Wah, kya baat hai! The fluidity of raga interpretation is always striking with Mansur ji, as is the fact that he was able to maintain such an extensive repertoire with complete clarity. This is a stunning bandish and the approach to the sam is just mesmerising! In October 2021, I spent 5 days with Rajshekhar ji and made him hear this piece as an excellent example of the way he used to sing with his father-guru (he did not like the term vocal support and preferred to use the phrase that he sang along with his father-guru). There are places in this rendition where he has made an attempt to go beyond Mansur ji's singing, especially because his voice was in exquisite form for this recording - but when I said this to him, he put his hands to his ears and said, "Na Baba, it wasn't possible to go beyond Appa!" 🙂
mansur is the only musician with such a large repertoire of ragas with elaborate renditions. Rest of the famous musicians render 10-20 ragas well and just fleet through the rest.
सारंग समान लागे एरी सखि मैं तो का कहूँ तोसे पिया प्रात होने आये. दई री देवता कासों कहिये , सगरी रेन सौतन संग जागे. of many meanings of saarang, here the heroine uses double meaning ie kaamdev/ cupid or rangeeley/ one with colourful nature. oh my friend, what to tell you, he looks full of colours (various shades he got from his consort during the nightlong union, such as sindur, alakta, kaajal, missi, etc) and reached here in the early morning. oh my (maid) , how can treat him like a god of my heart, who stays all night with my female rival?
@@guruprasadnaigaonkar5819 Can you please give Raag Structure, Aroh, Avaroh, Pakad , etc, What is vadi and samvadi sears of this raag. Because there is no mention of this raag in any of the books
This is something that doesn't have any match anywhere, truly dedicated to music and great performance, I wish I was there when Mansurji presented margi bhairav for the first time.
No adjectives or value words can ever express, explain, describe the experience of listening to this piece, and indeed many other performances of probably the Greatest Khyal Vocalist of recent times.
Unlike in Ahir Bhairav, here Ra and Pa are omitted in aaroha…and also Paa is alpa in avaroha. Sangati of Ma and upper-Saa is unique too. What a classy rendition!
with due credit to pt rajshekhar mansur its mukhdaa n--DPMGMr~ differentiates this raag from ahir bhairav and due to swarochchaar. the way i understood the bandish is सारंग समान लागे एरी सखि मैं तो का कहूँ तोसे पिया प्रात होने आये. दई री देवता कासों कहिये , सगरी रेन सौतन संग जागे. of many meanings of saarang, here the heroine uses double meaning ie kaamdev/ cupid or rangeeley/ one with colourful nature. oh my friend, what to tell you, he looks full of colours (various shades he got from his consort during the nightlong union, such as sindur, alakta, kaajal, missi, etc) and reached here in the early morning. oh my (maid) , how can treat him like a god of my heart, who stays all night with my female rival?
Effortless navigator. For him there is no difference between riyaz or concert. 40 years of rigorous talim shows. He is like the flow of Ganges. It just flows.You go there, take a dip and come out clean.
You all prolly dont give a damn but does anyone know of a tool to get back into an instagram account?? I was stupid lost the password. I appreciate any help you can offer me.
@Frederick Maximiliano I really appreciate your reply. I found the site thru google and im trying it out atm. I see it takes quite some time so I will get back to you later with my results.
सर प्रणाम सर भैरव के कई अन्य प्रकार है जैसे जैसे शिवमत भैरव. मंगल भैरव. मार्गी भैरव. कबीरी भैरव आदि भैरव के इन प्रकारों में इनका आरोह अवरोह पकड़ सर आप बताने का कृपा करें आपके द्वारा यदि हमें कुछ जानकारी मिलती है तो आपकी बहुत कृपा होगी सर जी गे ऐसे राग है जो अब कहीं सुनने को नहीं मिलते और इनका पूर्ण परिचय ना होने के कारण इनके बारे में जानकारी नहीं है पर कई ऐसे गायक थे जिन्होंने इन रागों को गाया और बजाया है और वह आज भी यूट्यूब के माध्यम से सोशल मीडिया के माध्यम से उपलब्ध है लेकिन इनका जो आरोह अवरोह और पकड़ और एक संपूर्ण परिचय है वह अगर आप उपलब्ध कराएं तो आपकी बहुत कृपा होगी सर
Vocalist Mandar Gadgil yes that is my question. This sounds alot like raag ahir bhairav. But I am sure there is some difference here. Therefore it is called margi bhairav
Deodhar explained that in the uttarang, shades of kafi can be seen in ahir bhairav, Here, I don't think we can really see that kafi ang in the uttarang imo
गाण न कळलं तरी ऐकत रहावसं वाटतं , सहज गान आहे । मग हल्लीचे गायक पद्मजा फेणाणीसारखे, आरती अंकलीकरांसारखे शिरा ताणून का बरं गातात ? या तुलनेत खरे गंधर्व ते गंधर्वच बरोबर गातात। बाकीच्यांनी गाऊच नये, म्हणजे आमच्या कानावर बेसूर गान पडायलाच नको ।
Wah, kya baat hai! The fluidity of raga interpretation is always striking with Mansur ji, as is the fact that he was able to maintain such an extensive repertoire with complete clarity. This is a stunning bandish and the approach to the sam is just mesmerising!
