu haofeng. Xu haofeng's movies always show us how vital and practical the kungfu is.
Oh, please... what do you do if someone is actually attacking you, not cooperating? Why does anyone believe this stuff could actually work? Only because they want to believe it ...
my body is close to its body in consistency. Slowly begins to sag. I can also talk a lot and wave my hands, beating gullible newcomers. A sad sight. It would be better if he did not wave his legs, everything just got worse. looks like a mockery. to each age their own affairs.
其實我認識趙師傅很多年, 他以前的武館是在我家附近, 以前我經常幫襯他的武館睇鐵打. 單憑看這 video, 已眼見趙師父出拳的速度很快. 而且招式千變萬化. 或者大家都無留意到一樣事情, 就是趙師一路做示範, 一路講解, 但氣不喘, 面不紅, 這已經是很深的功力. 犀利, 寶刀未老!! 希望趙師父身體健康!!!
,
趙師父年近八十 身體還依舊如此硬朗健康 深感佩服
非常经典，解释的也很透彻。不愧是洪拳正宗
趙師父所說的「好簡單、好簡單」，其實是「好複雜、好複雜」，根本要專業教練指導，再加多年訓練才成功的。
趙師父 provides excellent demonstrations and explanations. A respectful Sie Fu indeed.
@@kwlm9623 p
趙師父雖說「好簡單、好簡單」, 但他反應非常快和準, 秒間已擊中對方; 功力非常小可. 他亦很詳細解釋每一動作. 我相信他有極高度的修養, 極受人尊敬.
趙師傅真是一位好師傅，有料、識教、識講，教任何人任何東西最重要給人一種感覺簡單容易。不能說困難任何事情只需要經過練習是很簡單的
感受到赵志凌师傅非常注重武德
Yes, he is.
i like this Master the way he describe so entertaining and easy to understand.
簡單二字最不簡單
把動作吃透了
隨便任一動作都能萬用
所以簡單
但要簡單 前面下的功夫不簡單
The movements from the outside gate are perfect. When moving to the inside gate omit going from under the arm. And use a jut sau or gan sau over the arm to enter the inside gate. Reason I say this is for two reasons if your painting the yin yang diagram with your hands your lower jut sau or gan da is going to paint the opposite side of your vin yang diagram and your rear hand will become the new jut or gan sau on the opposite side. That's point 1. The other reason is when you open the opponent up from the reverse under the arm your fan sau of the opposite side is one less tempo so you essentially give the opponent a advantage. That's number 2. The reason this is important is because the movement over the top is an advantage while the movement under the bottom is a disadvantage. Also there is a reason we learn the under the arm in complex trapping. When you pak da under the arm to the near side of the face the correct counter is a pak from the opposite side which you would bill sau from your far side and make the same pattern. But when you scoop the arm with your outside pak you have made the far side diagram and your next movement would be back to the inside of the same arm. Leaving the opponent a free arm to complete the outside diagram. Just thought I'd throw that out there because the flexible range is a chess game of following the diagram to decrease the advantage of your opponent. When you start from the outside gate with lap da, pak da, switch sides bill sau, lap da, pak da. You complete the diagram. When you replace bil sau with jut sau you transfer sides with lap sau and your tiger hand. Then you have hidden blow and riding blow below and above the arm. You can also use the jut sau forearm to push into your opponent colasps his structure at the elbow and drive him around. And you can gan sau and press or punch to the middle gate or parry the arm down and jut sau to the middle gate and drive the opponent around there also. You can also use your forward da or tiger hand on the side of the face or neck at the upper gate to drive the opponent around also. And you can pull your opponent around with gan and strike push at the lower gate. All within the same system of movements. This is the grinding techniques of flexible range. These same 6 gates have a sequence for point strikes following the yin yang patter and without following the structures to complete the diagram and learning the grinding techniques people get way off the mark. Anyway looks like fun and this guy is amazing all the time. Just thought I'd throw in some theory to make people think.
Hongkong citizen.... Pls treasure this Master....
Greeting frm Malaysia
深奥与灵用！赞！
赵师傅的速度好快啊！功夫五花八门，快才是王道！
Jamie Wong mike Tyson 都好快，但是被人打就唔掂，中國功夫就是只會打人，被人打就一招就收皮！
I like sifu Chiu. He is a very humble person with real kungfu. He is one of my most respectful masters.
@@crazyhorse3344 無坑擊打能力的
@@kamsengieong1999 大佬...洪家出名硬氣功 多瞭解下先講啦
好犀利👍
實用 ！
Kamtong Wong 演武
好 師 傅
very good very practical, the master tells the common sense and practical.
趙師傅勁就不在話下
為人幽默又慷慨分享才是難得
Pretty nice!
His move is so fast...amazing!
thanks for posting
Master said "very simple very simple" actually it is not that simple need time to practice.
