András Schiff - Sonata No.7 in D, Op.10/3 - Beethoven Lecture-Recitals
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- เผยแพร่เมื่อ 10 พ.ค. 2020
- András Schiff - Beethoven Lecture-Recitals
Wigmore Hall (London, UK), 2004-06
András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004-06 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’.
On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available below as eight audio lecture-recitals.
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• Beethoven Lecture-Reci...
View the MP3 files on the Internet Archive:
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"Let's give this sonata a nickname."
Andras Schiff bringt uns das Wunder, das Geheimnis dieser Sonate nahe, großartig!
1st
1:23 / 3:18 / 3:44
05:06 / 05:14 / 6:48 /11:16
2nd
12:47 / 13:47 / 16:56 / 18:15 / 21:17
3rd
23:35 / 25:19 / 25:56
4th
26:40 / 27:02 / 27:37 / 28:03
29:29 / 31:30 / 31:53
Every encounter with András Schiff's art of communication brings deeper enjoyment. Authority, clarity and elegance.
Well stated
LECTURE NOTES:
The only one of the Op. 10 sonatas that has four movements.
-----------1st movt: sonata---------------
1.a la breve: counting 2 in a bar
2. @3:18 starts with an upbeat. A variation of the Mannheim rocket.
3. MONOTHEMATIC thinking: almost everything can be derived from the first 4 notes.
E.G. @5:02, @6:30, @6:46, @7:17(upper voices playing inversion)
4.@9:40 Scarlatti invented this hand-crossing.
5. Beethoven always reserves the sub-dominant for something special, such as this coda @10:58.
Like a string quartet repeating the same 4 notes.
--------------2nd movt: ternary-----------------
6. largo e mesto: broad (slow) and sad
7. @15:55 Liszt's temp rubato tree
8. exposition-death, development=resurrection.
9. @18:43 Shubert's nod to this in hid B flat major sonata.
10. @21:16 coda
--------------3rd movt: minuet & trio-----------------
11. @23:36 does anyone else hear the sunny part of the 1st movement of the Mozart D minor piano concerto?
--------------4th movt: rondo--------------
12. @29:12 when Beethoven writes in unison, it's rhetorical.
13. @31:12 Beethoven's F-sharp major sonata does have a nickname though, "A Thérèse"~😉
POSSIBLY MY FAVOURITE
Thank you!!
I dont think it is dark at all. But it does dig at the deepest levels. Line 36 second bar is at the transition
Of thought itself. Language and thought together. Stepping down into the platform of memory.
Really...thanks to you..Mr. Schiff!🎼🎹💝
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To my understanding, playing that grace note in the first movement as two quavers was usual in Beethoven's time, it was just a way of writing an apoggiatura. I'm not sure about the sources, thought, but I've heard of it several times.
You are absolutely right. Look no further than the last movement of WAM A-Major sonata -Rondo alla Turca.
Nobody plays it like what Sir Andras Schiff suggests here. I have highest respect and love for Sir Andras Schiff's art but he's not always right. Here he is WRONG.
The largo e mesto is a breakup song to me - i hear a wicked fight between two lovers. Seriously. (Sorry Andras, Ludwig.)
th-cam.com/video/lfAw693rYRQ/w-d-xo.html
I'd like to learn Mr Schiff explanation of playing appoggiatura here in Mozart as everybody does but pontificating nonsense in IDENTICAL notation of Beethoven's op 10 no 3 at 5.48 min.
Andras Schiff is WRONG at 5. 48 comments. I'd ask him how he would play Mozart's final movement of K 331 in a.k.a Turkish Rondo. Same notation, NOBODY plays it like Mr. Schiiff pontificates. That's NONSENSE. We all know that in Beethoven times that was the appoggiatura notation and nobody except Mr . Schiff plays the abomination he indicates.