@@mariacallas9962 In jazz music it happens a lot that you don’t play the root of the chord because the bass player is playing it already. Some of these inversions work best when you’re not playing alone. Anyway it also happens a lot in music that you omit a note of the chord, but it’s still that same chord, especially with context (within a chord progression). 🙂 I hope that was a better explanation… 👍🏼
Thanks a lot for watching! You can find the PDFs with the concept I show in the video directly here (for free): www.patreon.com/collection/580916
Absolutely love this. Some more lesson on harmonization would be great.
@@govindoburdwan Thanks a lot! Sure. I can definitely prepare something on harmonization for a future lesson… stay tuned! 🙂
This is a codex of knowledge. Thank you very much! I am learning much and i haven't even completed the memorizations 😅
@@Woozy.0 Thank you very much! 🙏🏼 I’m really happy to read that the lesson is helpful. I know it’s a lot of work, but it’s going to pay off 👌🏼
👏👏👏
@@mariacallas9962 🙏🏼🙏🏼🙏🏼
There is a lot to do in this video
❤❤❤❤❤❤❤❤❤😊
How changing root to 9 keeps it a C maj7?
Sorry…
@@mariacallas9962 It’s the same chord, but with a 9th as “tension”. This way it doesn’t clash with the maj7 in that particular inversion 🙂
@@chris_zattamusic I get why you did it,sounds great but how call this Cmaj7 without C in it is my interrogation…again,sorry.
@@mariacallas9962 In jazz music it happens a lot that you don’t play the root of the chord because the bass player is playing it already. Some of these inversions work best when you’re not playing alone. Anyway it also happens a lot in music that you omit a note of the chord, but it’s still that same chord, especially with context (within a chord progression). 🙂 I hope that was a better explanation… 👍🏼
@@chris_zattamusic it will do.
Thks for your time!
Take care.
@@mariacallas9962 You’re welcome 🙂 Thank you for checking out the lessons!