The part at 5:01 is so damn exciting! There is nothing more satisfying than watching handcrafted vehicle animation, that's one of the things I miss most of the past decades.
In Chicago, there was a club that would play House music and techno relentlessly. there were TV screens all around this huge dome that would have videos like this one on a loop. I miss the 90s.
Although I am happy with the result, 4 years after making this video I discovered many other projects with really amazing vehicle animation, so at some point I will make a continuation to feel satisfied
This is a very special skill that only few people can master. western animators can't even deal with mecanical animation so they use cgi instead of hard working. Japanese animators are top level !!!
I strongly agree, but currently I don't think that many Japanese animators are trained to handle well-done mechanical animation like veteran animators do. I suppose it is a product of the training being very different from how it was before
Cgi IS hard work. Its not a cheat. And its a bit crass to praise terrible conditions terrible pay and terrible working hours which were and are a mainstay in many Japanese animation (tho it's a problem in western and korean ones too) studios as hard work
@@bm001 It still proves the point of being hard work. Also, You should be more specific what do You mean by CG anime - 3D works or everything (digital drawings and 3D)? If it's the first, I think Studio Orange did good job with modelling, especially with Houseki no Kuni adaptation. Other thant that, Uchuu Senkan Yamato remakes have nice battle scenes, but... As You mentioned before, 3D is cheap. If they tried to pull this scenes with hand drawn, it would take much more resources (including time) to finish it. Madhouse almost went bankrupt because of how long it took them to work on Redline. So yeah, it's kind of obvious for using CG (which also become more popular in western animation), since only big studios can afford doing higher quality animation.
where the hell do you even find it in this quality? I remember I watched it from a VHS rip or sth so I couldn't believe my eyes while watching this video, is there a blu-ray rerelease nowadays?
This is real sakuga! Kenichi Yoshida and his sequence from Gunsmith Cats #02, Hisao Yokobori's sequences from Lupin, Takafumi Hori's sequences from Redline, Mitsuo Iso's sequence from Neon Genesis Evangelion #01 and all the amazing Akira sequences done by super animators like Toshiyuki Inoue, Shinji Hashimoto, Takashi Nakamura, Toyoaki Emura, and Hitoshi Ueda. Here are some of the top scenes in mechanical animation.
Thank you! I wanted to put the best vehicle sequences (in my opinion), even so after uploading the video, I found other sequences very well done but not very well known, so I would have liked to include them
If anyone is wondering about Gunsmith Cats and Riding Bean here is the manga artist and video directors involved the the respective productions. Gunsmith Cats and Riding Bean are both manga's from Kenichi Sonoda. Gunsmith Cats was directed by Takeshi Mori and Kazuya Murata. Riding Bean was directed by Yasuo Hasegawa.
Old school hand drawn anime (or just animation in general) is so much more dynamic and beautiful than CG. CG has it's place, but give me hand drawn any day of the week. My kiddo feels the same way, so at least I'm doing something right, lol.
The magic of 2D animation is the imperfection of the animators, as they cannot maintain perfect consistency and each has their own way of animating and generating their own distinction (Their own interpretation of design sheets, background animation, timing and application of effects)
When I made the video I did not know Venus Wars, now I have seen it and there is a vehicle sequence made by the animator Manabu Oohashi that seems to me to be of a very high level of quality It makes me consider making a new version of a vehicle animation video, but the first thing for me is to find a song suitable in length and that conveys what I want to represent (in this video it was the adrenaline feeling of Redline)
Animating vehicles by hand is not easy at all, so all these animators really have very good training and skill. Some clarifications: * I don't like the CGI, so all the clips are only of vehicles made in 2D animation, without exception. * I really love the 1967 Ford Mustang Shelby Cobra GT-500 from Gunsmith Cats OVA #02. * Yoshida's cut at 03:16 is my favorite vehicle animation and I consider it perfect in every way. * The vehicles in the video are exclusively terrestrial, later I will make one of flying vehicles. * To be honest I wanted to use a rock song for this but I couldn't find one long enough to fit many clips, so I opted for Redline's Yellow Line.
The guy behind Redline wouldn't release the movie until he was 100% happy with it...I believe it took almost a decade and nearly bankrupted the studio. The movie's plot is so-so but the visuals are at 110% the whole way through
Escenas insuperables. Gracias a estos asombrosos artistas de la animacion tradicional por compartir su arte con nosotros, simples mortales, y a Usted, por el video.
