I guess, since you make this statement, you are willing to eloborate? What is the sophistication required for Debussy that's missing here? Obviously two guitars are not the same as a concert grand piano.... My personal little thing with arrangements like this is the always apparent slight out of tune-ness of more than one guitar, which I think is the case here quite a bit. But anyway, please educate me? Greetings from a Dutch guitarist.
Debussy gave his own interpretation of his works with markings on the manuscript paper. They are usually thought of as guidelines which leaves the musician free to add their own interpretation of the work. This is true for all musical performances. We often compare one orchestra’s interpretation of Beethoven, or Mozart, etc with another orchestra based solely on the conductor’s vision and the way the orchestra plays it. Making no two performances the same.
The minuet is simply divine.
I love the expression in their faces! wonderful play
I love more the expression of his guitars: such beautiful soul!
Maravilloso!!!
Bravoo
👏👏👏🎶🎶🎶...
This lacks the sophistication of interpretation required for Debussy.
What does it even mean?
Huh??
I guess, since you make this statement, you are willing to eloborate? What is the sophistication required for Debussy that's missing here? Obviously two guitars are not the same as a concert grand piano.... My personal little thing with arrangements like this is the always apparent slight out of tune-ness of more than one guitar, which I think is the case here quite a bit. But anyway, please educate me? Greetings from a Dutch guitarist.
It's the piano that is slightly out of tune, being well-tempered and not justly tuned.@@josdurkstraful
Debussy gave his own interpretation of his works with markings on the manuscript paper. They are usually thought of as guidelines which leaves the musician free to add their own interpretation of the work. This is true for all musical performances. We often compare one orchestra’s interpretation of Beethoven, or Mozart, etc with another orchestra based solely on the conductor’s vision and the way the orchestra plays it. Making no two performances the same.