This is the most insane video! It’s incredible! Thank you for providing such considered and well thought out material! I’m having to watch this several times to completely take it all in. Thank you 🙏🏻
Love your vids brother Thank you so much 5:12 That’s a beautiful chord The 5th (G) is omitted in that particular finger placement. Dropping the 5th on dominant 7ths is what makes it so sweet (just like dropping a 3rd on an 11th chord). Let’s you add other notes with your little finger, like the 9th (D) or sharp 9th (D#).
Oh my G!!!! This is the closest Ive ever come to understanding what's going on beyond the diatonic!!!! This is HUGE!!! Thank you so much for sharing this!!!! That dom7 is such a trickster! I've never understood it before away from using it as the 5th.. this takes it to a whole other level.. so grateful!!! Thank you!!! Bless 🤯🙏🕊️✨👼
Fantastic video! There is one thing I would adjust though. You said "The tritone is only found in the dominant chord. That's what makes it unique." The tritone is also in all types of diminished chords. They're related to dominant chords but they're a different type of chord.
Thank you! Very well explained, and I learned some new terminology! Like adding 9th and 11th adds color, whereas messing with that tritone ("alterations") adds tension. I like the way you explained it in terms of the diatonic position of the chord in the key. (Which, of course, is the only way it makes sense!) Geez, I've learned a lot about music theory to follow this. 19:19 I like the way you could change to a D Maj (instead of D-min), in which case you could've actually changed key. This is all very interesting to me, in terms of my composing. I usually just stick with Blues when I'm fooling around, but when I'm composing, that's a different story. All in all, this has been very informative, and came at a great time! 👌 👍 🤪 EDIT: Thanks for ending up with the tritone subbing in the Blues! Love it.
@@Darrenbrown68 yes, the augmented chord is defined by having a #5 - and there are other chords that have one of these alterations, however only dominant chords can have all 4 alterations and use different combinations of them to create degrees of tension
What an insanely comprehensive, clear amazing lesson. If you’re learning and stumbled on this, watch this one lesson and you get to skip a semester of music school
This is the most insane video! It’s incredible! Thank you for providing such considered and well thought out material! I’m having to watch this several times to completely take it all in. Thank you 🙏🏻
I discovered and understood a lot !
Your video is very well edited, with meaninful content.
Thanks and Bravo !
Amazing lesson!! Thanks!!
Love your vids brother
Thank you so much
5:12
That’s a beautiful chord
The 5th (G) is omitted in that particular finger placement.
Dropping the 5th on dominant 7ths is what makes it so sweet (just like dropping a 3rd on an 11th chord).
Let’s you add other notes with your little finger, like the 9th (D) or sharp 9th (D#).
You are my favorite teacher, thank you!
Oh my G!!!! This is the closest Ive ever come to understanding what's going on beyond the diatonic!!!! This is HUGE!!! Thank you so much for sharing this!!!! That dom7 is such a trickster! I've never understood it before away from using it as the 5th.. this takes it to a whole other level.. so grateful!!! Thank you!!! Bless 🤯🙏🕊️✨👼
It's like learning theory from a nice Kylo Ren.
Really great practical theory on the music I love.
Brilliant, keep on doing what you’re doing.
Thank you for sharing these hints and tips
Fantastic video! There is one thing I would adjust though. You said "The tritone is only found in the dominant chord. That's what makes it unique." The tritone is also in all types of diminished chords. They're related to dominant chords but they're a different type of chord.
A simple yet effective way to spice things up! Thank you for this super helpful tutorial.😊
Thank you!
Very well explained, and I learned some new terminology! Like adding 9th and 11th adds color, whereas messing with that tritone ("alterations") adds tension.
I like the way you explained it in terms of the diatonic position of the chord in the key. (Which, of course, is the only way it makes sense!)
Geez, I've learned a lot about music theory to follow this.
19:19 I like the way you could change to a D Maj (instead of D-min), in which case you could've actually changed key.
This is all very interesting to me, in terms of my composing.
I usually just stick with Blues when I'm fooling around, but when I'm composing, that's a different story.
All in all, this has been very informative, and came at a great time!
👌 👍 🤪
EDIT: Thanks for ending up with the tritone subbing in the Blues!
Love it.
Brilliant. Thanks. 👍
Do alts only work on 7ths or Dominant chords? Isn’t an Aug chord just a major triad with a #5?
@@Darrenbrown68 yes, the augmented chord is defined by having a #5 - and there are other chords that have one of these alterations, however only dominant chords can have all 4 alterations and use different combinations of them to create degrees of tension
Amazing/ thanksomach
What an insanely comprehensive, clear amazing lesson. If you’re learning and stumbled on this, watch this one lesson and you get to skip a semester of music school
An idea for video:
"Why my songs sounds all the same, but not the cool way like Coldplay"