Well, Masao Maruyama gave Takeshi Koike the opportunity to do whatever he wanted with the film, which is why it took 7 years (4 pre-production and 3 production). Concise details about Redline's production are hard to find, but Koike once mentioned that fewer than 20 people worked on the entire film (I imagine Madhouse interns) and it's well known that Koike did extensive corrections as Animation Supervisor, so that's why his style is the one that stands out the most in the entire feature film. I also want to mention that in the behind the scenes you can see that figures of the vehicles and robots were produced, which the animators took as a reference as well as the mechanical sheets to be able to carry out the meticulous and demanding animation of the film. Redline is a unique piece of art and it's very unlikely that something like that will be repeated.
Thanks! I'm glad the video generated positive reactions. It was my first video on a specific topic and I made it mainly because a guy commented that it would be great if I made a video about vehicles. In retrospect there are many things I would change to add other amazing sequences that I didn't know about at the time, but I will most likely make a continuation of this video in the future:)
Kenichi Yoshida was not involved in the production of 1989's Riding Bean. He joined Ghibli in 1990 as In-Between. Maybe you mean the original author Kenichi Sonoda?
should check out the OVA "You're Under Arrest!" (逮捕しちゃうぞ！）it's got some really great detailed vehicle animations. there's a series as well but i couldn't get through the first 4 episodes after how high the OVA set the bar. they basically gave up on drawing cars in the anime.
When I made this video, I only knew one sequence that Takeshi Honda did for the first OVA, but now I know many more awesome vehicle animation sequences. I would say that the OVAs are a benchmark for well-crafted vehicle animation, just like Gunsmith Cats
I came for "Riding Bean" and "Gunsmith Cats", altho... 0:22 - Yeah, if your tires are shaking like that, you about to have a possibly fatal crash.... 6:43 - ...Uh, welp.
When I made this video I had the mentality of not using extremely well-known sequences, mainly because I thought it would be repetitive for viewers. Currently I consider that this was a mistake since I omitted many incredible works and therefore, many new people did not have their approach to those sequences Cagliostro in general is something that I want to consider a lot for my next videos (focus on Telecom animators), since historically it is a very important film due to the approach of transferring Disney's full animation to Japanese animation, although at this moment it is not clear to me if the American animators trained to the majority of Telecom animators before or after this movie
All the names of the series are in the description, I have also added the option of subtitles in English and Japanese with the names of all the series. You can go back or forward frame by frame Frame Advance: Press the " . " Key / Rewind frame: Press the " , " key Remember, animation is not made to pause as animation is made up of the entire sequence of drawings that create the illusion of movement, so there is no point in evaluating the "quality" of animation based on an individual drawing. Even so, I highlight the option to move forward and back frame because it is always interesting to see the animator's work in each particular drawing, in addition to helping a lot to understand how his work works.
This is like a drawn out digital orgasm, firing up through my brain neurons with chocolate-sweet nostalgia and longing, and pleasure, all rolled into a huge blunt of unmitigated happiness 😁✌🏻
SAKUGA ROLLER COASTER SAFETY PROCEDURES: Please store all loose items in the lockers before boarding the ride, as they are likely to get thrown off. Make sure all safety restraints are locked into position, and properly fastened. Also please keep all hands, feet, arms and legs inside the ride at all times. We are not responsible for any lost or damaged articles or injuries that result from failure to comply with these safety procedures. Most importantly, pepper your angus, and enjoy the ride!