In October 2021, I spent 5 days with Rajshekhar ji and made him hear this piece as an excellent example of the way he used to sing with his father-guru (he did not like the term vocal support and preferred to use the phrase that he sang along with his father-guru). There are places in this rendition where he has made an attempt to go beyond Mansur ji's singing, especially because his voice was in exquisite form for this recording - but when I said this to him, he put his hands to his ears and said, "Na Baba, it wasn't possible to go beyond Appa!" 🙂
mansur is the only musician with such a large repertoire of ragas with elaborate renditions. Rest of the famous musicians render 10-20 ragas well and just fleet through the rest.
pandit ji's gayaki takes me to simply another dimension. Its unexplored beauty of the highest order.
Saaranga samaan laage eri sakhi mainto kaa kahoon tose piya praat hone aaye
Dairi devata kaaso kahiye, sagari raina soutana sanga jaage
सारंग समान लागे एरी सखि मैं तो का कहूँ तोसे पिया प्रात होने आये.
दई री देवता कासों कहिये , सगरी रेन सौतन संग जागे.
of many meanings of saarang, here the heroine uses double meaning ie kaamdev/ cupid or rangeeley/ one with colourful nature.
oh my friend, what to tell you, he looks full of colours (various shades he got from his consort during the nightlong union, such as sindur, alakta, kaajal, missi, etc) and reached here in the early morning. oh my (maid) , how can treat him like a god of my heart, who stays all night with my female rival?
This sounds like Ahir Bhairav. Isn't it Pandit ji?
Its raag Margi Bhairav
could someone explain the aroh, avaroh and pakad of margi bhairav?
@@guruprasadnaigaonkar5819 Can you please give Raag Structure, Aroh, Avaroh, Pakad , etc, What is vadi and samvadi sears of this raag. Because there is no mention of this raag in any of the books
This is something that doesn't have any match anywhere, truly dedicated to music and great performance, I wish I was there when Mansurji presented margi bhairav for the first time.
No adjectives or value words can ever express, explain, describe the experience of listening to this piece, and indeed many other performances of probably the Greatest Khyal Vocalist of recent times.
What a great rendering by a True Legend...out of the World Music
Mallikarjun Mansur is music personified.
Yes,my father-guru used to call this raga Margi Bhairav.
Can i know the bandish plz?
rajshekhar mansur
Sir may i please know how this raag can be differentiated from Ahir Bhairav.
Sur Lagaav is different in Margi.
Have given on youtube
rajshekhar mansur thank you.. I'll look into it
my mind was taken somewhere else...unknown place
Thank you for the track. God bless you.
Outstanding support by his son Rajshekhar. What an incredible recording. This is mana from heaven to me...
As if floating in sky by closing eyes, going to some hemisphere. Thanks to TH-cam, brought Mansurji so close to us.
Unlike in Ahir Bhairav, here Ra and Pa are omitted in aaroha…and also Paa is alpa in avaroha.
Sangati of Ma and upper-Saa is unique too. What a classy rendition!
Beautiful rendition. Thank you for sharing. Is it an A.I.R. recording.
Out of world rendition by a Great Vocalist...True Gem..
with due credit to pt rajshekhar mansur
its mukhdaa n--DPMGMr~ differentiates this raag from ahir bhairav and due to swarochchaar.
the way i understood the bandish is
सारंग समान लागे एरी सखि मैं तो का कहूँ तोसे पिया प्रात होने आये.
