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Nice!
Thank you for posting a composition like this that rises above the bombast and cliches of movie music. Its emotive aplomb makes Satie's first Gymnopedie sound hectic.
Why not have both? Max Richter's on the nature of daylight was used in Arrival a couple years ago, was fantastic.
Rightly said.
Reminds me strongly of Ólafur Arnalds' piece _Beth's Theme_ for the TV show _Broadchurch._
After Rain ☀️
See the album is back on Tidal 😁
Wow....
slow world 1800 💗
We all have different taste l know, music is subjective and this is smoooth, saccharine and 😑
how can one survive the mad house? this and criminally vulgar darknesses that never dim. waly, oops found another one
Nice!
Thank you for posting a composition like this that rises above the bombast and cliches of movie music. Its emotive aplomb makes Satie's first Gymnopedie sound hectic.
Why not have both? Max Richter's on the nature of daylight was used in Arrival a couple years ago, was fantastic.
Rightly said.
Reminds me strongly of Ólafur Arnalds' piece _Beth's Theme_ for the TV show _Broadchurch._
After Rain ☀️
See the album is back on Tidal 😁
Wow....
slow world 1800 💗
We all have different taste l know, music is subjective and this is smoooth, saccharine and 😑
how can one survive the mad house? this and criminally vulgar darknesses that never dim. waly, oops found another one