So genuine. You can even hear her clearing her throat between singing! And the REGISTER changes. That’s what makes female voices beautiful, actually hearing the natural register changes without any artificial covering.
She was the best. It is too bad there has never been another one to even compare. Many pieces were written for her voice. To listen to her is to learn the proper way it is done. Perfection.
This is so true. Galli-Curci was utterly unique and cannot be compared to any other singer. She can only be compared to perfect instrumentalists such as the violinist Heifetz or the pianist Hoffmann. She was one of a kind with regard to her timbre, tone, phrasing, and technique.
@meltzerboy I've just finished listening to six other versions of this piece, and G-C is the clear winner... to my ears at least! (The only other one that came close for me was Caballe's, because of her beautiful dynamic control.) The scratchy high notes are simply because the recording technology of the time could not capture G-C's brilliance. :D Thank you for posting. :)
Caro mio ben Credimi almen Senza di te Languisce il cor Caro mio ben Senza di te languisce il cor Il tuo fedel Sospira ognor Cessa, crudel, tanto rigor Cessa, crudel, tanto rigor, tanto rigor Caro mio ben Credimi almen Senza di te languisce il cor Caro mio ben Credimi almen Senza di te Languisce il cor
@sillyboydeux They ARE tubas. This is an acoustical recording, made with a recording horn, not a microphone, and they used the brass instruments to replace the cellos, because the string instruments were not loud enough to register in the recording. Even so, in such cases, the singer had to sing directly INTO the horn, so as to be loud enough. It was not until the 1920's that "electrical" recordings, with the newly developed microphones replacing the old recording horn, became possible.
![โรงเรียนห้ามรัก โดนจับได้ตาย...!! [เอิร์นไดเม่]](http://i.ytimg.com/vi/4u02Sbr556Q/mqdefault.jpg)
So genuine. You can even hear her clearing her throat between singing! And the REGISTER changes. That’s what makes female voices beautiful, actually hearing the natural register changes without any artificial covering.
This Voice, Amelitta, come from heaven and went to heaven. Thanks for singing here on our earth.
She was the best. It is too bad there has never been another one to even compare. Many pieces were written for her voice. To listen to her is to learn the proper way it is done. Perfection.
So true, she's my favorite too. Can never get enough of Amelita.
This is so true. Galli-Curci was utterly unique and cannot be compared to any other singer. She can only be compared to perfect instrumentalists such as the violinist Heifetz or the pianist Hoffmann. She was one of a kind with regard to her timbre, tone, phrasing, and technique.
Bel canto
Wonderful voice !
There are other beautiful recordings of this song, including those of Caballe, Gigli, and Clara Butt; but G-C's towers above all others.
This is absolutely beautiful.
@meltzerboy
I've just finished listening to six other versions of this piece, and G-C is the clear winner... to my ears at least! (The only other one that came close for me was Caballe's, because of her beautiful dynamic control.)
The scratchy high notes are simply because the recording technology of the time could not capture G-C's brilliance. :D
Thank you for posting. :)
What a singer!
Great ! In spite of the so old recording ...
***** Merci beaucoup !
Very best wishes,
Caro mio ben
Credimi almen
Senza di te
Languisce il cor
Caro mio ben
Senza di te languisce il cor
Il tuo fedel
Sospira ognor
Cessa, crudel, tanto rigor
Cessa, crudel, tanto rigor, tanto rigor
Caro mio ben
Credimi almen
Senza di te languisce il cor
Caro mio ben
Credimi almen
Senza di te
Languisce il cor
@sillyboydeux They ARE tubas. This is an acoustical recording, made with a recording horn, not a microphone, and they used the brass instruments to replace the cellos, because the string instruments were not loud enough to register in the recording. Even so, in such cases, the singer had to sing directly INTO the horn, so as to be loud enough. It was not until the 1920's that "electrical" recordings, with the newly developed microphones replacing the old recording horn, became possible.
My vocal instructor told me to listen to this and learn the words...anyone know where I can find a lyric video? I need to see the words with it! :D
I also like the indiduals version of. Milanov. Pinza
And. Gedda!!!!!!!!!!!
Непревзойденная Галли Курчи
From "the Golden Age" of singing. The instruments sound poor but much less progress has been made in 100 years of recording the human voice.
The lyrics to the above are found by googling Caro mio ben lyrics,
I have to sing this for solo and ensumble
@dinero2012original I did that last year :)
@dinero2012orignal me too!!
im studyin this 4 me junior cert