दई री देवता कासों कहिये , सगरी रेन सौतन संग जागे.
of many meanings of saarang, here the heroine uses double meaning ie kaamdev/ cupid or rangeeley/ one with colourful nature.
oh my friend, what to tell you, he looks full of colours (various shades he got from his consort during the nightlong union, such as sindur, alakta, kaajal, missi, etc) and reached here in the early morning. oh my (maid) , how can treat him like a god of my heart, who stays all night with my female rival?
ramkrishna das
Thanks for showing the Bandish. I am divine fan of Mallikarjun Mansur.
Dasbabu, excellent task done
@@keshavparanjape8348 love u keshavji. many thanks
@@chidambardeshpande1716 i am also a fan of his music
Effortless navigator. For him there is no difference between riyaz or concert. 40 years of rigorous talim shows. He is like the flow of Ganges. It just flows.You go there, take a dip and come out clean.
You all prolly dont give a damn but does anyone know of a tool to get back into an instagram account??
I was stupid lost the password. I appreciate any help you can offer me.
@Cassius Kamdyn instablaster ;)
@Frederick Maximiliano I really appreciate your reply. I found the site thru google and im trying it out atm.
I see it takes quite some time so I will get back to you later with my results.
@Frederick Maximiliano It did the trick and I now got access to my account again. I'm so happy!
Thank you so much you really help me out !
@Cassius Kamdyn no problem =)
Amazing vibes.. am a student of indian classical music..cud i have some light on types of bhairav please?
Absolutely splendid 🙏🙏👌👌👌
सर प्रणाम सर भैरव के कई अन्य प्रकार है जैसे जैसे शिवमत भैरव. मंगल भैरव. मार्गी भैरव. कबीरी भैरव आदि भैरव के इन प्रकारों में इनका आरोह अवरोह पकड़ सर आप बताने का कृपा करें आपके द्वारा यदि हमें कुछ जानकारी मिलती है तो आपकी बहुत कृपा होगी सर जी गे ऐसे राग है जो अब कहीं सुनने को नहीं मिलते और इनका पूर्ण परिचय ना होने के कारण इनके बारे में जानकारी नहीं है पर कई ऐसे गायक थे जिन्होंने इन रागों को गाया और बजाया है और वह आज भी यूट्यूब के माध्यम से सोशल मीडिया के माध्यम से उपलब्ध है लेकिन इनका जो आरोह अवरोह और पकड़ और एक संपूर्ण परिचय है वह अगर आप उपलब्ध कराएं तो आपकी बहुत कृपा होगी सर
Panditji used to call it Margi Bhairav...
Maybe some Rageshri-ang or Khamaj-ang mixed in , rather than the Kafi-ang one expects from Ahir Bhairav ... ?
बहोत बढीया श्री मलीकार्जून साहब जी बहोतहीअच्छा
What is the Bandish?
How is this different from ahir bhairav
Vocalist Mandar Gadgil yes that is my question. This sounds alot like raag ahir bhairav. But I am sure there is some difference here. Therefore it is called margi bhairav
Ra and Pa are omitted in aaroha…and also Paa is alpa in avaroha.
Sangati of Ma and upper-Saa is unique too.
Mansur is undoubtedly incornation of Ghana gandharva.
Same bandish same raga movement in Ahir Bhairav recording...
Unlike in Ahir Bhairav, here Ra and Pa are omitted in aaroha…and also Paa is alpa in avaroha.
Sangati of Ma and upper-Saa is unique too.
@@shahvivek thanks...but is bandish same?
Deodhar explained that in the uttarang, shades of kafi can be seen in ahir bhairav,
Here, I don't think we can really see that kafi ang in the uttarang imo
However I've also read that a lot of this raag was incorporated into Ahir bhairav over time
Thank you for posting this. Tabla maybe Zakir Hussain. Please confirm if possible.
It is likely to be Nizamuddin Khan but I am not sure.
No it is not zakir Hussain
Tanaka may be Balakrishna Aiyer ?. Great coordinator to him.
pranams
Best
गाण न कळलं तरी ऐकत रहावसं वाटतं , सहज गान आहे । मग हल्लीचे गायक पद्मजा फेणाणीसारखे, आरती अंकलीकरांसारखे शिरा ताणून का बरं गातात ? या तुलनेत खरे गंधर्व ते गंधर्वच बरोबर गातात। बाकीच्यांनी गाऊच नये, म्हणजे आमच्या कानावर बेसूर गान पडायलाच नको ।