Met Shirley in the 80’s when she was teaching at Ucla Film school. Always surrounded by students and she was very intense and passionate about her craft.
"Watching the two versions of Clarke' s film can create vastly different impressions because each score emphasizes different elements of the images: the jazz score underlines the pace of editing and the camera movement, whereas the electronic score highlights the abstract patterns created by the images of bridges." - Film art a Critical Introduction by Maria Pramaggiore & Tom Wallis
See my book, "By the El, Third Avenue and Its El at Mid-Century," for original color photos taken by by late father during the last years of the Manhattan 3rd Avenue El, 1951-1955. Lawrence Stelter, 10/11/20.
hi!! i was looking for the short "lights" that dissapears from internet and ur chanel (if im ok), would you help me to recovery the video plsease? maybe for drive or something, i relly need it, i'm making my tesis for the university about femmes in experimental cinema, it would be super thankfull if you can help me, please...
That's part of the actual film, though. the first time it plays, the music is jazzy. The second time, it's more electronic music. Both give a different feel and emotion to what is being shown visually. I personally preferred the first version, it had a more haunting and gripping effect.
one of the best parts of the amsterdam eyefilmmuseum exhibition, even got the shirt with a frame of this on it
Met Shirley in the 80’s when she was teaching at Ucla Film school. Always surrounded by students and she was very intense and passionate about her craft.
The Barrons were incredible musicians.
Very nice!
this is so unbelievably amazing
"Watching the two versions of Clarke' s film can
create vastly different impressions because each score
emphasizes different elements of the images: the jazz
score underlines the pace of editing and the camera
movement, whereas the electronic score highlights the
abstract patterns created by the images of bridges."
- Film art a Critical Introduction by Maria Pramaggiore & Tom Wallis
thank you. this is amazing. goes well in sequence with radiohead's video of 'sit down, stand up'.
Superb
3:54 Shirley Clarke's Futurama (or in 50's-60's time, The Jetsons)
See my book, "By the El, Third Avenue and Its El at Mid-Century," for original color photos taken by by late father during the last years of the Manhattan 3rd Avenue El, 1951-1955. Lawrence Stelter, 10/11/20.
hi!! i was looking for the short "lights" that dissapears from internet and ur chanel (if im ok), would you help me to recovery the video plsease? maybe for drive or something, i relly need it, i'm making my tesis for the university about femmes in experimental cinema, it would be super thankfull if you can help me, please...
Anyone here from Michele Pierson's module? #kcl
that runtime is a tease. the video plays twice
That's part of the actual film, though. the first time it plays, the music is jazzy. The second time, it's more electronic music. Both give a different feel and emotion to what is being shown visually. I personally preferred the first version, it had a more haunting and gripping effect.