The Secret Tony Rice Chords
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- เผยแพร่เมื่อ 8 ก.พ. 2025
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This is just A+ content. You are all awesome for making music education as fun and as interesting as you do. Please keep the content coming.
Touché!
Love it. Gunna give me some things to work on. I’m glad to have this explanation in a way that my half educated blues-grass, folky brain can understand. I don’t read for my instrument, but my dad was a bebop sax player with a love of newgrass. Makes sense now. And instinctively I knew about these Voicings. Good lesson. Thanks folks
This nerd out was amazing. I’m so here for this type of content. Great work guys!
Yes, you should talk to Carlini!
Love this, been learning a lot of these voicings at school.
I've had a video call with carlini... amazing privilege
And Caroline Wright who wrote the tony rice book
And John Pennell who was a founding member of union Station and told me and my partner all about discovering alison Kraus. Pennell and I talked the longest he loves music theory and the Beatles plus I'm British so I guess he saw it as a relevant talking point. John P and I caught eachothers attention online talking about just intonation.
I also reached out to Pam rice and Diane and Wyatt all beautiful people.
I just was delighted to be given the opportunity to thank them for the opportunity if that makes sense.
Tony had no limitations chordally any chord you can play he done been there Great job guys,Thanks
Amazing lesson. Well done Marcel!
This is such a great idea, well done!
Thanks so much for making this video! Blessings Amigo.
Thanks, guys! Merry Christmas! :)
best theory lesson I've ever had! love the analogies...pretty woman, etc. nice work!
Love these chords - also just fun listening to you guys chuckle with each other
This was great! I love chord theory and have often wondered about Tony's spacegrass voicings, as they often don't map onto the more conventional jazz voicings I am used to hearing (like you pointed out). Thanks!
Gents, all this makes so much sense, even to a cranky old marginal mandolin player. So, I’m off to find a rocking chair to see if I can’t lose these thin dime, hard time, hell on Church Street blues.
great stuff!! keep it up fellas 💪🏼🫡
Thank you so much for this! That is a gorgeous guitar too man!
Omg, new marcel vid!!!
Very good.. I’m trying to stay afloat.. Keep it up
Thank you again
So good. Thank you!
Great vid by my two fave guitar nerds.
You need to interview Thomas Trapp. Absolute monster of the Rice Progs
Great vid. Complex. Do you think Wyatt Rice might know some of this? He plays some pretty interesting stuff! Keep at it!
The answer to the question of whether wuatt knows this stuff is an emphatic yes.
He really does know this stuff. People always report the same kinds of things about what it's like to play with him...ya know, when Wyatt shows up to a jam or recording session he has this beat up old tortoise shell pick which looks totally battered and he says "it's just starting to get good" then knocks out a rhythm section on par with Tony's. He is sensitive, solid, creative and knowledgeable and most importantly humble and likeable. And he kinda talks a bit like tony with a gravelly baritone and the same sort of accent. He is a rice brother through and through. ❤
@lukedaymusic4585 Wyatt teaches at Nashville Flatpicking Camp regularly and he is an excellent teacher. He teaches what you want to know. The problem is I know so little it is hard to ask. He is excellent!
Lol yeah he knows. That'd be my Dad.
No joke, you all must get John Carlini on a podcast!
That would be killer. I’d love to see Carlini tell the story of how Big Mang came together.
This is great. If you want to get more down this road look at Ted Green Modern Chord Progressions. NOT Chord Chemistry.
This is a neat vid. I come from a jazz background so some of these chords are familiar to me. Mickey Baker's Jazz guitar book is excellent if you want to learn jazz voicings and have the time to work through it. He's not strictly bluegrass but I've found this approach to using jazz chords a lot listening to Danny Gatton as well.
time for a Tonywave revolution
Noice. I would love to hear that.
Tony calls your G11 chord voicing Fadd9/G
Unfortunately we have so many Names and Symbols for (same) chords which could drive us crazy :D
@matthiaspfeifer780The intended chord function was not dominant (G11).