Yes, Sonoda is the mangaka of both projects, but in this case the animators of the sequences put in the video are credited and if the sequence does not have a confirmed animator, I put it as "Artist Unknown" or "N/A"
![[作画 MAD/AMV] Aircraft (航空機) Sakuga](http://i.ytimg.com/vi/aztA-8SRK54/mqdefault.jpg)
![[作画 MAD/AMV] Aircraft (航空機) Sakuga](/img/tr.png)
![[作画 MAD/AMV] Swordplay (剣術) Sakuga](http://i.ytimg.com/vi/QC3bgZKr31Q/mqdefault.jpg)
この重さを感じるのはCGにはまだ出来ないなぁ
FORZAクラスの奴じゃないと厳しいかなあ。
最近戦闘シーンとかでCG多用するアニメ増えたけど、服も髪もペラペラしてるし、手書きのような柔らかさも全くないよね。
例えば荒野のコトブキとか、刀使ノ巫女なんかは残念だったな。
はいふりやガルパンみたいに、機械にCG多用するのはあまり違和感ないんだけどな〜
そもそもアニメで重さを感じるように表現するのって神業なのでは？😅
@@fourplatonic668 そうだよ。
ガルパンはＣＧ使ってやってたけど。
この動画のシーン、だいたいCGやんけ
1:40の空気の重さ、トラックの重量感、スクーターの軽さと路面の滑りやすさ
並走する時の緊迫感や打ち付けられる雨の感覚をすべて映像で表現しているところに技術の高さが感じられる
これをAIやCGで表現するにはまだ相当の年月がかかるだろう
アキラに関しては、原作者であり監督であった大友さんがバイクの免許持ってなかったからこそ、現実にはちょっとあり得ない要素を含みつつバイクに理想的で気持ちの良い動きを与えてくれている。
マジか…バイクシーンが凄いからてっきりプライベートでもバイクに乗っているのだとばかり思ってた
ホンダNM4-02は、再現度8割くらいで金田バイク
アキラの残光がカッコよすぎるんじゃあ
昔のとんでもない作り込みのスピード感も過ぎだし今のど迫力な感じも好き
自国ながら、日本ってアニメに関しては昔のからしてヤベェな。アニメってかつては「子供向け」であったはずなのに、作り込みがエグすぎる。
Аниме отличная вещь, на любой возраст, жаль, что автомобильнвх аниме мало, хотелось бы больше
まあ日本語で申し訳ないが日本では、頭文字Dがほぼ他の作品の知名度を潰すほど有名です
私は、湾岸ミッドナイトと言う作品が好きです。
最後のクラッシュシーン一つ一つのパーツが曲がって分解していくのが細かく書かれていてすごい
スローで見るとすごさがわかる
久々にガンスミとビーン観られたので良い休みになりました
最初のレッドラインってのはいいぞぉ
キムタクさんが声優を務めてますしねw
どれも作画が良いな〜。
やっぱマスタング･コブラはかっこええなぁ…
好きな車です
アキラの完成度の高さよなぁ
2020年のタイでAKIRAリバイバル上映やっていて偶然観れたんですが、質のいい音響施設＆スクリーンの大画面だと、あんなに見たはずの作品なのにまだまだ再発見が多くて感心しましたね
やっぱりレッドライン最高だな
制作期間7年とか言うバケモノ
字幕でアニメがわかるの助かる。てか同じアニメでも作画が違うの知らなかった
The part at 5:01 is so damn exciting!
There is nothing more satisfying than watching handcrafted vehicle animation, that's one of the things I miss most of the past decades.
In Chicago, there was a club that would play House music and techno relentlessly. there were TV screens all around this huge dome that would have videos like this one on a loop. I miss the 90s.
転調で差し込まれるサイバーフォーミュラがアガりすぎる
You've given me ideas for things to look up. Thanks!
Although I am happy with the result, 4 years after making this video I discovered many other projects with really amazing vehicle animation, so at some point I will make a continuation to feel satisfied
レッドラインはホンマいいよなあ
流れてるイエローラインもな！
@@tomoi85 神曲
I could watch the Akira bike slide forever
ラリー・ヴィンセントのＧＴ５００とビーン・バンディットのバフが同じ動画で観れるとか贅沢過ぎて・・・。
バイクの表現凄いな。無闇矢鱈に滑らせるんじゃなくて、滑り方に一つ一つ理由付けがある。駆動輪だけ滑らせて前輪はグリップしてたり。
Redddd-Liiii-ine! Wish I could watch that movie for the 1st time again
When I see it again I am still amazed by the movie.
It's amazing that something like that happened, although it didn't end well for Madhouse
3:23 この作画緊張感あってめっちゃ良い
'체포하겠어!!'가 없네. 그것도 자동차 액션은 정말 멋지다고.
이 영상에서는 Gun Smith Cats가 최고.
역시 손으로 그린 메카닉이 엔진의 떨림이 느껴지는 것 같아서 좋아.
This is a very special skill that only few people can master. western animators can't even deal with mecanical animation so they use cgi instead of hard working. Japanese animators are top level !!!
I strongly agree, but currently I don't think that many Japanese animators are trained to handle well-done mechanical animation like veteran animators do.
I suppose it is a product of the training being very different from how it was before
Cgi IS hard work. Its not a cheat. And its a bit crass to praise terrible conditions terrible pay and terrible working hours which were and are a mainstay in many Japanese animation (tho it's a problem in western and korean ones too) studios as hard work
@@DimT670 he is praising the talent of japanese animators. To do mechanical animation you need a lot of skill.
