Soile Isokoski; "VIER LETZTE LIEDER"; Richard Strauss
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- เผยแพร่เมื่อ 19 ก.ย. 2024
- This channel is the re-establishment of previous channels that have been sadly terminated.
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Soile Isokoski--soprano
Berlin Rundfunkorchester
Marek Janowski--conductor
2010
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"Soile Marja Isokoski (born 14 February 1957) is a Finnish lyric soprano. She is an opera singer as well as a concert and lieder singer.
Isokoski was born in Posio, Finland. She graduated from the Sibelius Academy in Helsinki (a cantor-organist diploma, a singing teacher's degree and a singing diploma) and made her concert debut there in 1986.[1]
Isokoski won the Lappeenranta song competition in Finland (1987), the Elly Ameling Competition in the Netherlands (1988), and the Tokyo International Singing Competition (1990). In 1987 she was a finalist in the BBC Singer of the World competition in Cardiff.
She worked first as a church musician in Northern Finland. In 1987 she was engaged as a soloist with the Finnish National Opera and stayed there until 1994. Her first appearance there was as Mimi in Puccini's La bohème in 1987.
Isokoski has sung at all the leading opera houses in Europe, including the Vienna State Opera, Théâtre du Châtelet, Opéra Bastille, La Scala, Deutsche Oper Berlin, Berlin State Opera, Semperoper, the Hamburg State Opera, and the Cologne Opera.
She made her début at the Metropolitan Opera as the Countess in The Marriage of Figaro in 2002. The New York Times wrote on 28 January 2002: "Ms. Isokoski... touched on the Countess' sense of abandonment by the Count without diminishing her regal bearing or the graceful humor she must contribute to the second act. And her dark, burnished soprano should make her a good addition to the Met roster."
In 2007 Isokoski made her San Francisco Opera debut portraying the role of the Marschallin in Der Rosenkavalier.[2] In 2010 she made her Los Angeles Opera debut as Elsa in Lohengrin.[3]
She has also appeared at many festivals such as Salzburg Festival, Edinburgh International Festival, Chorégies d'Orange, The Proms in London, Tanglewood Music Festival and Savonlinna Opera Festival.
Isokoski's song repertoire is extensive. She has given recitals with her regular accompanist Marita Viitasalo all over the world, including in New York, Washington, D.C., Fort Lauderdale, Vienna, London, Paris, Amsterdam, Berlin, Munich, Rome, Athens, Moscow, St. Petersburg, and Tokyo.
Isokoski has appeared with many renowned conductors including Claudio Abbado, Vladimir Ashkenazy, Daniel Barenboim, James Conlon, Andrew Davis, Colin Davis, John Eliot Gardiner, Daniele Gatti, Valery Gergiev, Bernard Haitink, Marek Janowski, Neeme Järvi, Okko Kamu, James Levine, Zubin Mehta, Yehudi Menuhin, Riccardo Muti, Sakari Oramo, Seiji Ozawa, Simon Rattle, Esa-Pekka Salonen, Jukka-Pekka Saraste, Leif Segerstam, and Osmo Vänskä."; Wikipedia
Lovely. Ranks with the best recordings.
👏 AND thank you for following along with the channel. TH-cam will only allow this channel to post 10 videos daily. My apologies.
One of the best renditions of this masterpiece
¡Hermoso posteo !
Estoy escuchando.....
GRACIAS por este regalo.
Welcome!! Beautiful version. Charming performer. Applause and congratulations. Thanks.
Same speed as Flagstad whom Strauss wanted for the premier.
A favorite of this channel! AND thank you for following along with the channel. TH-cam will only allow this channel to post 10 videos daily. My apologies.
Too fast
Yes, Jessye Norman/Mazur - is 5 min. slower...but I cannot decide if I go for that majestic recording...or madame Isokoski´s wonderful singin´ in a "fresher" tempo!?
@@Fioniajazzband / Janowitz does it just right !
Strauss was not proscriptive about how his works should be interpreted or performed. When asked about it, he was known to reply "Wie sie wollen." As such, some latitude is perfectly all right.
The tempo is good and is the tempo of Flagstad in the world premiere; I agree that Janowitz is very,very good and so are many others. I wouldn’t trade Jessie Norman for the world but I don’t think I can hear anyone else without her chops and her unmatchable voice. Among very many excellent performances, it’s a matter of taste isn’t it? My personal faves are Norman and Isokoski,
I meant at Norman’s tempo; she couldn’t carry it off, but I don’t think anyone else could do it that slow and still be so magnificent.