this makes me feel like I'm a teenager in the Bronx in the 1960s but all my friends are black and we go to the jazz club at night wearing zoot suits. I love it
cool sounds man. im seriously getting into jazz after almost 30 years of rock metal neo classical guitar. obviously i have much to learn. but i am enjoying all the new sounds
"Any sufficiently advanced technology is indistinguishable from magic."-- Arthur C. Clarke, English physicist & science fiction author (1917 - ), "'Hazards of Prophecy: The Failure of Imagination'" in the collection Profiles of the Future: An Enquiry into the Limits of the Possible (1962, rev. 1973) Also known as Clarke's third law. en.wikipedia.org/wiki/Clarke%27s_three_laws I read a great comment on a Talking Heads song the other day, where the commenter remarked that "just listening to this makes me feel more intelligent." It's largely a problem of lack of cultural approval that deters people from following their own ability to detect and pursue higher-quality music. Between the socioeconomic accident of one's birth, and then corporate pushing of inferior product and almost-cultic peer pressure, chances are people stay precisely away from music that "sounds like magic" to them... they tend to feel threatened by it. As per their conditioning. Freer and more inventive music appeals to the unconditioned self. Cheers!
And the emergence of spontaneous creative activity aka magic is ? doi: 10.1371/journal.pone.0001679 "We found that improvisation (compared to production of over-learned musical sequences) was consistently characterized by a dissociated pattern of activity in the prefrontal cortex: extensive deactivation of dorsolateral prefrontal and lateral orbital regions with focal activation of the medial prefrontal (frontal polar) cortex. Such a pattern may reflect a combination of psychological processes required for spontaneous improvisation, in which internally motivated, stimulus-independent behaviors unfold in the absence of central processes that typically mediate self-monitoring and conscious volitional control of ongoing performance. Changes in prefrontal activity during improvisation were accompanied by widespread activation of neocortical sensorimotor areas (that mediate the organization and execution of musical performance) as well as deactivation of limbic structures (that regulate motivation and emotional tone). This distributed neural pattern may provide a cognitive context that enables the emergence of spontaneous creative activity".
I don't, but I don't think it's fair for people to insult anyone for their opinion (which it looks like someone did to you both). I'm starting from the beginning and listening to every album, but the electric era is my favourite. Either way, this album is great, and we're talking about Miles Davis, who has many amazing eras. Sorry that someone had to insult you for your opinion.
ON THE CORNER was my first jazz purchase. In college I bought KIND OF BLUE. Older jazz fans, many dead now, loathed what was wrought by ON THE CORNER but jazz might had lost all popular relevance. MILES SAVED JAZZ. If you loathed fusion you missed the future.
no his first recordings where on Modern Jazz Trumpets released by prestige >en.wikipedia.org/wiki/Modern_Jazz_Trumpets, it is the first miles album tough.
Thanks for this upload. Just a question: Is this from CD, or did you upload the original vinyl, the 10"-LP from 1952? If you are lucky and own this 10", has "Dig" also this ridiculous echo like on all subsequent 12"-releases?
Theres a youtube video of Miles being invited to join Prince on the stage. So Prince goes to all this trouble to set Miles up,for the perfect entrance. And Miles just stands there.It might have petfect for Prince, but Miles doesnt play backup for ANYBODY! So Miles is just standing thrre. And you see Prince throwing both arms up, like WTF! I set you up ! And now youre balking. Its funny as hell
It might be asking for too much but I'd really use a mp3 or flac delivery of this. This is a true rarity and I'm a collectioner myself so if you're able please release it on some ddl platform!
If I'm not mistaken....Miles spoke very highly of this Sextet, He was able to put together, in His autobiography. It sounds like a child of the first collaboration He had with Gil Evans in 1948. He said something about a slight connection to the Group with Cannonball and Coltrane.
先週 偶然にもレンタル屋さんで売っていた「ペーパームーン」のDVDを買いました。マイルスの演奏をたのしみに聞きます。
this makes me feel like I'm a teenager in the Bronx in the 1960s but all my friends are black and we go to the jazz club at night wearing zoot suits. I love it
50s..
40s@@maximilianogabriel9982
A-Side
0:00 Conception (Shearing)
4:02 Dig (Davis)
B-Side
11:42 My old flame (Coslow, Johnston)
18:20 It's only a paper moon
@meisterEck “Dig” is a Jackie McLean tune.
Sonny Rollins is audibly struggling with his reed on the last couple of tracks, but still producing beautiful sounds. What a guy.
Too bad he didn't have your father Gil to channel him.
thats what makes this real af not like today's polished auto tuned garbage
Amazing!
0:00 Conception (Shearing)
4:02 Dig (Davis)
11:42 My old flame (Coslow, Johnston)
18:20 It's only a paper moon
Great recordings, thanks !
This is awesome
Thanks for upload it!
Wow, great classic post!
cool sounds man. im seriously getting into jazz after almost 30 years of rock metal neo classical guitar. obviously i have much to learn. but i am enjoying all the new sounds
How's your journey so far?