@@bm001 Yeah, sure, Arcane looks very cheap.
@@bm001 It still proves the point of being hard work.
Also, You should be more specific what do You mean by CG anime - 3D works or everything (digital drawings and 3D)?
If it's the first, I think Studio Orange did good job with modelling, especially with Houseki no Kuni adaptation.
Other thant that, Uchuu Senkan Yamato remakes have nice battle scenes, but...
As You mentioned before, 3D is cheap.
If they tried to pull this scenes with hand drawn, it would take much more resources (including time) to finish it.
Madhouse almost went bankrupt because of how long it took them to work on Redline.
So yeah, it's kind of obvious for using CG (which also become more popular in western animation), since only big studios can afford doing higher quality animation.
Man that Gunsmith Cats animation is _crisp._ Need to go rewatch that after forever.
Yeah, episode 2 is especially awesome.
where the hell do you even find it in this quality? I remember I watched it from a VHS rip or sth so I couldn't believe my eyes while watching this video, is there a blu-ray rerelease nowadays?
車が「柔らかく曲がる」表現ってアニメでなきゃできないよなぁ
fire mix bud. When I saw that blue stang ; I thought it was Guile from SF2-anime movie.
Takeshi Koike's Lupin movie has a very well done car animation
Car chases would not start without Kenichi Sonoda Animation！
Yeaah. It's like a lot like Fast and Furious 6 on the highway where he gets smashed by a tank.
Good reference to the series 👌👌👍👍
ゴールデンボーイのバイクシーンの作画はすごかったよ。
This was a wild ride!!
This is real sakuga!
Kenichi Yoshida and his sequence from Gunsmith Cats #02, Hisao Yokobori's sequences from Lupin, Takafumi Hori's sequences from Redline, Mitsuo Iso's sequence from Neon Genesis Evangelion #01 and all the amazing Akira sequences done by super animators like Toshiyuki Inoue, Shinji Hashimoto, Takashi Nakamura, Toyoaki Emura, and Hitoshi Ueda. Here are some of the top scenes in mechanical animation.
Thank you!
I wanted to put the best vehicle sequences (in my opinion), even so after uploading the video, I found other sequences very well done but not very well known, so I would have liked to include them
めちゃくちゃ詳しくて草
I love Gunsmith Cats. Wish it would get an updated series
Loved it! Shout out to Riding Bean and Gun Smith Cats! Think they they did a collabo way back when🤔...
初っ端レッドラインはビビった笑
nice job
Thank you!
If anyone is wondering about Gunsmith Cats and Riding Bean here is the manga artist and video directors involved the the respective productions. Gunsmith Cats and Riding Bean are both manga's from Kenichi Sonoda. Gunsmith Cats was directed by Takeshi Mori and Kazuya Murata. Riding Bean was directed by Yasuo Hasegawa.
seeing the thumbnail, gsc came to mind and i clicked.
Old school hand drawn anime (or just animation in general) is so much more dynamic and beautiful than CG.
CG has it's place, but give me hand drawn any day of the week. My kiddo feels the same way, so at least I'm doing something right, lol.
The magic of 2D animation is the imperfection of the animators, as they cannot maintain perfect consistency and each has their own way of animating and generating their own distinction (Their own interpretation of design sheets, background animation, timing and application of effects)
Awsome video! 😀 Japanese people make some of the coolest stuff on the planet! Like dang! 😎🤘🤘
Awesome video- should have thrown in a scene or two from Venus Wars. I highly recommend it if you haven't seen it!
When I made the video I did not know Venus Wars, now I have seen it and there is a vehicle sequence made by the animator Manabu Oohashi that seems to me to be of a very high level of quality
It makes me consider making a new version of a vehicle animation video, but the first thing for me is to find a song suitable in length and that conveys what I want to represent (in this video it was the adrenaline feeling of Redline)
@@AnotherSakuga Maybe a video on anime motorcycles
うーん…唸る…
やっぱり乗り物って良いな！
Wow ! Insane!
Sensacional.... que Arte Belíssima.
Thanks!
セルアニメのちょっとデッサン狂った感じが好き❤️
awesome work!
Thanks!
REDLINEのBGM最高やな
おっと、曲の名前はYELLOWLINEだった😅
Uma arte maravilhosa!!×
アキラの作画は高いインテリジェンスと根性を感じる
Rally Vincent's 1967 Ford Shelby GT500 is one of the most BEAUTIFUL cars I've seen in any anime
2/3はメカの作画でなく速度にともなう効果の表現のすばらしさでは
Animating vehicles by hand is not easy at all, so all these animators really have very good training and skill.