3:00 成日啲人笑低樁馬 ，其實可以好實用。
要练的好熟练同麥要有适当的体能训练再加上实战才能把招式从实战中使出来
趙師傅 👍👍
有道理，有条理，不變应萬變。
Li CHuNGMA
趙sir好搞笑
我的第一個武術師父，是七星螳螂李錦榮師父，74年7月在香港明愛中心跟他學了一個月，學了功力拳，勾留採手，及聽他說師祖王朗，升霄道人的故事，一個月後改學空手道，氣死他。不是他教得不好，而是我貪多。我主要師父卲漢生，開始學洪家，師父是黃飛鴻徒弟賣魚燦，之後才進上海精武体育會练習。他每年都在港大中國武街欣賞會表演虎鶴双形，由七十五歲表演至九十歲，表演時怪叫，有點像李小龍的叫聲，但沒有教我們，只在一套叫 擷華拳，集合了螳螂，洪家，蔡李佛，譚腿中，見識了洪家的虎，鶴，蛇，馬四式，跟精武体育會有個好處，各門各派都認識小小，要學得好，當然要跟那派的師父深造。金鐘罩铁布衫，絕非死捱，其實是軟功，在外力加身時放鬆那部份身體，被力打後，接觸的時間变長，跟據牛頓力學第二定律 F＝ma，原理，減速度a=v/t 變小，所受的力 F 就小，減少了的力使身體受力處变形減小，就不受傷了! 此是太極的卸力原理，有太極歌曲云:為何樑木折腰，柳絮卻可輕卸掉!
傳統武術都是技能....很少被動
現代技擊能平A就平A
當雙方力速相等的時候，技能會贏
但力速相差太大時，平A會贏
不只是傳統武術，綜合格鬥跟拳擊也是，當體格相差太大，又限制踢擊肘擊抱摔，綜合格鬥的技能打不出來，拳擊平A，打趴綜合格鬥，反之傳武跟綜合格鬥也是如此，百花齊放，就是拳腳比不過才有兵器，傳武這麼多兵器就能說明很多事情了，拳腳是用來鍛鍊跟沒武器的時候用的，真的要打，開始武器好用.....
我只看出一種攻擊他卻有很多招方式制服
Видна практика Вин Чунь Юй Чоя🙏
好功夫
趙師傅您好
徒弟兄辛苦了
mr sifu are you the actor from kung fu hustle
Gilberto Cortes yes he is! You have good eyes lol
thanks chun pong.i like Chinese movies
kungfu is a great movie, but it's not real. I recommend shifu, directed by Xu haofeng. Xu haofeng's movies always show us how vital and practical the kungfu is.
这位徒弟好可伶，全场心想死甘。这位师傅把口话识就住，其实刮左徒弟好多巴。
Lightly only.
師傅說:嗱！我未曾同男人約會過，你要對我溫柔點啊！
师傅好搞笑
想看鐵線拳
我想睇師傅帶幾個鐵手環打嗻。
趙師傅教拳 原來好生動搞笑 好大力打穿牆又點XD
个徒弟好佩合, 交足戏！
真正的功夫是在街头实战出来，真功夫是不会教人来做生意，也不会公开说自己会功夫，也不会跟朋友说自己会功夫
@@888dantyyank8 真正的強者從不高調, 我有朋友懂詠春, 幾本很少見他講功夫, 但是他的手很硬, 你打不進去
👍👍👍
real tailor, grandmaster of 洪拳
真功夫👍👍👍
我只記得蛇行雕手 批磚頭 手痛的那幕XD..別打我..
对到MMA真的没得打。学来防身OK啦！讲真。目前MMA是最强格斗。
必定的，防下身，健下體都得
防手也是攻手！
连消带打。
趙志凌好風趣
HUNG KUEN
GOOD MAN
以前教拳全都以实战为主，不是要套路好看
Does all the mentioned theory applicable and practical enough in the full contact / combat sparring????
for it to be practical, u'll have to have countless sparring experience
Better for self defence against an attacker. Not for fighting a trained fighter.
别说，实战
translate please :(
27:01 好似蛇形刁手， 李師父（石天）叫簡福（成龍）做人肉沙包。
“咁咪中左攞，咪中左攞...’ 😅😅
赵师傅个身形家下同阿诺州长差不多啰，赵师傅后生时个身形都同阿诺差不多噶，5信你地可以去googleimage一下。
叹岁月是一把杀猪刀。
不过赵师傅系咁讲系咁做都面不红气不喘，证明strength可能老咗差d，但stamina一d都5差。
這是功夫裡面的洪家鐵線拳?!
沒錯，他已經七十幾歲了
All just theory's..
But in the field or the ground..
Totally different
Well said. There are many factors needed to be considered in a second before responding
old gung fu .. without a sword or some weapon . seems its mostly street type . i dont know .. my guess and is good and just learn some new things.
小冬， 正在敢来的路上
趙志凌，是趙教细仔，趙威弟弟。
得個講
对练的时候要找出一个会拳击的徒弟来练习
Oh, please... what do you do if someone is actually attacking you, not cooperating? Why does anyone believe this stuff could actually work? Only because they want to believe it ...