@@ejtonefan I see. But in various tunes it is unclear how the composer "hear" a progression (eg. he's thinking in X while some other would tend to hear it related to Y). But maybe you are right - I dont know how Tony thought about this piece :)
@matthiaspfeifer780 It is on one of his instructional videos and he calls the chord an Fadd9/G.
@@ejtonefan Dig it - thx for clarification
This is such great content! So awesome to see more of SpaceGrass being talked about and broken down. Loved the voicing options, they were very much a part of T’s sound. @hayesgriffin, thanks for mentioning John! He’s a mentor and good friend of mine and will enjoy seeing this. Keep this content coming!
8:31- “Where the Quadadd’s Sing”. Great book
This is awesome
Thank you so much for making this video, I was just trying to puzzle through what the little chord comping moves where at the end of "Bitter Green" or between the first few verses of "I'm not sayin' " I had such little luck I started ear training and playing piano to learn all those cool chord comping moves. But I would love if you did a video on either of those
Lesson on how you might solo over these secret chords coming soon?!
We should definitely do that! If you want a little insight into how Tony did it, look up my lesson on Swing 51. It's like 5 years old but still has some great info!
13:30 Fun fact: the "spacegrass" G11 is also the opening chord on Tony's cover of "Song For A Winter's Night". Even funner fact: it's not a G11 at all, but this time actually an F/G (same fingering). Is chord theory fun for you yet? :D
We should also keep in mind that the er and the music was there before the theory came along :D. Anyway its a very nice video!
@matthiaspfeifer780 for some of it, but i think Tony would have learned jazz theoretically and practically at the same time. I know he could work out the chord names, he says so in one of his homespun tapes
@@oldtimetinfoilhatwearer I would agree. One can hear his knowledge in manzanita, shenandoa and of cource wayfaring stranger. All of them have a jazzy touch regarding the voicings he used. IMHO
Hayes comes in giving strong Jesse Pinkman vibes yo! I love it.
Was really good. Hear top and bottom note, then happy or sad in between! But I still feel stupid when I see you playing a Collings and a Bourgoise 😢. Maybe if I try them on my Santa Cruz? 🤔
Great listening to y'all, I ditto EminentAndrew's comments. I will be watching the video again so I can better understand drop 2 and drop 3..
I did have some schooling in this stuff, decades ago. Now I think of it as clever/useful ways to get the feel/sound you want. Don't much matter to me what it's called. It may matter to an aspiring pro, who wants to speak intelligently with others, so ya, nerd out man!
Didn't Tony sometimes use minor seventh flatted fifth chords briefly when going to the four chord of a tune? Like a Bm7b5 leading to a C7 or C9?
Yes he did and he also used them in his composing such as in the B part of “Waltz for Indira”, and another beautiful waltz he wrote for Bill Evans called “Night Coach”.
This is great stuff but I'm prolly older than both of youse guys and I had to stop by about 11:38 and go lie down in a dark room for a while! In the words of the Arnold - "Ill be back!"
Has anyone seen the Billy Strings Bach piece that came out a couple days ago? Marcel tab for this???
Metal guys & Julian Lage…
Great video, Marcel! I'm always trying to figure out the Tony chords, and I find myself lost about 84.6% of the time.
Quick question: Did you get that Bourgeois from Blueridge Guitar Camp? I remember playing one that looks exactly like it, and it's a nuclear power plant of sound! The guitar looks good on you. Merry Christmas!
P.S. I love the 2023 BGC sign in the backround!
Awsome stuff, and really broken down well even a mandolin player can understand that.Turns out, the chords are not as harmonically advanced as I always thought. The application, tast and tone, that is another story altogether ...
Why cant you guys be my neighbor or something..?no spacegrass nerds round hea
Tony Rice never went to Prague, bro.
I wouldn't mind having a lesson from that other guy.
Are quadrads used in the quadrad (Crawdad) song?