Some clarifications:
* I don't like the CGI, so all the clips are only of vehicles made in 2D animation, without exception.
* I really love the 1967 Ford Mustang Shelby Cobra GT-500 from Gunsmith Cats OVA #02.
* Yoshida's cut at 03:16 is my favorite vehicle animation and I consider it perfect in every way.
* The vehicles in the video are exclusively terrestrial, later I will make one of flying vehicles.
* To be honest I wanted to use a rock song for this but I couldn't find one long enough to fit many clips, so I opted for Redline's Yellow Line.
The guy behind Redline wouldn't release the movie until he was 100% happy with it...I believe it took almost a decade and nearly bankrupted the studio. The movie's plot is so-so but the visuals are at 110% the whole way through
Big respect for japan animation industry... Beyond amazing creativity ❤
Escenas insuperables. Gracias a estos asombrosos artistas de la animacion tradicional por compartir su arte con nosotros, simples mortales, y a Usted, por el video.
Well, Masao Maruyama gave Takeshi Koike the opportunity to do whatever he wanted with the film, which is why it took 7 years (4 pre-production and 3 production). Concise details about Redline's production are hard to find, but Koike once mentioned that fewer than 20 people worked on the entire film (I imagine Madhouse interns) and it's well known that Koike did extensive corrections as Animation Supervisor, so that's why his style is the one that stands out the most in the entire feature film.
I also want to mention that in the behind the scenes you can see that figures of the vehicles and robots were produced, which the animators took as a reference as well as the mechanical sheets to be able to carry out the meticulous and demanding animation of the film.
Redline is a unique piece of art and it's very unlikely that something like that will be repeated.
Thanks! I'm glad the video generated positive reactions.
It was my first video on a specific topic and I made it mainly because a guy commented that it would be great if I made a video about vehicles. In retrospect there are many things I would change to add other amazing sequences that I didn't know about at the time, but I will most likely make a continuation of this video in the future:)
Increíble ✌
¡Muchas gracias!
Yoshida did Gunsmith Cats and Riding Bean, for those who are wondering. After all, Riding bean is shown as “Author Unknown”.
Kenichi Yoshida was not involved in the production of 1989's Riding Bean. He joined Ghibli in 1990 as In-Between.
Maybe you mean the original author Kenichi Sonoda?
@@AnotherSakuga sorry, I meant Sonoda. Both of their given names are Kenichi, so I got confused.
一発目レッドラインってのがいい！！
レッドライン見たくなった！！！
なんてエキサイティング🤠
逮捕しちゃうぞ！のovaも凄かったな
首都高でのKLEvsデルタはカッコよかったです
Divino te amo felicitaciones
Thanks!
should check out the OVA "You're Under Arrest!" (逮捕しちゃうぞ！）it's got some really great detailed vehicle animations. there's a series as well but i couldn't get through the first 4 episodes after how high the OVA set the bar. they basically gave up on drawing cars in the anime.
When I made this video, I only knew one sequence that Takeshi Honda did for the first OVA, but now I know many more awesome vehicle animation sequences.
I would say that the OVAs are a benchmark for well-crafted vehicle animation, just like Gunsmith Cats
Grandes cenas, e belas animações.🙂👏🏻🇧🇷
Thanks!
@@AnotherSakuga 🙂👍🏻
世界一命の詰まった7分間
Nice pfp getter
Thanks! I love Getter Robo Devolution designs
最臭兵器のカブ爆走シーンがあれば完璧だった
😱 Uuuuuui que calidad 😅 el anime es bueno 👍
Be me, clicking on this;
"Wonder if he'll have Redline in here"
...
LOL
Redline and Akira are completely required for a vehicle animation video
Great vid. 😍
Btw... Riding Bean is by Kenichi Sonoda. Its a Gunsmith Cats Spinoff.
Other way around. Gun Smith Cats is a Riding Bean spin-off.
Amazing compilation! Thank you!
Thanks!
I came for "Riding Bean" and "Gunsmith Cats", altho...
0:22 - Yeah, if your tires are shaking like that, you about to have a possibly fatal crash....
6:43 - ...Uh, welp.
Yeah, but the crash was amazing
やはりAKIRAは外せんな。
EXドライバーも乗り物アニメとしては代表的だから入れて欲しかったな
ガンスミスキャッツはいいぞ
Le travail fait a la main .....bientot une relic 😢
My biggest takeaway from this is that Lupin III looks weird in a modern "realistic" style :D
Lupin looks a bit strange, but I personally love Jigen's design
CGだけど湾岸ミッドナイトのやつはこだわり感じるから好き
divino
Thanks!