Kung fu is truly effective when your opponent are unskilled or unsuspecting of your ability. It's not really a kumite art. It's a self defense.
識收先係高手
TheAaronlon 方師心諗：妳又甘重手？！
Chiu chi ling
Chiu famille in Algéria
蛇拳の時のレンガ割り
中国武术的通病是，不高效，现代搏击高效，武术是以前人们很朴实的护身技巧
每埸六合彩的纪陸
下下拍拍聲😂
臂展好長
有請徐曉東出場
Yaho KA SPe 徐春袋出场
武功再高，都怕菜刀🤭🤭
赵德纲
同徐曉東比試砌磋吓，就知啲功夫實唔實用！
Cheung 0602 Cheung 好心你地成熟滴啦，徐生滴野，全部商业炒作，有意思？
@@brucetang5062 唔敢面对現實，咪繼續閂埋門，做功夫大師囉！ 滿清入主中原，閉關鎖國，自高自大，固步自封，鸦片戰爭，英夷船堅炮利，開啟中華百年恥辱！切記以史為鑑！
趙師傅好心你著返件衣服啦，你以為你重後生咩，成身肥肉唔係咁好睇喎！
应该和徐晓东比一下就知道谁厉害了，
下次，唔該着返件衫先，
🐆👊👍
那位方先生的拳頭是飛起的，趙志凌教的嗎？
Kin Gor 那是趙師傅香港的武館的主持人……！
問題系唔夠人快 咁點算 咩拳法都冇用
Szeto Ben 大佬，佢而家年過半百keep到咁樣，就證明後生仲勁啦
Szeto Ben 你而家見到佢唔快，唔代表佢從來唔快
学中国功夫好过学无用的🈳手道吧？
花拳绣腿只不过是表演用的，当健身是可以的，传统武术没有实战性，任何武术没有在擂台实战训练出来都是假的，因此任何东西都要与时俱进才是值得认可！
Earlier
打起身咪又系揽埋一旧😂吹水……
攬埋只有兩個可能
1.功夫未到家
2.好似搏擊比賽咁諸多規限 唔可以一招打致命位置制敵
Mma咁衝埋黎 有真係練過嘅人馬步一轉就爆頭啦
恥笑洪拳之前諗一諗 洪拳以前上戰場軍拳黎 係攞黎殺人
请不要在TH-cam上献丑了，有那么厉害去和徐晓冬挑战一下。
mao luiz 他現在70多歲還這麼硬朗，就證明他後生勁
这孩子真没教养。
吹牛可以，出來打打看
好大過肚腩，著返件衫先啦！
龍仔 你色条毛咩，你翻屋企啦！
他最愛唔衫，又唔係有肌肉，肉酸當有形，又打得，得把口，
傳統武術这样的師傅講解，對方是機器人嗎？只會傻傻的一隻手出擊？那些招數對付普通百姓也許好用。對付街頭混混可能失效！對付專業博擊也許要吃大亏的哦
這就是事實
中國功夫真這麼厲害？表演時打得是很好看，可是真正上了搏擊台對打時似乎常是被打趴的一方，只能說是中看不中用😂還是覺得泰拳厲害多了，不過至少還是有健康強身的功能
真正的功夫需要许多街头实战，比如说有钱的人会不会到处说自己很有钱，只要没钱的人才会到处装逼，说自己牛逼，明白不，想看真正会功夫实战的人你一辈子都看不到，我的师傅实战经验牛逼，我学过一段时间，学不来太累了，比军训还累，我表哥当完兵出来学功夫也受不了，学武术需要练爆发力 体能训练，真正厉害的师傅他不会教任何人，交了身边几个人，就连儿子都不教，
鸠噏36
Hahahaha
误人子弟
洪金寶是入門弟子 人家現在八十歲了 你有人家的速度體能嗎？
funny
打得過MMA?
純粹打人一定要學泰拳🥊
洪拳以前係打仗用 用黎殺敵
不過用體育競技形式咁同mma打就難講
時常見留言說甚麼門派打得，甚麼門派唔實用，真的笑死，一膽二力三功夫，無气無力，學乜都死啦，話明功夫，功字就是由工作(反複操練如毎天工作)及氣力結合而成。試試看可否徒手制服一隻牛?牛不懂功夫呀！但力大，所以佔優，同樣道理，二人體形相約時，有下苦工操練者一定佔優就是了，不關學甚麼門派事。
d人無知慧，睇到笑下就算……
这就是纸上谈兵的中国功夫 不能实戦的😩
講咁耐托咩！埋牙打喇趙師傅。。。
my body is close to its body in consistency. Slowly begins to sag. I can also talk a lot and wave my hands, beating gullible newcomers. A sad sight. It would be better if he did not wave his legs, everything just got worse. looks like a mockery. to each age their own affairs.
推销员一名
master zhoa even u have belly i can see u abs muscle
lung fu histle