You betcha, been using the individual color channel curve with masks quite a bit. That sky selection tip was awesome, one of the single best tips for LR that anyone has ever handed-out, thanks.
I hope you told Adobe about the sky selection weirdness, then again with some exploration it might become a feature! Excellent video. You are easy to understand, pace is perfect (for me). Thanks for doing this work.
@@DickHoskins My next video that'll go live tomorrow covers five of the most significant differences between Lightroom on the Desktop and Mobile. Not exactly LR weirdness, but I think it'll be helpful nonetheless!
Nice video. Your presets are top-notch. Would like to see more luts from you. The ones from you that I puchased were the best set of luts I have found.
Great video as always Brian. i have purchased your preset pack and would highly recommend them to anybody that is thinking of buying them. A great timesaver and thanks for the updated pack as well. The curves makes a huge difference.
That is an especially kind thing to write, David! It means the world to me that you’re enjoying the presets! Thank you for your support and for this wonderful testimonial!
You’re welcome! It’s definitely not the most glamorous new feature, but I’ve gotta say… it is especially powerful. I mean, editing curves has always been powerful, but it’s next level now that I can edit them on each adaptive mask.
That was excellent thank you. Especially the subtract mask tip . I’m rather hoping they’ll allow colour grading and camera calibration within masks shortly also. Currently I do that as a smart object in PS camera raw filter and mask after
I am really surprised by the trick on refining the mask duplicating and inverting the first one. I do hope Adoble fixes this issue soon !!!. I figure out you use this trick on the presets on sale, don't you?. Thanks Brian
Right?! You’d think it would have been fixed by now, but I guess not. At least we know about it and it still yields better results. Thanks for watching and commenting!
That is some amazing feature. I use sky masking in camera raw a lot, this will definitely add to my workflow. Do you have any video in regards to bracketing photos? I’m big in bracketing especially in camera raw. Often it will give me reasonably satisfying results but often as well I find it lacking too. Often my impression is the HDR image it produces is just a very similar version of one of the bracketed underexposed photos I loaded up in ACR. Anyhow, thatS my gripe about that. Great video and great channel for photographers. Subscribed.
I don’t have any recent videos covering HDR bracketing, but I may look into that. Usually, when I tone-map brackets, the output file is somewhat flat. But, I do get way more flexibility when editing tones, especially compared to editing a single exposure. If the output file looks more like one of the underexposed brackets, it may mean that you’re not feeding in enough overexposed brackets. But, it’s hard to say without seeing the actual images.
Yeah, I have no idea why that second pass yields so much better results. I can't imagine that it's "working as intended" by Adobe. You'd expect to get that cleaner mask with the initial selection. Hopefully, they'll recognize this weird workaround and fix it with a retrained AI model.
*Do you see yourself using this new mask curve editing tool with your photos?*
I usually use the brush tool to subtract the fringing.
You betcha, been using the individual color channel curve with masks quite a bit. That sky selection tip was awesome, one of the single best tips for LR that anyone has ever handed-out, thanks.
I hope you told Adobe about the sky selection weirdness, then again with some exploration it might become a feature! Excellent video. You are easy to understand, pace is perfect (for me). Thanks for doing this work.
Please let us know about other LR weirdnesses. Thank you!
@@DickHoskins My next video that'll go live tomorrow covers five of the most significant differences between Lightroom on the Desktop and Mobile. Not exactly LR weirdness, but I think it'll be helpful nonetheless!
Brian, thanks for the push toward curves. I know how to use them, but need to move them up the priority ladder for my processing. 😎🤙
Awesome, Brian. I might have overlooked this new feature without your video. 👍😀
Glad to help!
Nice video. Your presets are top-notch. Would like to see more luts from you. The ones from you that I puchased were the best set of luts I have found.
I'm assuming all the wedding shots were yours- NICE work!
Great video Brian
Thank you!
Great video Brian. You earned a subscriber with this video.
Thanks so much for the kind words! Glad to have you here 😊
Great video as always Brian. i have purchased your preset pack and would highly recommend them to anybody that is thinking of buying them. A great timesaver and thanks for the updated pack as well. The curves makes a huge difference.
That is an especially kind thing to write, David! It means the world to me that you’re enjoying the presets! Thank you for your support and for this wonderful testimonial!
@@brianmatiash NP, thank you
super tuto. enjoying landscape ai v3 presets :-)
Thanks so much for your support!!
Wonderful and I'll get your presets too.
Very grateful, Martin! Thank you!
Thanks for the video and the tip, had not yet realised tones curves could be used with masks. Great thing to know for future images.
You’re welcome! It’s definitely not the most glamorous new feature, but I’ve gotta say… it is especially powerful. I mean, editing curves has always been powerful, but it’s next level now that I can edit them on each adaptive mask.
Very helpful video! Thank you.
Thank you very much!💞👍
Thanks for the video but I will stay with Luminosity masks in PS where I have more control.
That was excellent thank you. Especially the subtract mask tip . I’m rather hoping they’ll allow colour grading and camera calibration within masks shortly also. Currently I do that as a smart object in PS camera raw filter and mask after
Color grading would be very interesting. I’d love to see that too! And you’re most welcome!
I am really surprised by the trick on refining the mask duplicating and inverting the first one. I do hope Adoble fixes this issue soon !!!. I figure out you use this trick on the presets on sale, don't you?.
Thanks Brian
Right?! You’d think it would have been fixed by now, but I guess not. At least we know about it and it still yields better results. Thanks for watching and commenting!
That is some amazing feature. I use sky masking in camera raw a lot, this will definitely add to my workflow. Do you have any video in regards to bracketing photos? I’m big in bracketing especially in camera raw. Often it will give me reasonably satisfying results but often as well I find it lacking too. Often my impression is the HDR image it produces is just a very similar version of one of the bracketed underexposed photos I loaded up in ACR. Anyhow, thatS my gripe about that. Great video and great channel for photographers. Subscribed.
I don’t have any recent videos covering HDR bracketing, but I may look into that. Usually, when I tone-map brackets, the output file is somewhat flat. But, I do get way more flexibility when editing tones, especially compared to editing a single exposure. If the output file looks more like one of the underexposed brackets, it may mean that you’re not feeding in enough overexposed brackets. But, it’s hard to say without seeing the actual images.
thats insane, i guess the AI in the second pass which is later inverted, somehow improved/learned from its first pass. interesting!!
Yeah, I have no idea why that second pass yields so much better results. I can't imagine that it's "working as intended" by Adobe. You'd expect to get that cleaner mask with the initial selection.
Hopefully, they'll recognize this weird workaround and fix it with a retrained AI model.