園田健一氏原作のアニメ（ここではライディング・ビーンとガンスミスキャッツ）には、車両作画監督（特にGT500やBUFF（ライディング・ビーン等に出るオリジナルカー）に関して）として、そうま竜也氏が関わることで立体の崩れを防ぎクオリティを上げている所があるので、各シーンを担当した原画マンの名前とともに覚えておいていただけるとよろしいかと。
『ガンスミス・キャッツ』のビークルアニメーターディレクターはビークルデザイナーの杉浦康治氏だったそうですね。
杉浦康治氏は GT-500 を再設計し、アニメーション全体を非常によく監修して、ほぼ完璧な一貫性を維持しました。
ガンスミスキャッツは良いぞ！
In this scene, the angel blade riding his motorcycle is missing :3
It's strange that you didn't include Castle Of Cagliostro, given how iconic its chase scene is.
When I made this video I had the mentality of not using extremely well-known sequences, mainly because I thought it would be repetitive for viewers. Currently I consider that this was a mistake since I omitted many incredible works and therefore, many new people did not have their approach to those sequences
Cagliostro in general is something that I want to consider a lot for my next videos (focus on Telecom animators), since historically it is a very important film due to the approach of transferring Disney's full animation to Japanese animation, although at this moment it is not clear to me if the American animators trained to the majority of Telecom animators before or after this movie
この作画でミライースが動くところが見てみたいですよね！
When mom is late for church.
ガンスミスキャッツは銃もイイけどアメ車が良いンだよなぁ😂
All the names of the series are in the description, I have also added the option of subtitles in English and Japanese with the names of all the series.
You can go back or forward frame by frame
Frame Advance: Press the " . " Key / Rewind frame: Press the " , " key
Remember, animation is not made to pause as animation is made up of the entire sequence of drawings that create the illusion of movement, so there is no point in evaluating the "quality" of animation based on an individual drawing.
Even so, I highlight the option to move forward and back frame because it is always interesting to see the animator's work in each particular drawing, in addition to helping a lot to understand how his work works.
車のアニメなら逮捕しちゃうぞのOVA版も良かったな
فلم رائع جدا
3:09 does mustang
知ってますか？カリオストロの城が上映されたあと、旧FIAT500が爆発的に売れたらしいですよ？ｗｗ
This is like a drawn out digital orgasm, firing up through my brain neurons with chocolate-sweet nostalgia and longing, and pleasure, all rolled into a huge blunt of unmitigated happiness 😁✌🏻
SAKUGA ROLLER COASTER SAFETY PROCEDURES:
Please store all loose items in the lockers before boarding the ride, as they are likely to get thrown off. Make sure all safety restraints are locked into position, and properly fastened. Also please keep all hands, feet, arms and legs inside the ride at all times. We are not responsible for any lost or damaged articles or injuries that result from failure to comply with these safety procedures.
Most importantly, pepper your angus, and enjoy the ride!
カッコ良い見事なカーチェイス作画集で、カリオストロの「友永和秀」が入っていないのは如何なモノかな？とか私は思いましたが、何かレギュレーションとは違ったのかしら。ねえ？
朝永和英のような素晴らしいアニメーターのメカニックを含めなかったのは残念です。 この動画の最大のミスだと思う
No initial D but I love the video anyway
Initial D was not included because I omitted the 3D animation
@@AnotherSakuga yep, my bad
Riding Bean artist is Kenishi Sonada
Also gunsmith cats
Yes, Sonoda is the mangaka of both projects, but in this case the animators of the sequences put in the video are credited and if the sequence does not have a confirmed animator, I put it as "Artist Unknown" or "N/A"
イニDが無いのがいい
初代ルパン三世の、走る車を下から眺めたサスが細かく動くシーンが出てきてない！
あれはサスの構造が解ってないと描けないものだったのに。
あれを描いたのは日本でも初だったかと。
素晴らしい技術をロストテクノロジーにしないで欲しい、狂った作画を見続けていたい。
4:27 Batmobile?
It's actually the Lynchcar, but it looks a bit like the Batmobile lol
私的には、クラッシャージョウの映画のオープニングのエアカーチェイスもオススメ♪
BGMのブラッドバス・ハイウェイもクール😎
とても良い乗り物アニメです！ 推薦してくれてありがとう