@@SnowTheJamMan He died
J P 😂😂
@@cattusfattus6369 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
,,,
Thanks for posting!!!!!!
I feel like a dumb caveman when I listen to this. It just sounds like magic to me.
"Any sufficiently advanced technology is indistinguishable from magic."-- Arthur C. Clarke, English physicist & science fiction author (1917 - ), "'Hazards of Prophecy: The Failure of Imagination'" in the collection Profiles of the Future: An Enquiry into the Limits of the Possible (1962, rev. 1973) Also known as Clarke's third law. en.wikipedia.org/wiki/Clarke%27s_three_laws I read a great comment on a Talking Heads song the other day, where the commenter remarked that "just listening to this makes me feel more intelligent." It's largely a problem of lack of cultural approval that deters people from following their own ability to detect and pursue higher-quality music. Between the socioeconomic accident of one's birth, and then corporate pushing of inferior product and almost-cultic peer pressure, chances are people stay precisely away from music that "sounds like magic" to them... they tend to feel threatened by it. As per their conditioning. Freer and more inventive music appeals to the unconditioned self. Cheers!
Wow what a good answer!
Nah you are a human and you notice that it is magic. Pure spirit flowing through flesh vessels
It is magic, pure magic!
And the emergence of spontaneous creative activity aka magic is ?
doi: 10.1371/journal.pone.0001679
"We found that improvisation (compared to production of over-learned musical sequences) was consistently characterized by a dissociated pattern of activity in the prefrontal cortex: extensive deactivation of dorsolateral prefrontal and lateral orbital regions with focal activation of the medial prefrontal (frontal polar) cortex. Such a pattern may reflect a combination of psychological processes required for spontaneous improvisation, in which internally motivated, stimulus-independent behaviors unfold in the absence of central processes that typically mediate self-monitoring and conscious volitional control of ongoing performance. Changes in prefrontal activity during improvisation were accompanied by widespread activation of neocortical sensorimotor areas (that mediate the organization and execution of musical performance) as well as deactivation of limbic structures (that regulate motivation and emotional tone). This distributed neural pattern may provide a cognitive context that enables the emergence of spontaneous creative activity".
Maybe not as subtle or intricate as something like 'KOB,' but I'm digging the energy and groove here. :-)
Thank you. I far prefer this to his work in the seventies.
@Marcelo Muller why ? me too ! i liked Miles until he turned electric. then that was the end for me. don't insult people. they will insult you too !
lendallpitts me too
both periods are amazing !!
I don't, but I don't think it's fair for people to insult anyone for their opinion (which it looks like someone did to you both). I'm starting from the beginning and listening to every album, but the electric era is my favourite. Either way, this album is great, and we're talking about Miles Davis, who has many amazing eras. Sorry that someone had to insult you for your opinion.
ON THE CORNER was my first jazz purchase. In college I bought KIND OF BLUE. Older jazz fans, many dead now, loathed what was wrought by ON THE CORNER but jazz might had lost all popular relevance. MILES SAVED JAZZ. If you loathed fusion you missed the future.
interesting to see what he sounded like in the early 50s.
0:01 ‘Deception’ from Birth Of The Cool album is just ‘Conception’. I’ve been deceived Miles!
I just thought the same thing! (-:
I thought I'd heard this on birth of the cool, and there it was. DECEPTION!
Amazing the first period of Miles; is this genre bebop?
yup, you recognize it better from the first two pieces: the melodic patterns and the strict rythmical movement they take that almost break your neck.
the firsth miles?
I think so
no his first recordings where on Modern Jazz Trumpets
released by prestige >en.wikipedia.org/wiki/Modern_Jazz_Trumpets, it is the first miles album tough.
How/where in the world did you get this? I can’t find it anywhere.
Try Amazon, Kraig
What a shame the double bass is difficult to listen to...
Thanks for this upload. Just a question: Is this from CD, or did you upload the original vinyl, the 10"-LP from 1952? If you are lucky and own this 10", has "Dig" also this ridiculous echo like on all subsequent 12"-releases?
Love this Miles period. The only difference between Miles and Prince was Miles didn't have the technology early on that was available to Prince
.
Theres a youtube video of Miles being invited to join Prince on the stage.
So Prince goes to all this trouble to set Miles up,for the perfect entrance.
And Miles just stands there.It might have petfect for Prince, but Miles doesnt play backup for ANYBODY!
So Miles is just standing thrre. And you see Prince throwing both arms up, like WTF! I set you up ! And now youre balking.
Its funny as hell
early 1950s jazz sound
It might be asking for too much but I'd really use a mp3 or flac delivery of this. This is a true rarity and I'm a collectioner myself so if you're able please release it on some ddl platform!
beggars cant be choosers
🙄🌱🌷❤️
Has sense only if recorded at 1sr take
“Dig” is a Jackie McLean tune, not a Miles tune.
If I'm not mistaken....Miles spoke very highly of this Sextet, He was able to put together, in His autobiography. It sounds like a child of the first collaboration He had with Gil Evans in 1948. He said something about a slight connection to the Group with Cannonball and Coltrane.